Spreading the wonders and joy of Nichiren Buddhism through articles, experiences, art, music, film, comedy and pop culture plus my own thoughts
Showing posts with label Nichiren Buddhism. Show all posts
Showing posts with label Nichiren Buddhism. Show all posts
Jan 17, 2016
Oct 31, 2014
Boy George: 'I'm Catholic In My Complications And Buddhist In My Aspirations'
Watch Interview here
Boy George offered an eloquent explanation of his evolving spirituality during a conversation with HuffPost Live on Wednesday.
The music icon, who is set to reunite with his band Culture Club for a tour this year, is a mix of many ideas. He had a "strong Catholic upbringing," he eventually became a vegetarian thanks to preaching from Hare Krishna devotees, and he's practiced Nichiren Buddhism for the last four years.
"I always say I'm Catholic in my complications and Buddhist in my aspirations," Boy George told HuffPost Live's Caroline Modarressy-Tehrani.
Embracing Buddhism, which includes "morning gongyo," has made a significant impact on him.
"It's a practice that improves my life on a daily basis," Boy George said. "It changes the way I behave. It changes the way I behave towards myself, towards other people, and I would highly recommend it."
TheHuffingtonPost.com, Inc
Boy George offered an eloquent explanation of his evolving spirituality during a conversation with HuffPost Live on Wednesday.
The music icon, who is set to reunite with his band Culture Club for a tour this year, is a mix of many ideas. He had a "strong Catholic upbringing," he eventually became a vegetarian thanks to preaching from Hare Krishna devotees, and he's practiced Nichiren Buddhism for the last four years.
"I always say I'm Catholic in my complications and Buddhist in my aspirations," Boy George told HuffPost Live's Caroline Modarressy-Tehrani.
Embracing Buddhism, which includes "morning gongyo," has made a significant impact on him.
"It's a practice that improves my life on a daily basis," Boy George said. "It changes the way I behave. It changes the way I behave towards myself, towards other people, and I would highly recommend it."
TheHuffingtonPost.com, Inc
Aug 28, 2014
The Heart is Most Important
The human heart is sensitive, multifaceted and rich; it has the capacity for magnificent achievement. For that very reason, the heart often undergoes great suffering and torment, and can become trapped in an endless, downward spiral. Will we transmigrate forever along the paths of evil, or can we succeed in directing our lives into an orbit of good? As evidenced in many of his writings, Nichiren repeatedly stresses the crucial importance of life, the potential resides for dramatic shifts from evil to good or good to evil. That is why Nichiren's teaching of enlightenment can be viewed as a process that begins with inner change. In other words, through the power of faith, we can defeat the negative functions inside of us that are governed by the fundamental darkness in all human hearts and manifest the positive functions of life that are one with Dharma nature- our Buddhahood.
Living Buddhism- Sept- Oct 2006
Aug 4, 2014
Viewing Illness as an Opportunity
"Buddhism views illness as an opportunity to attain a higher, nobler state of life. It teaches that, instead of agonizing over a serious disease or despairing of ever overcoming it, we should use illness as a means to build a strong, compassionate self, which in turn will make it possible for us to be truly victorious. This is what Nichiren meant when he stated, 'Illness gives rise to the resolve to attain the way'"
(Unlocking the Mysteries of Birth and Death, p. 53).
Jul 3, 2014
Source of Victory
Faith is the source of victory for everything. It is the foundation of our Buddhist practice for the happiness of ourselves and others. It is the key to carrying out our human revolution and transforming our karma. It is the sharp sword for cutting through the force for kosen-rufu, and for realizing lasting peace and prosperity based on the humanistic principles of Nichiren Buddhism.
~ Living Buddhism 2012
May 11, 2014
People From All Ethnicities Turning To Buddhism For Strength
People From All Ethnicities Turning To Buddhism For Strength
Buddhism is oftentimes viewed as a mysterious Eastern religion. A series circulating on the web is helping to change that perception. Joining us this week on MY Lifestyle Extra is Jeremy Joffee, an award-winning filmmaker who received a student Academy Award from the Academy of Motion Picture Arts and Sciences.
His current project, “Buddhist In America,” tells the inspiring stories of people from different ethnicities who have turned to Nichiren Buddhism for strength and to overcome their problems. Watch the video for a peek at one of the touching stories of a woman with Latin roots who turned to the faith during a difficult period in her life.
MY Lifestyle Magazine is a boutique publication for chic bicultural Latinos. From health, beauty, travel, entertainment and fashion, this national publication reveals all the latest cultural styles and trends. It is the first multimedia platform for bicultural readers, as 85 percent of the content is in English and 15 percent in Spanish.
Buddhism is oftentimes viewed as a mysterious Eastern religion. A series circulating on the web is helping to change that perception. Joining us this week on MY Lifestyle Extra is Jeremy Joffee, an award-winning filmmaker who received a student Academy Award from the Academy of Motion Picture Arts and Sciences.
His current project, “Buddhist In America,” tells the inspiring stories of people from different ethnicities who have turned to Nichiren Buddhism for strength and to overcome their problems. Watch the video for a peek at one of the touching stories of a woman with Latin roots who turned to the faith during a difficult period in her life.
MY Lifestyle Magazine is a boutique publication for chic bicultural Latinos. From health, beauty, travel, entertainment and fashion, this national publication reveals all the latest cultural styles and trends. It is the first multimedia platform for bicultural readers, as 85 percent of the content is in English and 15 percent in Spanish.
Aug 29, 2013
The Art of Listening with the Eyes of the Buddha
I think the ability to hear ourselves, and the ability to see everything
from the viewpoint of Nichiren Daishonin's Buddhism, means to be able
to view all of life from the standpoint of the law of causality.
THE GOHONZON IS NOT OUTSIDE US
I find that so many people still chant to the Gohonzon as if it were some God or some force outside of themselves. The attitude with which we chant, and the attitude with which we view the Gohonzon is most important, because if we have a distorted view, we will have a distorted practice, and it is that distorted practice and view, that we will teach to others.
We know from study that the characters on the Gohonzon represent the two sides of life and all of the positive/negative attributes that exist within life, including that fundamental darkness that coexists within every human life. Nichiren Daishonin says that there is no life that has one without the other. The characters representing both aspects of life are written on the Gohonzon. For me what is exciting is to know, that even without my being able to read it, Nichiren Daishonin wrote all of these characters on the Gohonzon, which represent every aspect of life, in such a way that every character is looking at the centre just like you and me. Every character is looking at Nam-Myoho-Renge-Kyo. Think about the Ceremony in the Air. Nam-Myoho-Renge-Kyo is the axis of the universe and we're forming a circle around that axis.
All of us are looking at Nam-Myoho-Renge-Kyo. It is the centre that every character is looking at. Why? It is because Nichiren Daishonin is giving us a continual message every time we look at the Gohonzon. The message is that we must base our life on the Law and never on the person. It is the mystic law that has enabled every Buddha throughout eternity to be able to manifest their fullest potential, and that it is the key, which is the centre, for everything. We have to make Nam-Myoho-Renge-Kyo the center of our life and we have to base our life on Nam-Myoho-Renge-Kyo. It means being able to see and to hear ourselves. It means that whenever we are facing a problem, we don't just try to use our brain to figure it out, or strategise how to fix it. Many members still do this, and after they have racked their brain as to what to do in order to get from Point A to Point B or to fix the problem, they then chant the solution to the Gohonzon to make it work! (laughter). I think that this is practicing incorrectly. Let me tell you why.
THE GOHONZON IS NOT OUTSIDE US
I find that so many people still chant to the Gohonzon as if it were some God or some force outside of themselves. The attitude with which we chant, and the attitude with which we view the Gohonzon is most important, because if we have a distorted view, we will have a distorted practice, and it is that distorted practice and view, that we will teach to others.
We know from study that the characters on the Gohonzon represent the two sides of life and all of the positive/negative attributes that exist within life, including that fundamental darkness that coexists within every human life. Nichiren Daishonin says that there is no life that has one without the other. The characters representing both aspects of life are written on the Gohonzon. For me what is exciting is to know, that even without my being able to read it, Nichiren Daishonin wrote all of these characters on the Gohonzon, which represent every aspect of life, in such a way that every character is looking at the centre just like you and me. Every character is looking at Nam-Myoho-Renge-Kyo. Think about the Ceremony in the Air. Nam-Myoho-Renge-Kyo is the axis of the universe and we're forming a circle around that axis.
