Spreading the wonders and joy of Nichiren Buddhism through articles, experiences, art, music, film, comedy and pop culture plus my own thoughts
Showing posts with label Lotus Sutra. Show all posts
Showing posts with label Lotus Sutra. Show all posts
Sep 19, 2015
Aug 25, 2015
Sep 18, 2014
Making a Change in One's Heart
"The Lotus Sutra has the drama of fighting for justice against evil. It has a warmth that comforts the weary. It has a vibrant, pulsing courage that drives away fear. It has a chorus of joy at attaining absolute freedom throughout past, present and future......
It offers unsurpassed lessons on psychology , the workings of the human heart; lessons on life; lessons on happiness; and lessons on peace. It maps out the basic rules for good health. It awakens us to the universal truth that a change on one's heart can transform everything"
(The Wisdom of the Lotus Sutra, vol. 1, p. 14).
Daisaku Ikeda
Living Buddhism -Nov/Dec 2006
Aug 3, 2013
Learning from the Gosho - The Daimoku of the Lotus Sutra
Question: Is it possible, without understanding the meaning of the Lotus
Sutra, but merely by chanting the five or seven characters of
Nam-myoho-renge-kyo once a day, once a month, or simply once a year,
once a decade, or once in a lifetime, to avoid being drawn into trivial
or serious acts of evil, to escape falling into the four evil paths, and
instead to eventually reach the stage of non-regression?
Answer: Yes, it is.
Question: You may talk about fire, but unless you put your hand in a flame, you will never burn yourself. You may say “water, water!” but unless you actually drink it, you will never satisfy your thirst. Then how, just by chanting the daimoku of Nam-myoho-renge-kyo without understanding what it means, can you escape from the evil paths of existence?
Answer: They say that, if you play a koto strung with a lion’s sinews, then all the other kinds of strings will snap. And if you so much as hear the words “pickled plum,” your mouth will begin to water. Even in everyday life there are such wonders, so how much greater are the wonders of the Lotus Sutra!
We are told that parrots, simply by twittering the four noble truths of the Hinayana teachings, were able to be reborn in heaven, and that men, simply by respecting the three treasures, were able to escape being swallowed by a huge fish. How much more effective, then, is the daimoku of the Lotus Sutra, which is the very heart of all the eighty thousand sacred teachings of Buddhism and the eye of all the Buddhas! How can you doubt that by chanting it you can escape from the four evil paths?
The Lotus Sutra, wherein the Buddha honestly discarded expedient means, says that one can “gain entrance through faith alone.” And the Nirvana Sutra, which the Buddha preached in the grove of sal trees on the last day of his life, states, “Although there are innumerable practices that lead to enlightenment, if one teaches faith, then that includes all those practices.”
Thus faith is the basic requirement for entering the way of the Buddha. In the fifty-two stages of bodhisattva practice, the first ten stages, dealing with faith, are basic, and the first of these ten stages is that of arousing pure faith. Though lacking in knowledge of Buddhism, a person of faith, even if dull witted, is to be reckoned as a person of correct views. But even though one has some knowledge of Buddhism, if one is without faith, then one is to be Nichiren, follower of the Great Teacher Kompon [Dengyo] considered a slanderer and an icchantika, or person of incorrigible disbelief.
Source: Writings of Nichiren Daishonin - I (Pg. 141 - 142)
Answer: Yes, it is.
Question: You may talk about fire, but unless you put your hand in a flame, you will never burn yourself. You may say “water, water!” but unless you actually drink it, you will never satisfy your thirst. Then how, just by chanting the daimoku of Nam-myoho-renge-kyo without understanding what it means, can you escape from the evil paths of existence?
Answer: They say that, if you play a koto strung with a lion’s sinews, then all the other kinds of strings will snap. And if you so much as hear the words “pickled plum,” your mouth will begin to water. Even in everyday life there are such wonders, so how much greater are the wonders of the Lotus Sutra!
