The Japanese word "Gongyo" literally means "assiduous practice." Generally speaking it means to recite Buddhist sutras in front of an object of worship.
In the practice of Nichiren Daishonin's Buddhism it means reciting Nam-myoho-renge-kyo, and part of the second chapter "Hoben" and the entire sixteenth "Juryo" chapter of the Lotus Sutra in front of the Gohonzon.
This is the fundamental practice, which is performed every morning and evening.
In the practice of Nichiren Daishonin's Buddhism it means reciting Nam-myoho-renge-kyo, and part of the second chapter "Hoben" and the entire sixteenth "Juryo" chapter of the Lotus Sutra in front of the Gohonzon.
This is the fundamental practice, which is performed every morning and evening.
Gongyo are a series of prayers that include the recitation of 2nd and 16th chapter of the Lotus Sutra along with chanting Nam-myoho-renge-kyo, is conducted twice daily. All five prayers are offered in the morning, and the second, third and fifth prayers are recited in the evening.
Proper Pronunciation:
The sutra book uses the Hepburn system of romanization:
Vowels:
a as in car
e as in ten
i as in machine
o as in horn
u as in rule
y as in yet
ai as in Thailand
ui as in Louie
The sutra book uses the Hepburn system of romanization:
Vowels:
a as in car
e as in ten
i as in machine
o as in horn
u as in rule
y as in yet
ai as in Thailand
ui as in Louie
Consonants:
g as in get
j as in joy
ts as in bets
h as in hello
g as in get
j as in joy
ts as in bets
h as in hello
Rhythm
As a general rule, there is one Chinese character for each beat, with the following exceptions:
shigi (one beat)
shari-hotsu (two beats)
hara-mitsu (two beats)
shaka-muni-butsu (three beats)
As a general rule, there is one Chinese character for each beat, with the following exceptions:
shigi (one beat)
shari-hotsu (two beats)
hara-mitsu (two beats)
shaka-muni-butsu (three beats)
Tone
Along with correct pronunciation and steady rhythm, it is also important to maintain a stable tone, neither raising nor lowering one's pitch unnecessarily.
Along with correct pronunciation and steady rhythm, it is also important to maintain a stable tone, neither raising nor lowering one's pitch unnecessarily.
THE SUTRA RECITATION
The SGI-USA offers the following guidelines on how to perform sutra recitation both for personal practice and at SGI-USA activities. These guidelines should also serve as the standard for teaching new members.
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