All of us are looking at Nam-Myoho-Renge-Kyo. It is the centre that every character is looking at. Why? It is because Nichiren Daishonin is giving us a continual message every time we look at the Gohonzon. The message is that we must base our life on the Law and never on the person. It is the mystic law that has enabled every Buddha throughout eternity to be able to manifest their fullest potential, and that it is the key, which is the centre, for everything. We have to make Nam-Myoho-Renge-Kyo the center of our life and we have to base our life on Nam-Myoho-Renge-Kyo. It means being able to see and to hear ourselves. It means that whenever we are facing a problem, we don't just try to use our brain to figure it out, or strategise how to fix it. Many members still do this, and after they have racked their brain as to what to do in order to get from Point A to Point B or to fix the problem, they then chant the solution to the Gohonzon to make it work! (laughter). I think that this is practicing incorrectly. Let me tell you why.
When we talk about the nine levels of consciousness, the first five are our senses. Sight, Hearing, Smell, Taste and Touch. The sixth level is the conscious mind. The seventh is the unconscious mind. The eighth level is what we call the karma storage area, which is that area in our life that has accumulated every cause we have ever made throughout all existences. Below that is the ninth level of consciousness, which Buddhism says, is the one pure, unchanging reality of our life.
Every single one of us has fortune and lack of fortune in our life. In the areas in which we have fortune, we can do the same things we see other people do and we can achieve our goals but in the areas of your life where you lack fortune, you can do the identical thing you see your neighbour doing, but the object of your desire seems to move further and further away (laughter), right?
EXCHANGING MISFORTUNE FOR FORTUNE
When we are dealing with problems in our lives, they have a causal connection to us. Many times they come from that place in our life where we lack fortune. And so, if we use our brain to strategize how to fix things, our brain can only go to the eighth level of consciousness, which is the karma storage. That is the area which stores up and accumulates all of the causes we have ever made, and it's seems to be the place in which; WE DO NOT SEEM TO HAVE FORTUNE (laughter). Our brain then devises a solution based on lack of fortune. By following this "mental" solution, we will keep reinforcing the same pattern of karmic tendencies over and over in our lives.
But what Nichiren teaches is that by chanting Nam-Myoho-Renge-Kyo you can pierce through the eighth level of karma storage. Pierce through it, be unaffected by it, and you can reach the pure unchanging reality and infinite wisdom of your life that is unaffected by karma storage. That answer is the correct answer for your life. It's not affected by your karma in the area in which you lack fortune. And this is why I believe Nichiren Daishonin says we must become the master of our mind rather than allowing our mind to master us.
My point is this; when we pray, we need to start from a determination such as: "I will accomplish X," (whatever X is). We also have to understand from Buddhism that we create our life every moment through our thoughts, our words, and our behavior.
Prayer in Nichiren Daishonin's Buddhism is profoundly different from prayer in other religions. We are not praying to something outside of ourselves to bestow something on us. Instead, our prayer here is the determination that; "I will create the object or thing that I am praying for through my causes of thought, words, and actions. I am the creator of my life and I will take the responsibility to create the thing that I am praying for, and that after I have chanted this kind of determined daimoku, I will accomplish X." I then must come to a realization... "How in the world am I going to do this? That answer only exists inside of my life. I can tap my wisdom for the answer when I have the belief and conviction, that the answer exists inside of me." And I start chanting with the determination to pull that wisdom up from within my life to clearly see what it is that I need to do in order to create the thing that I'm praying for. That is why
President Ikeda says:
"Benefit comes from you. Nobody gives you benefit."
Source: THE ART OF LISTENING WITH THE EYES OF THE BUDDHA - By Linda Johnson, SGI-USA WD Leader, Nov 2003 (Abridged), Edited by Adrian Mollica April 6th 2004
Jul 10, 2013
5 Buddhist Thoughts on Bringing Out Your Best Self
by Jihii Jolly
Almost half a year ago many of us made resolutions for the new year. Perhaps we resolved to do more or less of something, depending on if we were in a glass half full or empty kind of mood. For most, resolutions are born of the desire improve the quality of our lives and kick the habits that prevent us from being healthy, productive, and enjoying great relationships.
But to sustain these resolutions is no small feat; we may not even remember what our resolutions were. Bringing out your best self can be terribly challenging when faced with the daily grind of work, or school, topped with the endless cycle of negative media about tragedy, corruption, and war.
Can Buddhism help? Nichiren Buddhism is centered on the lifelong practice of human revolution or bringing forth our inner reserves of courage, wisdom, and compassion to all of our daily actions and interactions.
Here are five Buddhist resolutions (for any time of year!) on bringing out your best self in a very fundamental way, as explained by philosopher Daisaku Ikeda.
1. Find the strength in your weaknesses.
We often lament our weaknesses. Every day we go over our laundry lists of things we’d like to change about ourselves: “I’m too quiet, slow, careless,” etc. What we don’t realize is that each of these shortcomings are actually also indicative of our strengths. “For example,” explains Ikeda, “a person’s shyness can be transformed into valuable qualities such as prudence and discretion, while someone’s impatience might be transformed into a knack for getting things done quickly and efficiently.” (Discussions on Youth pg. 97) What’s most important is that we don’t begrudge ourselves (or anyone around us) for seemingly undesirable characteristics, but instead, focus our energy and intention on making the best use of those characteristics.
2. Face the things that make you unhappy or uncomfortable.
Running away from the things that make us unhappy is actually what causes suffering. We have to “look unflinchingly at the people and things in our lives that are making us unhappy,” writes Ikeda (Discussions on Youth pg. 100). Anxiety, for example, often comes from uncertainty about our future. If we don’t look squarely at what is making us feel this way, our anxiety only grows. Looking at the source of our fears, which are often smaller and more manageable than we think, makes them easier to conquer.
3. Take the first step now, even if it’s a small one.
Buddhism is a philosophy of action. Getting into the habit of immediately taking the first step toward our goals or tasks, even if it’s uncomfortable, propels us toward the next one, and the next one after that. “Life is a struggle with ourselves,” writes Ikeda. “It is a tug-of-war between moving forward and regressing, between happiness and unhappiness.” (Discussions on Youth pg. 98) He encourages young people to try challenging some task--anything at all--and keep at it until they are certain they have done their best. This helps develop the habit of taking action, which is strengthened by the belief we gain in our capacity to actually get things done.
4. See people and situations for what they really are.
According to Buddhism, every person is endowed with the same limitless potential for enlightenment and happiness no matter who they are or what they’ve done. Their worth isn’t determined by social status, success or wealth. If we strive to view people in this manner, we free ourselves from the delusions of hate or jealousy, because we don’t evaluate the people around us as better as or worse than us based on superficial criteria. “[Buddhism] teaches us to look at a person through the eyes of the Law and the eyes of the Buddha,” writes Ikeda. “In other words, to focus on a person’s life, state of being and what is inside, just as it is, free of external embellishments... Truly respectable are those who based their lives on the truth--on the reality of things.” (Discussions on Youth pg. 30)
5. Courage is the key to developing compassion.
What we typically think of as an act of compassion- simply feeling bad for someone or writing a check to a favorite charity-appear not to require courage. However, everyday forms of compassion such as checking in on a friend who hasn’t seemed like themselves lately or speaking out when you see someone being manipulated or used, require tremendous courage. As Ikeda shares, “Courage and compassion are two sides of the same coin. Compassion without courage is not genuine. You may have a compassionate thought or impulse, but if you don’t do or say anything, it’s not real compassion.” By mustering the courage to take action to relieve the sufferings of others, we manifest true compassion. In this way, Ikeda explains, “if we act with courage, we find that our compassion for others grows deeper.” (Discussions on Youth pg. 336)
Jun 11, 2013
The Object of Devotion
By Shin Yatomi SGI-USA Vice Study Department Leader
The following essay was presented at the SGI-USA Study Department conference held at the Florida Nature and Culture Center on April 21-23, 2000.
One of the most debated issues regarding any religious object is whether it is sacred or represents the sacred. Put another way, is it an actual embodiment or symbol of what is to be revered in worship? Those questions about the nature of religious objects have played no small part in the history of religion.