We are told that parrots, simply by twittering the four noble truths of the Hinayana teachings, were able to be reborn in heaven, and that men, simply by respecting the three treasures, were able to escape being swallowed by a huge fish. How much more effective, then, is the daimoku of the Lotus Sutra, which is the very heart of all the eighty thousand sacred teachings of Buddhism and the eye of all the Buddhas! How can you doubt that by chanting it you can escape from the four evil paths?
The Lotus Sutra, wherein the Buddha honestly discarded expedient means, says that one can “gain entrance through faith alone.” And the Nirvana Sutra, which the Buddha preached in the grove of sal trees on the last day of his life, states, “Although there are innumerable practices that lead to enlightenment, if one teaches faith, then that includes all those practices.”
Thus faith is the basic requirement for entering the way of the Buddha. In the fifty-two stages of bodhisattva practice, the first ten stages, dealing with faith, are basic, and the first of these ten stages is that of arousing pure faith. Though lacking in knowledge of Buddhism, a person of faith, even if dull witted, is to be reckoned as a person of correct views. But even though one has some knowledge of Buddhism, if one is without faith, then one is to be Nichiren, follower of the Great Teacher Kompon [Dengyo] considered a slanderer and an icchantika, or person of incorrigible disbelief.
Source: Writings of Nichiren Daishonin - I (Pg. 141 - 142)
Jun 20, 2013
Freeing the Caged Bird Within
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by indraajeet |
The Buddha nature refers to the potential for attaining
Buddhahood, a state of awakening filled with compassion and wisdom.
Shin Yatomi SGI-USA Study Department LeaderKey Points
1) The Lotus Sutra stresses the universality of Buddhahood by recognizing its potential in those denied enlightenment in other Buddhist teachings. The tradition of the Buddha nature concept teaches that we must challenge our delusions to reveal our Buddha nature.
2) Nichiren Daishonin teaches that when we chant Nam-myoho-renge-kyo, we are praising the Buddha nature of all living beings and, at the same time, bringing forth this supreme potential of life from within our own lives. The key to manifesting our Buddha nature lies in our confidence in its existence.
Food for Thoughts
- Do you sometimes feel like "I can never attain enlightenment" or "I'm already a Buddha, so I don't have to do anything"?
- What is wrong with these two attitudes?
- How does each attitude distort the teaching of the Buddha nature?
The Buddha nature refers to the potential for attaining Buddhahood, a state of awakening filled with compassion and wisdom. Although the Buddha nature and Buddhahood are sometimes used interchangeably, strictly speaking, the Buddha nature is one's potential for becoming a Buddha, and Buddhahood is the manifest state of that potential. Through the development of the Buddha nature concept, Buddhahood became the universal principle of authentic happiness rather than the isolated awakening of one gifted person.
Of all the early Mahayana scriptures, the Lotus Sutra stands out in terms of representing the view of salvation from within. The Lotus Sutra-part of which possibly dates from the first century bce-repeatedly emphasizes the universality of Buddhahood. For example, it states, "If there are those who hear the Law, / then not a one will fail to attain Buddhahood" (ls, 41). It also states, "The original vow of the Buddhas / was that the Buddha way, which they themselves practice, / should be shared universally among living beings / so that they too may attain this same way" (ls, 41).
The Lotus Sutra stresses the universality of Buddhahood by recognizing its potential in those denied enlightenment in other Buddhist teachings. For example, many Mahayana sutras asserted that monastics and solitary mendicants were incapable of attaining Buddhahood. Incapable as well, in some Buddhist traditions, were women and evil men. The Lotus Sutra, however, recognizes the potential for Buddhahood in all categories of people denied enlightenment elsewhere.
Another important feature of the Lotus Sutra is that all people are acknowledged as the children of the Buddha. The Buddha's disciples proclaim: "So we did not know that we were in truth the sons of the Buddha. But now at last we know it" (ls, 86). The sutra also explains, "And if in future existences / one can read and uphold this sutra, / he will be a true son of the Buddha" (ls, 181). All people, the sutra teaches, are related to Shakyamuni-that is, they share the Buddha's spiritual makeup and therefore will eventually develop into Buddhas, just as a child inevitably grows into an adult.