The Iconoclastic Controversy in which Christians debated the merits of religious icons is considered the last step toward the great schism between the Roman Catholic Church and the Greek Orthodox Church in 1054.1 The interpretation of the Eucharist—the consecrated bread and wine used in Holy Communion—has been another source of doctrinal disputes in the Christian Church since the earlier Middle Ages, especially during the Reformation period. At the thirteenth session of the Council of Trent held in 1551, the Roman Catholic Church reaffirmed its doctrine of transubstantiation, asserting the conversion of the whole substance of the bread and wine into the whole substance of the Body and Blood of Christ, only the appearances of the bread and wine remaining after the consecration.2
The Protestants opposed this view. For example, Martin Luther claimed that after the consecration, the substances both of the Body and Blood of Christ and of the bread and wine coexist in union with each other.3 Ulrich Zwingli, on the other hand, affirmed that the Lord's Supper was primarily a memorial rite, and that there was no change in the elements whatever.4
As evident in the history of Christianity, religious objects often trigger tension and anxiety for those who think that the divine is beyond material expression. At the same time, people tend to seek something tangible as an object or expression of their devotion. Some people regard a sign of the divine as the divine itself while others reduce the significance of a sacred object to a ritual symbol devoid of its own spirituality. The nature of a religious object, in this way, is often at the center of theological debate and confusion in many religions.
Is the Gohonzon a Symbol or the Embodiment?
In the case of Nichiren Daishonin's Buddhism, its object of devotion works as both symbol and embodiment. When people look at the Gohonzon5 for the first time, what do they see? What do they make of it' It is a scroll with unfamiliar inscriptions, but is it a religious icon or sacred formula? Whatever their reaction, it is difficult not to notice oriental calligraphic characters arranged in a specific pattern— though most have no idea what those characters mean or why they are arranged that way. As our first impressions of things often reveal some important insights into their nature, what most of us first notice about the appearance of the Gohonzon, that is, its written characters and their graphic arrangement, provides us with some clues to Nichiren Daishonin's intent in creating this object of devotion.
In one sense, the Gohonzon represents the Daishonin's enlightenment and, thereby, our innate Buddha nature. The Gohonzon is a symbol of all people's potential Buddhahood; it signifies something other than itself. This is why the Daishonin explains to his elderly disciple Abutsu-bo the meaning of his offerings to the Gohonzon—which is referred to as “the treasure tower”—as follows: “You may think you offered gifts to the treasure tower of the Thus Come One Many Treasures,6 but that is not so. You offered them to yourself. You, yourself, are a Thus Come One who is originally enlightened and endowed with the three bodies.7 You should chant Nam-myoho-renge-kyo with this conviction” (The Writings of Nichiren Daishonin, pp. 299-300). Here the Daishonin explains that when we pray to the Gohonzon, the Gohonzon is pointing our attention to our own innate Buddha nature. The Gohonzon reflects our reverence back to our supreme inner potential. In this sense, the Gohonzon functions as a pointer to our Buddhahood; it is a symbolic representation. In the above passage, therefore, the Daishonin cautions us not to mistake the sign for the signified, which would externalize and objectify the Buddhahood that actually resides within us.
From another perspective, however, the Gohonzon functions as an embodiment of the Daishonin's enlightenment. The Gohonzon is not intrinsically a self-conscious, living entity embodying the Daishonin's enlightenment, but it functions in our practice as if it were. The Daishonin explains: “I, Nichiren, have inscribed my life in sumi ink, so believe in the Gohonzon with your whole heart. The Buddha's will is the Lotus Sutra, but the soul of Nichiren is nothing other than Nam-myoho-renge-kyo” (WND, 412). When we put our faith in the Gohonzon and pray to it in the spirit of this passage, the Gohonzon transforms itself from mere paper and ink into a concrete manifestation of the Daishonin's enlightenment in the reality of our consciousness. The Gohonzon thus works as an external stimulus that calls forth our inner potential of Buddhahood. On one hand, we know that the Gohonzon is a symbolic representation of our Buddha nature. In our practice, on the other hand, we pray to it as if it were the actual embodiment of the Daishonin's enlightened life so that we may gain confidence that the selfsame nature exists within our lives as well. Viewing the Gohonzon as the embodiment of the Daishonin's enlightenment is not simplistic make-believe, although the Gohonzon physically remains as paper and ink; it is the affirmation of our faith in the Daishonin's enlightenment and in our own enlightened potential. The Gohonzon, in a sense, serves on behalf of the absent Daishonin as a concrete example of attaining enlightenment.
The Gohonzon, in this way, helps our practice as both symbol and embodiment of Buddhahood. It must be noted, however, that the Gohonzon as an embodiment of enlightenment should not be taken to mean the mysterious presence of the divine in the inanimate object. The Gohonzon becomes an embodiment of Buddhahood through our faith and practice. In other words, the importance of the Gohonzon as the embodiment of the Daishonin's enlightenment is meaningful and real only to the extent that practitioners pray to it with faith and view it as an example to follow, not as an external saving force. The meaning of the Gohonzon as intended by the Daishonin, in this sense, is created through a dynamic interaction between the object of devotion and its devotee. The significance of the Gohonzon, therefore, would be incomplete without the practitioner's faith and practice.
The Treasure Tower: the Imagery of the Gohonzon
The design of the Gohonzon dates back to the origin of Mahayana Buddhism, which took shape around the turn of the first century in India. In reaction to monastic Buddhism, which emphasized personal salvation through austerities, Mahayana Buddhists stressed the importance of altruism and the role of lay practitioners (i.e., bodhisattvas) to spread the teachings. The Mahayanists called their doctrine “Mahayana” or “the greater vehicle” to carry the masses to the shore of enlightenment while referring to monastic Buddhism as “Hinayana” or “the lesser vehicle.” The popular Mahayana movement developed around the worship of stupas—mounds or towers originally built to enshrine Shakyamuni's relics. After Shakyamuni's death, which is dated by many scholars around the fourth or fifth century before the Common Era, his lay followers started to build these stupas, especially during the reign of King Ashoka (268-232 BCE), who was the third ruler of the Maurya dynasty and the first king to unify India. Many lay followers gathered around the stupas and paid homage to the Buddha, who was now absent.
The popularity of stupa worship is evident in the central role of the jeweled tower in the Lotus Sutra, one of the early Mahayana sutras, which is thought to have been compiled around the first century.8 The Daishonin used the stupa or “treasure tower” from the Lotus Sutra as a chief graphic motif for inscribing the Gohonzon. Down the center of the Gohonzon is written “Nam-myoho-renge-kyo Nichiren,” which signifies his awakening to the universal law of Nam-myoho-renge-kyo or Buddhahood. As he explains, “The treasure tower is Nam-myoho-renge-kyo” (WND, 299), the Daishonin views the treasure tower depicted in the Lotus Sutra as symbolic of the Buddha nature inherent within the lives of all people. Thus he addresses one of his disciples as follows: “Abutsu-bo is therefore the treasure tower itself, and the treasure tower is Abutsu-bo himself” (WND, 299).
The inscriptions on both sides of “Nam-myoho-renge-kyo Nichiren” on the Gohonzon depict the assembly of various living beings who gather around the treasure tower to listen to Shakyamuni's preaching as described in the Lotus Sutra. Some of them are not even humans, such as the dragon king's daughter who demonstrates her enlightenment. The diversity of this so-called Assembly in the Air in the Lotus Sutra reflects the nature of the early stupa worship, which was not limited to the elite priestly class but was open to people from all walks of life. These inscriptions on the Gohonzon represent the ten states of existence (i.e., the Ten Worlds): intense suffering and despair (Hell); insatiable desires (Hunger); selfish foolishness (Animality); arrogance and belligerence (Anger); transient calmness (Humanity); intense yet temporary rapture (Heaven); self-improvement (Learning); self-awakening to the partial truths of nature and humanity (Realization); altruism (Bodhisattva); and the indestructible state of happiness rooted in compassion and wisdom (Buddhahood). The Gohonzon graphically shows that each of these ten states of existence—when firmly grounded in the law of Nam-myoho-renge-kyo—exhibits its most positive functions to nurture one's life and happiness. For example, although we may find ourselves in the state of Hell, through our prayer to the Gohonzon, we can transform our intense suffering and despair into a source of strength and hope to overcome our difficulties. Incidentally, some ritual aspects involving our practice to the Gohonzon may be reminiscent of the stupa worship of the early Mahayana Buddhists. For example, the sounding of the bell may derive from the offerings of music often performed in front of a stupa. Other offerings to the Gohonzon may also be traced backed to early stupa worship, such as the offerings of flowers and incense as depicted in the Lotus Sutra.
Words and Imagery: Subjective Universality
The mode of expression that the Daishonin chose for the imagery of the treasure tower is unique. He depicted the treasure tower and the surrounding assembly of various beings in written characters. While there are examples of pictorial depictions of the treasure tower or calligraphic religious objects that predate the Gohonzon,9 the Daishonin's imagery of the treasure tower depicted solely in written characters was rare if not unprecedented. His use of graphic characters follows the emphasis placed on scriptures in the Buddhist tradition .After Shakyamuni's death, stupas containing Shakyamuni's relics became objects of veneration among lay practitioners. Soon the pictorial and sculptural images of Shakyamuni and other imagined Buddhas, as well as bodhisattvas and Buddhist deities, were produced as religious icons. Furthermore, especially within the Mahayana tradition, greater emphasis was placed on scriptures, even to the point where people literally worshiped the scrolls of Buddhist texts. For example, in medieval India, the Wisdom (Skt Prajnaparamita) sutras became the objects of devotion among many Mahayana Buddhists.10 Regarding the religious importance of scriptures within the Mahayana tradition, Jacob N. Kinnard comments: “Relics and stupas are certainly worthy of veneration…but the book is more valuable and more valued, because the book is the source of the Tathagata's wisdom, and consequently the source of his attainment of enlightenment, and thus the source of the value of the relics.”11
The Daishonin also often stresses the important role of written materials, particularly the Lotus Sutra. For example, he states: “The Lotus Sutra is both the teaching of the Buddha and the embodiment of the Buddha wisdom. If one puts sincere faith in each character and brushstroke in it, then one will become a Buddha in one's present form” (WND, 969). In refuting medieval Zen Buddhism, which rejected the role of Buddhist scriptures, the Daishonin states: “If one disregards written characters, what else could one regard as the Buddha's work?” (Gosho Zenshu, p. 153). He also writes: “Characters are the forms that manifest the minds of all living beings” (GZ, 380).
The Daishonin's use of written characters as a medium for the Gohonzon reflects his strong belief in the role of written materials in communicating not only the material reality of things, but also the spiritual reality of humanity. The Daishonin's use of the treasure tower's imagery as a graphic motif for the Gohonzon and his use of written characters as a medium of expression show his profound insight into the nature of religious worship. He seems to have understood how an image and a written text speak differently to our minds. In inscribing the Gohonzon as an image expressed in characters, the Daishonin unifies the specificity of a graphic image with the universality of written characters to convey the reality of the Buddha nature that is unique to each person and simultaneously universal to all people. The subjective yet universal aspect of the Buddha nature is at the core of the Daishonin's teaching, which promotes our awareness of the supreme potential not only in our lives but in the lives of others as well.
The Gohonzon is concrete in the sense that it depicts a specific image. But it is not a pictorial image of the treasure tower, Shakyamuni or Nichiren Daishonin himself. If the Gohonzon took such a form, it would be easy to view the Gohonzon as a depiction of someone else's life or an event far removed from our lives. If the Gohonzon were rendered as the Daishonin's image, for example, we might respect it, but we would not identify with it. For we simply don't look like a thirteenth-century Japanese monk! The Daishonin instead created the Gohonzon in characters to depict the specific imagery of the treasure tower from the Lotus Sutra, which symbolizes our innate Buddhahood. Written characters are suited to express universal concepts. But they are often abstract and lack a sense of immediacy. Images, on the other hand, are better suited to elicit personal responses from their viewers because they are more immediate to our senses. The Gohonzon, in terms of its graphic motif and calligraphic medium, is a hybrid of written and visual communication. Judging from the way the Daishonin chose to inscribe the Gohonzon, he probably intended it to communicate both conceptually and sensuously to our minds the universality of the Buddha nature and its immediacy to our lives.
Jean Paul Friedrich Richter, a German literary critic, explains the subjective yet universal nature of poetry as follows: “Poetry should become like the moon, which by night follows one wanderer in the woods from peak to peak and at the same time another from wave to wave and thus attends each, while it simply describes its great arc across heaven and yet ultimately draws it around the earth and around the wanderers also.”12
Richter's analogy of the moon is fit to describe the functions of the Gohonzon. The Gohonzon illuminates the existence of Buddhahood for each practitioner. At the same time, the Gohonzon traces the orbit of enlightenment for all people to see. The Gohonzon—like the moon individually following all travelers on earth—sheds light on the innate Buddhahood in each of us.
The Daishonin's intent to make the Gohonzon's meaning universal to all people is also evident in the linguistic and cultural aspects of the Gohonzon. He used the words and personages of India, China and Japan to depict the Gohonzon.13
Two Buddhist deities are inscribed in a medieval Sanskrit orthography; Great Bodhisattva Hachiman comes from Japanese mythology, and there is the Great Teacher T'ien-t'ai, who established the Lotus Sutra's supremacy in medieval China. In medieval Japan, those three countries were viewed as the entirety of the civilized world. In other words, the Daishonin probably wished to make the Gohonzon universal in its language and content as well.
Some of the physical features of the Gohonzon suggest the Daishonin's minute considerations to make the object of devotion suited to the message that it carries to each and all practitioners: the personal yet universal reality of the Buddha nature. Of course, what is most important in our practice is the act of chanting Nam-myoho-renge-kyo to the Gohonzon. The seemingly minor details of the Gohonzon, however, sometimes reveal much about the Daishonin's wisdom and compassion. The goal of this article is that knowing those details may help us become more aware of the Daishonin's intent behind his inscription of the Gohonzon and thereby pray more strongly and confidently.
1. The Oxford Dictionary of the Christian Church. 3rd edition. Oxford: Oxford University Press, 1997. “Iconoclastic Controversy,” pp. 815-16.
2. Ibid. “Eucharist,” p. 567; “Transubstantiation,” p. 1637.
3. Ibid. “Consubstantiation,” p. 408.
4. Ibid. “Eucharist,” p. 567.
5. The object of devotion in Nichiren Daishonin's Buddhism is called the Gohonzon. “Go” is an honorific prefix, and “honzon” means an object of fundamental respect.
6. Many Treasures is a Buddha who appeared, seated within the treasure tower at the Ceremony in the Air, in order to lend credence to Shakyamuni's teachings in the Lotus Sutra.
7. Three kinds of body that a Buddha possesses, namely: (1) the Dharma body, which indicates the fundamental truth or Law to which a Buddha is enlightened; (2) the reward body, which indicates the wisdom; and (3) the manifested body, or the merciful actions of a Buddha to save people and the physical form that he assumes for that purpose. The three bodies are generally considered to be three different types of Buddhas, but in the Lotus Sutra they are shown to be the three aspects of a single Buddha (“Glossary, ”WND, 1275).
8.Nakamura, Hajime. Indian Buddhism: A Survey with Bibliographical Notes. Delhi: Motilal Banarsidass Publishers, 1989. p. 186.
9. Stone, Jacqueline I. Original Enlightenment and the Transformation of Medieval Japanese Buddhism. Honolulu: University of Hawaii Press, 1999. pp. 272-88.
10. Kinnard, Jacob N. Imaging Wisdom: Seeing and Knowing in the Art of Indian Buddhism. Surrey: Curzon Press, 1999. pp. 114-47.
11. Ibid. p. 119.
12. Richter, Jean Paul Friedrich. “School for Aesthetics.” German Romantic Criticism. The German Library: Vol. 21. Ed. A. Leslie Willson. New York: Continuum, 1982. p. 45.
13. For the meaning of each inscription on the Gohonzon, see the “Diagram of the Gohonzon Transcribed by High Priest Nichikan” and “Further Explanation” in Living Buddhism, November 1997, pp. 16-17, pp. 19-24.
The following essay was presented at the SGI-USA Study Department conference held at the Florida Nature and Culture Center on April 21-23, 2000.
One of the most debated issues regarding any religious object is whether it is sacred or represents the sacred. Put another way, is it an actual embodiment or symbol of what is to be revered in worship? Those questions about the nature of religious objects have played no small part in the history of religion.
The Iconoclastic Controversy in which Christians debated the merits of religious icons is considered the last step toward the great schism between the Roman Catholic Church and the Greek Orthodox Church in 1054.1 The interpretation of the Eucharist—the consecrated bread and wine used in Holy Communion—has been another source of doctrinal disputes in the Christian Church since the earlier Middle Ages, especially during the Reformation period. At the thirteenth session of the Council of Trent held in 1551, the Roman Catholic Church reaffirmed its doctrine of transubstantiation, asserting the conversion of the whole substance of the bread and wine into the whole substance of the Body and Blood of Christ, only the appearances of the bread and wine remaining after the consecration.2
The Protestants opposed this view. For example, Martin Luther claimed that after the consecration, the substances both of the Body and Blood of Christ and of the bread and wine coexist in union with each other.3 Ulrich Zwingli, on the other hand, affirmed that the Lord's Supper was primarily a memorial rite, and that there was no change in the elements whatever.4
As evident in the history of Christianity, religious objects often trigger tension and anxiety for those who think that the divine is beyond material expression. At the same time, people tend to seek something tangible as an object or expression of their devotion. Some people regard a sign of the divine as the divine itself while others reduce the significance of a sacred object to a ritual symbol devoid of its own spirituality. The nature of a religious object, in this way, is often at the center of theological debate and confusion in many religions.
Is the Gohonzon a Symbol or the Embodiment?
In the case of Nichiren Daishonin's Buddhism, its object of devotion works as both symbol and embodiment. When people look at the Gohonzon5 for the first time, what do they see? What do they make of it' It is a scroll with unfamiliar inscriptions, but is it a religious icon or sacred formula? Whatever their reaction, it is difficult not to notice oriental calligraphic characters arranged in a specific pattern— though most have no idea what those characters mean or why they are arranged that way. As our first impressions of things often reveal some important insights into their nature, what most of us first notice about the appearance of the Gohonzon, that is, its written characters and their graphic arrangement, provides us with some clues to Nichiren Daishonin's intent in creating this object of devotion.
In one sense, the Gohonzon represents the Daishonin's enlightenment and, thereby, our innate Buddha nature. The Gohonzon is a symbol of all people's potential Buddhahood; it signifies something other than itself. This is why the Daishonin explains to his elderly disciple Abutsu-bo the meaning of his offerings to the Gohonzon—which is referred to as “the treasure tower”—as follows: “You may think you offered gifts to the treasure tower of the Thus Come One Many Treasures,6 but that is not so. You offered them to yourself. You, yourself, are a Thus Come One who is originally enlightened and endowed with the three bodies.7 You should chant Nam-myoho-renge-kyo with this conviction” (The Writings of Nichiren Daishonin, pp. 299-300). Here the Daishonin explains that when we pray to the Gohonzon, the Gohonzon is pointing our attention to our own innate Buddha nature. The Gohonzon reflects our reverence back to our supreme inner potential. In this sense, the Gohonzon functions as a pointer to our Buddhahood; it is a symbolic representation. In the above passage, therefore, the Daishonin cautions us not to mistake the sign for the signified, which would externalize and objectify the Buddhahood that actually resides within us.
From another perspective, however, the Gohonzon functions as an embodiment of the Daishonin's enlightenment. The Gohonzon is not intrinsically a self-conscious, living entity embodying the Daishonin's enlightenment, but it functions in our practice as if it were. The Daishonin explains: “I, Nichiren, have inscribed my life in sumi ink, so believe in the Gohonzon with your whole heart. The Buddha's will is the Lotus Sutra, but the soul of Nichiren is nothing other than Nam-myoho-renge-kyo” (WND, 412). When we put our faith in the Gohonzon and pray to it in the spirit of this passage, the Gohonzon transforms itself from mere paper and ink into a concrete manifestation of the Daishonin's enlightenment in the reality of our consciousness. The Gohonzon thus works as an external stimulus that calls forth our inner potential of Buddhahood. On one hand, we know that the Gohonzon is a symbolic representation of our Buddha nature. In our practice, on the other hand, we pray to it as if it were the actual embodiment of the Daishonin's enlightened life so that we may gain confidence that the selfsame nature exists within our lives as well. Viewing the Gohonzon as the embodiment of the Daishonin's enlightenment is not simplistic make-believe, although the Gohonzon physically remains as paper and ink; it is the affirmation of our faith in the Daishonin's enlightenment and in our own enlightened potential. The Gohonzon, in a sense, serves on behalf of the absent Daishonin as a concrete example of attaining enlightenment.
The Gohonzon, in this way, helps our practice as both symbol and embodiment of Buddhahood. It must be noted, however, that the Gohonzon as an embodiment of enlightenment should not be taken to mean the mysterious presence of the divine in the inanimate object. The Gohonzon becomes an embodiment of Buddhahood through our faith and practice. In other words, the importance of the Gohonzon as the embodiment of the Daishonin's enlightenment is meaningful and real only to the extent that practitioners pray to it with faith and view it as an example to follow, not as an external saving force. The meaning of the Gohonzon as intended by the Daishonin, in this sense, is created through a dynamic interaction between the object of devotion and its devotee. The significance of the Gohonzon, therefore, would be incomplete without the practitioner's faith and practice.
The Treasure Tower: the Imagery of the Gohonzon
The design of the Gohonzon dates back to the origin of Mahayana Buddhism, which took shape around the turn of the first century in India. In reaction to monastic Buddhism, which emphasized personal salvation through austerities, Mahayana Buddhists stressed the importance of altruism and the role of lay practitioners (i.e., bodhisattvas) to spread the teachings. The Mahayanists called their doctrine “Mahayana” or “the greater vehicle” to carry the masses to the shore of enlightenment while referring to monastic Buddhism as “Hinayana” or “the lesser vehicle.” The popular Mahayana movement developed around the worship of stupas—mounds or towers originally built to enshrine Shakyamuni's relics. After Shakyamuni's death, which is dated by many scholars around the fourth or fifth century before the Common Era, his lay followers started to build these stupas, especially during the reign of King Ashoka (268-232 BCE), who was the third ruler of the Maurya dynasty and the first king to unify India. Many lay followers gathered around the stupas and paid homage to the Buddha, who was now absent.
The popularity of stupa worship is evident in the central role of the jeweled tower in the Lotus Sutra, one of the early Mahayana sutras, which is thought to have been compiled around the first century.8 The Daishonin used the stupa or “treasure tower” from the Lotus Sutra as a chief graphic motif for inscribing the Gohonzon. Down the center of the Gohonzon is written “Nam-myoho-renge-kyo Nichiren,” which signifies his awakening to the universal law of Nam-myoho-renge-kyo or Buddhahood. As he explains, “The treasure tower is Nam-myoho-renge-kyo” (WND, 299), the Daishonin views the treasure tower depicted in the Lotus Sutra as symbolic of the Buddha nature inherent within the lives of all people. Thus he addresses one of his disciples as follows: “Abutsu-bo is therefore the treasure tower itself, and the treasure tower is Abutsu-bo himself” (WND, 299).
The inscriptions on both sides of “Nam-myoho-renge-kyo Nichiren” on the Gohonzon depict the assembly of various living beings who gather around the treasure tower to listen to Shakyamuni's preaching as described in the Lotus Sutra. Some of them are not even humans, such as the dragon king's daughter who demonstrates her enlightenment. The diversity of this so-called Assembly in the Air in the Lotus Sutra reflects the nature of the early stupa worship, which was not limited to the elite priestly class but was open to people from all walks of life. These inscriptions on the Gohonzon represent the ten states of existence (i.e., the Ten Worlds): intense suffering and despair (Hell); insatiable desires (Hunger); selfish foolishness (Animality); arrogance and belligerence (Anger); transient calmness (Humanity); intense yet temporary rapture (Heaven); self-improvement (Learning); self-awakening to the partial truths of nature and humanity (Realization); altruism (Bodhisattva); and the indestructible state of happiness rooted in compassion and wisdom (Buddhahood). The Gohonzon graphically shows that each of these ten states of existence—when firmly grounded in the law of Nam-myoho-renge-kyo—exhibits its most positive functions to nurture one's life and happiness. For example, although we may find ourselves in the state of Hell, through our prayer to the Gohonzon, we can transform our intense suffering and despair into a source of strength and hope to overcome our difficulties. Incidentally, some ritual aspects involving our practice to the Gohonzon may be reminiscent of the stupa worship of the early Mahayana Buddhists. For example, the sounding of the bell may derive from the offerings of music often performed in front of a stupa. Other offerings to the Gohonzon may also be traced backed to early stupa worship, such as the offerings of flowers and incense as depicted in the Lotus Sutra.
Words and Imagery: Subjective Universality
The mode of expression that the Daishonin chose for the imagery of the treasure tower is unique. He depicted the treasure tower and the surrounding assembly of various beings in written characters. While there are examples of pictorial depictions of the treasure tower or calligraphic religious objects that predate the Gohonzon,9 the Daishonin's imagery of the treasure tower depicted solely in written characters was rare if not unprecedented. His use of graphic characters follows the emphasis placed on scriptures in the Buddhist tradition .After Shakyamuni's death, stupas containing Shakyamuni's relics became objects of veneration among lay practitioners. Soon the pictorial and sculptural images of Shakyamuni and other imagined Buddhas, as well as bodhisattvas and Buddhist deities, were produced as religious icons. Furthermore, especially within the Mahayana tradition, greater emphasis was placed on scriptures, even to the point where people literally worshiped the scrolls of Buddhist texts. For example, in medieval India, the Wisdom (Skt Prajnaparamita) sutras became the objects of devotion among many Mahayana Buddhists.10 Regarding the religious importance of scriptures within the Mahayana tradition, Jacob N. Kinnard comments: “Relics and stupas are certainly worthy of veneration…but the book is more valuable and more valued, because the book is the source of the Tathagata's wisdom, and consequently the source of his attainment of enlightenment, and thus the source of the value of the relics.”11
The Daishonin also often stresses the important role of written materials, particularly the Lotus Sutra. For example, he states: “The Lotus Sutra is both the teaching of the Buddha and the embodiment of the Buddha wisdom. If one puts sincere faith in each character and brushstroke in it, then one will become a Buddha in one's present form” (WND, 969). In refuting medieval Zen Buddhism, which rejected the role of Buddhist scriptures, the Daishonin states: “If one disregards written characters, what else could one regard as the Buddha's work?” (Gosho Zenshu, p. 153). He also writes: “Characters are the forms that manifest the minds of all living beings” (GZ, 380).
The Daishonin's use of written characters as a medium for the Gohonzon reflects his strong belief in the role of written materials in communicating not only the material reality of things, but also the spiritual reality of humanity. The Daishonin's use of the treasure tower's imagery as a graphic motif for the Gohonzon and his use of written characters as a medium of expression show his profound insight into the nature of religious worship. He seems to have understood how an image and a written text speak differently to our minds. In inscribing the Gohonzon as an image expressed in characters, the Daishonin unifies the specificity of a graphic image with the universality of written characters to convey the reality of the Buddha nature that is unique to each person and simultaneously universal to all people. The subjective yet universal aspect of the Buddha nature is at the core of the Daishonin's teaching, which promotes our awareness of the supreme potential not only in our lives but in the lives of others as well.
The Gohonzon is concrete in the sense that it depicts a specific image. But it is not a pictorial image of the treasure tower, Shakyamuni or Nichiren Daishonin himself. If the Gohonzon took such a form, it would be easy to view the Gohonzon as a depiction of someone else's life or an event far removed from our lives. If the Gohonzon were rendered as the Daishonin's image, for example, we might respect it, but we would not identify with it. For we simply don't look like a thirteenth-century Japanese monk! The Daishonin instead created the Gohonzon in characters to depict the specific imagery of the treasure tower from the Lotus Sutra, which symbolizes our innate Buddhahood. Written characters are suited to express universal concepts. But they are often abstract and lack a sense of immediacy. Images, on the other hand, are better suited to elicit personal responses from their viewers because they are more immediate to our senses. The Gohonzon, in terms of its graphic motif and calligraphic medium, is a hybrid of written and visual communication. Judging from the way the Daishonin chose to inscribe the Gohonzon, he probably intended it to communicate both conceptually and sensuously to our minds the universality of the Buddha nature and its immediacy to our lives.
Jean Paul Friedrich Richter, a German literary critic, explains the subjective yet universal nature of poetry as follows: “Poetry should become like the moon, which by night follows one wanderer in the woods from peak to peak and at the same time another from wave to wave and thus attends each, while it simply describes its great arc across heaven and yet ultimately draws it around the earth and around the wanderers also.”12
Richter's analogy of the moon is fit to describe the functions of the Gohonzon. The Gohonzon illuminates the existence of Buddhahood for each practitioner. At the same time, the Gohonzon traces the orbit of enlightenment for all people to see. The Gohonzon—like the moon individually following all travelers on earth—sheds light on the innate Buddhahood in each of us.
The Daishonin's intent to make the Gohonzon's meaning universal to all people is also evident in the linguistic and cultural aspects of the Gohonzon. He used the words and personages of India, China and Japan to depict the Gohonzon.13
Two Buddhist deities are inscribed in a medieval Sanskrit orthography; Great Bodhisattva Hachiman comes from Japanese mythology, and there is the Great Teacher T'ien-t'ai, who established the Lotus Sutra's supremacy in medieval China. In medieval Japan, those three countries were viewed as the entirety of the civilized world. In other words, the Daishonin probably wished to make the Gohonzon universal in its language and content as well.
Some of the physical features of the Gohonzon suggest the Daishonin's minute considerations to make the object of devotion suited to the message that it carries to each and all practitioners: the personal yet universal reality of the Buddha nature. Of course, what is most important in our practice is the act of chanting Nam-myoho-renge-kyo to the Gohonzon. The seemingly minor details of the Gohonzon, however, sometimes reveal much about the Daishonin's wisdom and compassion. The goal of this article is that knowing those details may help us become more aware of the Daishonin's intent behind his inscription of the Gohonzon and thereby pray more strongly and confidently.
1. The Oxford Dictionary of the Christian Church. 3rd edition. Oxford: Oxford University Press, 1997. “Iconoclastic Controversy,” pp. 815-16.
2. Ibid. “Eucharist,” p. 567; “Transubstantiation,” p. 1637.
3. Ibid. “Consubstantiation,” p. 408.
4. Ibid. “Eucharist,” p. 567.
5. The object of devotion in Nichiren Daishonin's Buddhism is called the Gohonzon. “Go” is an honorific prefix, and “honzon” means an object of fundamental respect.
6. Many Treasures is a Buddha who appeared, seated within the treasure tower at the Ceremony in the Air, in order to lend credence to Shakyamuni's teachings in the Lotus Sutra.
7. Three kinds of body that a Buddha possesses, namely: (1) the Dharma body, which indicates the fundamental truth or Law to which a Buddha is enlightened; (2) the reward body, which indicates the wisdom; and (3) the manifested body, or the merciful actions of a Buddha to save people and the physical form that he assumes for that purpose. The three bodies are generally considered to be three different types of Buddhas, but in the Lotus Sutra they are shown to be the three aspects of a single Buddha (“Glossary, ”WND, 1275).
8.Nakamura, Hajime. Indian Buddhism: A Survey with Bibliographical Notes. Delhi: Motilal Banarsidass Publishers, 1989. p. 186.
9. Stone, Jacqueline I. Original Enlightenment and the Transformation of Medieval Japanese Buddhism. Honolulu: University of Hawaii Press, 1999. pp. 272-88.
10. Kinnard, Jacob N. Imaging Wisdom: Seeing and Knowing in the Art of Indian Buddhism. Surrey: Curzon Press, 1999. pp. 114-47.
11. Ibid. p. 119.
12. Richter, Jean Paul Friedrich. “School for Aesthetics.” German Romantic Criticism. The German Library: Vol. 21. Ed. A. Leslie Willson. New York: Continuum, 1982. p. 45.
13. For the meaning of each inscription on the Gohonzon, see the “Diagram of the Gohonzon Transcribed by High Priest Nichikan” and “Further Explanation” in Living Buddhism, November 1997, pp. 16-17, pp. 19-24.
Apr 9, 2011
Use Buddhism Teachings for Better Relationships
Applying the Principles of Nichiren Buddhism to All Personal Interactions
Sources: Hochswender, Woody. Martin, Greg. Morino, Ted. The Buddha in
Your Mirror: Practical Buddhism and Search for the Self. CA:
Middleway Press (a division of the SGI-USA), 2001.
Nichiren Buddhism is a faith that lays a lot of stress on personal
development and self-improvement. So, even when it comes to fostering
strong and positive relationships and develop lasting bonds, it is
essential that one makes the desired effort and brings forth a change in
one’s attitude and perspective, a process known as Human Revolution.
Learn how to use the principles of Nichiren Buddhism to improve
relationships and engage in mutually beneficial interactions.
Respect for Everyone
One of the fundamental principles of Nichiren Buddhism is to see the
inherent Buddha nature in everyone and therefore, give due respect.
Nichiren Buddhism stresses that everyone has the inherent wisdom and
compassion to be a Buddha and that is the reason one must not disrespect
or malign another person, because it would be akin to maligning Buddha
himself. Relationships would improve dramatically, if everyone could
accord the other person proper respect and dignity.
Oppose Evil and Corruption
While Nichiren Buddhism does emphasize respect for every human being,
it also, stresses standing up for what is right and opposing injustice
and corruption. It teaches that everyone should exercise courage and
strength in supporting the right and good.
However, the way to fight is not violent and aggressive; rather it is
peaceful and based on effective communication and dialogue. All
relationships would benefit greatly if conflicts are resolved in a
peaceful, non-confrontational manner.
Being Compassionate and Considerate
One of the foremost qualities of Nichiren Buddhism is to have immense
compassion and consideration for everyone. Chanting Nam-myoho-renge-kyo
for the happiness of others is something that most Nichiren Buddhists
do on a regular basis.
Meeting members who need support, encouraging members and simply,
paying attention to others are just some of the things that Nichiren
Buddhists do and that is one reason why relationships between the
members are strong and close-knit.
Taking Responsibility for Your Actions
Being accountable for one’s actions and not blaming others or
circumstances is integral to Nichiren Buddhism. This ensures that every
individual learns to introspect and works at becoming a strong,
confident person who knows that every action, thought and word would
have a corresponding consequence or result. This leads to relationships
that are free of blame, guilt and any negativity.
Improving and Changing Ourselves
According to the principles of Nichiren Buddhism, human revolution or
self-improvement is at the foundation of all successful relationships.
Since the only person upon whom one has real influence is one’s own
self, therefore, it makes sense to improve and change oneself to change
one’s relationships. This could involve becoming strong enough to move
out of an abusive relationship or becoming adaptable and open to a
different perspective.
It is easy to see how simple principles of Nichiren Buddhism can
enable individuals to form strong, meaningful and mutually beneficial
relationships with others around them.
Dec 15, 2010
The Buddha and the Law of Everything
by
Richard Moorman
The purpose of science is to
seek the truth and to understand the workings of everything. Scientists
want to
know not only what goes on at subatomic level but also how the universe
itself
operates. They observe the phenomena around them and develop theories to
explain them. Theories are nothing more than possible explanations of
things
until such time as they can be tested and proved by rigorous experiment.
The purpose of religion is to
seek the truth and to understand the workings of everything. Religions
have
developed in response to mankind’s yearning to know the answers to big
questions such as “Why is the universe there? – How does it work? – What
is the
meaning of life? – How do I fit in? – What am I?” Added to these
philosophical
questions are those expressing deeply felt concerns such as, “Why is
there so
much suffering in the world? – How can I be happy? – What happens when I
die? Theories and philosophies have
been developed to answer these big questions. Often it is accepted that
we can
never fully understand everything and that faith is required in order to
accept
these theories and therefore be happy. Faith might, for example, be in
the
existence of the supernatural, or of a being or beings living in a realm
that
is inaccessible to ordinary humans and who have created things the way
they
are. By their very definition, the existence of such beings cannot be
proved by
experiment.
These two approaches have
traditionally been quite separate and even totally incompatible.
Scientific
proof is fundamentally different from “blind” religious faith. Modern
civilisation, especially in the West, has become increasingly based on
Science,
which has contributed enormous benefits to mankind, and religion has
therefore
been in decline.
The burning desire to
understand everything is still the driving force of Science. When Isaac
Newton
observed an apple falling to the ground, he asked himself why this
should
happen. He did not rest until he had discovered the force of gravity.
His great
discovery, together with his deep understanding of other phenomena, such
as
expressed in his Laws of Motion, are still the basis of the intricate
calculations that enable astronomers to predict the orbits of planets
and their
satellites and military scientists to work out the ballistics of their
weapons.
The scientific world
was revolutionised when Albert Einstein showed how matter and energy are
related and how the effect of gravity is dependent on time, now seen as a
fourth
dimension. He explained that gravity can be considered as “curved space”
a
concept that has enabled astronomers to understand such things as how
the earth
actually manages to stay in orbit around the sun. Everyone knows of his
famous
equation e = mc², where e is energy, m is mass and c is the speed of
light.
Knowledge of this relationship is not the same as really understanding
it and
only physicists can form a concept of it in their minds.
Other scientists
studying matter at subatomic level have developed theories that seem to
explain
what is happening there. At this level matter does not really seem to
exist at
all. Everything seems to boil down to minute particles constantly in
motion and
related to each other in ways that depend on energy and time and on the
probability of certain events occurring. These laws, described in
quantum
physics, do not seem to tally with Einstein’s theories. And so there is a
search for a set of scientific principles that really do explain
everything - a “Law of Everything”. The best
modern
contender is the “string theory” which postulates that everything in the
entire
universe is made up of minute “strings” of energy, constantly in motion
and
relating to each other in different ways to produce different kinds of
matter
and everything else.
About 2500 years ago, a
man named Siddhartha Gautama sat under a tree in Northern India and
started
meditating. He had decided not to rise until he had answered those same
big
questions that have always bothered mankind.
He wanted to understand everything as it really was and not as it
appeared to
be. After a prolonged period he came to a perfect understanding of what
reality
was. This great event is known as his “enlightenment” and he was
thereafter
known to all as the “Buddha”, meaning “the enlightened one”.
The Buddha developed theories
to explain his understanding. He typically looked at reality from
various
viewpoints. In examining the nature of existence he said that there is
in fact
no inherent existence in anything at all. Nothing in the entire universe
has
existence in its own right. Everything depends upon something else for
its own
existence which can therefore only ever be “relative” existence. Another
of his
findings was that even this relative existence is not permanent in any
way. It
is constantly changing and the prime reason for change is the law of cause and effect (Karma). The basic
“content” of everything is therefore “nothingness” (Shunyata) and only
manifests as “something” when a temporary set of conditions, or
“energies”, are
present. So everything in the universe is the result of a cosmic
interplay
between the unseen (energy) and the seen (matter). None of these results
is
constant because the causes themselves are always changing.
With regard to human happiness
the Buddha taught that we must learn not to cling onto “things” such as
possessions or relationships as sources of happiness because there is no
permanent substance or reality to these things. He taught us to regard
ourselves as an integral part of everything and everyone in the entire
universe. Because we are essentially “one” with everything and everyone
we can
only be truly happy when we realise that we cannot be so on our own. To
be
truly happy we have to strive to make everyone happy and we must work on
our
own minds so that we can see things clearly. The great Buddhist
qualities of
loving-kindness and compassion are a
natural result of this kind of thinking.
“Oneness” with everything is
easy to say but difficult to grasp. It is useful to resort to analogies
to help
us understand. Analogies can form part of our contemplation of life,
part of
our meditation. The following is an example of how we may contemplate
our
oneness with everything.
Imagine that you are a
wave, a
single wave on the surface of the vast ocean. The ocean represents the
universe. You have a separate identity in that you have movement and
form and
an apparent life of your own. You may be a small ripple or you may be a
giant
tidal wave with terrible power at your disposal. There are many other
waves
each having its own characteristics - these represent all the other
living
beings in the universe. You are not the ocean and yet you only exist
because of
it. You are made of it and you cannot really distinguish the difference
between
the water making you up and the water forming the vast ocean itself. You
cannot
exist without the ocean and the ocean cannot exist without you because
it is
impossible to distinguish where you end and the ocean begins.
The Buddha instructed
his disciples not to accept anything as true simply because they heard
it from
a respected person or simply because it
was written in holy scripture. He said that they should test every
theory in
the laboratory of life and in the light of reason and logic. A teaching
should
only be accepted it can be proved in this way. This thinking should be
applied
to the whole of the Buddha’s teaching, collectively referred to as the
“Buddha
Dharma”. He went on to say that we should base our very lives on the
Dharma and
not on him as a person.
The Buddha left behind
a huge volume of teachings, recorded in the Buddhist Sutras, and
Buddhists of
various schools have developed many approaches to “living the Buddha
Dharma”.
Some of these approaches became so complex over time that only a
monastic
existence provided any hope of success in following them. Other schools
over-simplified the teachings and even brought in an element of “blind
faith”
to make things simpler for ordinary people.
In thirteenth century
Japan, a reforming monk named Nichiren really wanted to find the
Buddhist
equivalent of what our present day Scientist’s are seeking – the “Law of
Everything”. He wanted to find a way in which ordinary people could
follow the
Dharma in the midst of their everyday life and achieve the absolute kind
of
happiness that the Buddha himself had achieved. After
many years of study and contemplation, Nichiren concluded
that the culmination of the Buddha’s teachings was to be found in the Lotus
Sutra. The Lotus Sutra teaches that everyone has the
potential to be
a Buddha, irrespective of education, social class or gender. All one has
to do
is to practice the sutra or teachings. The Sutra does not however go on
to tell
us how this should be done. Nichiren’s enormous contribution to Buddhism
was to
give the world a method of following the Buddha’s instructions to the
letter.
He defined his “Law of Everything” as “Nam-Myoho-Renge-Kyo”.
“Nam-Myoho-Renge-Kyo”
can be translated as “I take refuge in the wonderful Dharma of the Lotus
Sutra”. Nichiren taught his followers to recite or chant this phrase
over and
over again, like a mantra, as a way of concentrating the mind whilst
contemplating a special scroll, or “mandala”, upon which is a
calligraphic
representation of enlightened human life . This practice can be thought
of as a
“holistic” form of meditation in which attention is paid to sound,
sight,
breath and posture. Nichiren taught that this practice must be backed up
by
study of Buddhist philosophy and by right living or self-transformation.
A new
school of Buddhism evolved from his teachings and is becoming known in
the West
largely through the efforts of the lay Buddhist society known as the
“Soka
Gakkai International”, which is striving for world peace based on the
propagation of Nichiren’s teachings.
Nichiren Buddhism,
along with other schools like Zen Buddhism and Tibetan Buddhism, is part
of an
amazing growth in the number of people practising Buddhism today. One
reason
for this upsurge in interest is that the mind-training techniques of
Buddhism
provide a perfect antidote to the stresses of modern living. Everyone
wants
peace of mind. Other techniques and therapies can provide this of
course, but
people are still seeking answers to the big questions and Buddhism’s
basic
“scientific” approach strikes a chord with people who are no longer
prepared to
take a “leap of faith” in order to make sense of life. There
is no conflict between Buddhism and
Science. Both are seeking the truth. Indeed many Buddhists consider
Scientific
truth as a part of the Dharma.
At an audience with the
Dalai Lama, the respected leader of Tibetan Buddhism, a western student
asked
him how he would react if science could prove without doubt that a
teaching
based on Buddhist scripture was untrue. The Dalai Lama thought quietly
for a
moment and then replied that if this were to be proved then Buddhism
would
simply have to accept it.
The following words of
Einstein, the father of modern physics, will provide a fitting final
thought:
"Buddhism
has the characteristics of what would be expected in a cosmic religion
for the
future: it transcends a personal god, avoids dogmas and theology; it
covers
both the natural and spiritual, and it is based on a religious sense
aspiring
from the experience of all things, natural and spiritual, as a
meaningful
unity."
Sep 14, 2010
Compassion: Solidarity of the Heart
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The most basic wish of all people is to live happily. Yet human society is shaped by forces that work powerfully against this basic desire: from pervasive violence, to wanton environmental destruction, to the exploitation that structures such deep inequalities between people. Buddhism sheds light on the inner dynamics of human life that lead us to create such an undesirable reality. One of the most pernicious and powerful desires inherent in human life, according to Buddhist thought, is the desire for power over others, the urge to subjugate other people to our will. In this condition, the ego finds its most unrestrained and destructive expression, regarding others simply as a means to satisfy its selfish objectives.
Buddhism symbolically personifies this exploitative, authoritarian impulse as the Devil King of the Sixth Heaven, Its imprint is evident everywhere in our world. Recognizing the rampancy of this impulse, Nichiren, the 13th century founder of the Buddhism practiced by the SGI, described the world as the domain of the devil king, and all people as being under the rule of this devil.
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But if human nature is the cause of our most dire global problems, it is also the source of the fundamental solution. The countervailing force to the destructive aspect to human nature and the suffering it engenders is compassion, Compassion, a sense of solidarity with others-with all life- arising from a a wish for mutual happiness and growth, is the heart and origin of Buddhism.
In the original Sanskrit Buddhist texts, the concept of compassion is described by the words maitri and anukampa, Maitri indicates a sense of fellowship with others; anukampa describes a deep empathy that arises in the encounter with suffering and which gives rise to action, Buddhist compassion could be succinctly described then as the desire to relive suffering and to give joy.
Compassion is often thought of as akin to pity, but whereas pity may be condescending,m compassion springs from a sense of the equality and interconnectedness of life. Compassion is rooted in respect for the inherent dignity of life- our own and others'- and a desire to see that dignity triumph. As SGI president Ikeda writes, "True Buddhist compassion has nothing to do with sentimentality or mere pity. This is because sentimentality or mere pity cannot help the other person achieve victory in life; it cannot truly relieve suffering and impart joy."
Because genuine compassion is about empowering others, helping them unlock strength and courage from within their lives in order to overcome their problems, it may sometimes appear stern or contradictory. For example, although resolving a difficult situation for someone may seem compassionate, if this ends up making them weaker and less self-reliant, this will not contribute to their actual happiness in life. The effort to offer others effective encouragement for their specific circumstances is what gives rise to wisdom. Compassion and wisdom are thus closely related. Furthermore, even small acts of kindness require a degree of courage.
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Nichiren establishes the practice of chanting Nam Myoho Renge Kyo as a practical means for people to bring forth the strength and rich potential of their humanity and live with confidence and joy. Sharing this practice with others is therefore the most essential act of compassion for practitioners of Nichiren Buddhism.
The transformation of society can only occur through a transformation of people's hearts. A life based on compassion means a staunch belief in the unrealized potential of others and ourselves. It is easy to give up on ourselves and others in the face of our failure and foolishness; such loss of faith in humanity is characteristic of our troubled world today. To continue to believe in and encourage the innate goodness and potential of or own and others' lives is the core of the philosophy of Nichiren Buddhism. It is also the bedrock of a firm optimism upon which all people can base their actions to bring about positive change in our world.
Source: SGI Quarterly July 2010
F11665E1-4DA9-D585-1342-16B04659AE83
1.02.28
Jul 8, 2010
Actual Proof by Herbie Hancock
Herbie Hancock and Nichiren Buddhism
His Story
Well, back in 1972, my band was playing music that required a very
intuitive sense. It was an avant-garde approach to playing jazz. So it
was very much in the moment and spontaneous. We had structure, but it
was a very loose structure. So we went though a period when we were
vegetarians because we would keep trying to find things that would help
the flow of the music. I was very open at that time.
One night on a certain tour in mid-1972 we played a club in Seattle,
Washington. It was a Friday night and the club was packed. We were all
exhausted because we had only gotten a couple hours of sleep because we
had been hanging out all night before. But we could feel the energy in
the air—these people were really into this far out kind of music. They
were ready for it. I asked the band to play "Toys," a
song that I’d never called to play, which starts with a bass
solo—acoustic bass, which is the softest instrument in the band by its
very nature. Un-amplified bass.
So the bassist Buster Williams starts playing this introduction. And
what came out of him was something I’d never heard before. And not only
had I not heard it from him, I’d never heard it from anybody. It was
just pure beauty and ideas and—it was magical. Magical. And people were
freaking out, it was so incredible what he was playing.
I let him play for a long time, maybe 10, 15 minutes. He just came up
with idea after idea, so full of inspiration. And then I could feel myself waking
up just before we really came in with the melody for the song. And I
could tell that the whole band woke up, and there was some energy that
was generating from Buster. We played the set and it was like magic.
When we finished, many people ran up to the front of the stage and
reached up their hands to shake ours. Some of them were crying they were
so moved by the music. The music was very spiritual, too.
I knew that Buster was the catalyst for all of this, so I took him
into the musicians’ room, and I said, “Hey, Buster, I heard you were
into some new philosophy or something and if it can make you play bass
like that, I want to know what it is.”
So, that was when he first told me about Buddhism and about chanting Nam-myoho-renge-kyo , which is the primary thing we do. It's the sound of the essence of everything. So, that was the beginning.
Then what happened?
I asked him some questions. I’d ask him one question, but his answers answered five or six questions that I already had in my head. Even though I had read some books on Sufism and Eastern thought, many of those things that I had read just brought up more questions than they did answers. This was the first time I was hearing something that was giving me simple answers to questions that answered more than one thing that I had in my mind. It all seemed to kind of tie together and work in such a beautiful way.
I mean, having been brought up in the Christian tradition, I had my own spin on Christianity. And most people that I knew that were Christians had their own spin on it. But what he was telling me sounded like my own personal take on religion and the way to look at things. And I said, "This sounds like what I always believed in anyway. I thought I was the only one." He said, “No, there are, you know, close to 20 million people that believe the same thing.”
I was kind of startled when he talked about Nam-myoho-renge-kyo being the law of the universe. The idea of cause and effect, which is what Nam-myoho-renge-kyo is about, made sense to me. I’m a guy that’s always been attracted to science—and cause and effect is what science is about. But I said, "I can’t just believe that chanting the sound is going to do something, so I don’t see how it could work for me."
He said, “Oh, you don’t have to believe it. It’s a law. So, if you just do it, it’ll--you’ll see the effect in your life. It doesn’t depend on you having to believe it first.”
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