Nichiren writes: "Myoho-renge-kyo is the Buddha nature of all living beings.... The Buddha nature that all these beings possess is called by the name Myoho-rengekyo" (wnd, 131). Regarding how to manifest one's innate Buddha nature, Nichiren explains: "When we revere Myoho-renge-kyo inherent in our own life as the object of devotion, the Buddha nature within us is summoned forth and manifested by our chanting of Nam-myoho-renge-kyo. This is what is meant by 'Buddha.' To illustrate, when a caged bird sings, birds who are flying in the sky are thereby summoned and gather around, and when the birds flying in the sky gather around, the bird in the cage strives to get out. When with our mouths we chant the Mystic Law, our Buddha nature, being summoned, will invariably emerge" (wnd, 887).
In Nichiren's metaphor, our innate Buddha nature, whose name is Nam-myoho-renge-kyo, is a bird trapped in the cage of ignorance. In other words, our deluded minds create this cage that imprisons our Buddha nature. But when we chant Nam-myoho-renge-kyo to the Gohonzon, which expresses Nichiren's enlightened life and the potential of all people, our dormant Buddha nature becomes activated.
The singing of the caged bird is our chanting, and the birds flying in the sky are the Buddha nature in our environment, particularly as it is expressed in the Gohonzon. Through our chanting, the Buddha nature within our lives and the Buddha nature inherent in the universe begin their dynamic interaction.
For Nichiren's metaphor to work, however, it is necessary for the caged bird to recognize the birds in the sky as being its own kind. In other words, when we pray to the Gohonzon, rather than thinking of it as an external power or deity, we must think of it as the mirror image of our own Buddha nature. If the caged bird thinks of itself as an elephant, it is unlikely to give the slightest thought to flying.
Nichiren Buddhism clarifies that the teaching of the Buddha nature is a teaching of faith and practice. All people have it, but not many can believe in it. Furthermore, some of those who believe in their Buddha nature may not practice to manifest it, erroneously thinking-I'm already a Buddha, so I don't have to do anything. One's faith in the Buddha nature must be expressed in one's actions to manifest it.
Those who see the universal Buddha nature of oneself and others and work to awaken it in all people are already Buddhas, for such actions belong to none other than a Buddha. As we cultivate our inherent Buddha nature through our conviction and actions to manifest it no matter our circumstances, we begin to see it and experience it. In our everyday lives, seeing may be believing. But in the world of Buddhism, believing in the Buddha nature is the first step toward seeing it.
Jun 11, 2013
The Object of Devotion
By Shin Yatomi SGI-USA Vice Study Department Leader
The following essay was presented at the SGI-USA Study Department conference held at the Florida Nature and Culture Center on April 21-23, 2000.
One of the most debated issues regarding any religious object is whether it is sacred or represents the sacred. Put another way, is it an actual embodiment or symbol of what is to be revered in worship? Those questions about the nature of religious objects have played no small part in the history of religion.
The Iconoclastic Controversy in which Christians debated the merits of religious icons is considered the last step toward the great schism between the Roman Catholic Church and the Greek Orthodox Church in 1054.1 The interpretation of the Eucharist—the consecrated bread and wine used in Holy Communion—has been another source of doctrinal disputes in the Christian Church since the earlier Middle Ages, especially during the Reformation period. At the thirteenth session of the Council of Trent held in 1551, the Roman Catholic Church reaffirmed its doctrine of transubstantiation, asserting the conversion of the whole substance of the bread and wine into the whole substance of the Body and Blood of Christ, only the appearances of the bread and wine remaining after the consecration.2
The Protestants opposed this view. For example, Martin Luther claimed that after the consecration, the substances both of the Body and Blood of Christ and of the bread and wine coexist in union with each other.3 Ulrich Zwingli, on the other hand, affirmed that the Lord's Supper was primarily a memorial rite, and that there was no change in the elements whatever.4
As evident in the history of Christianity, religious objects often trigger tension and anxiety for those who think that the divine is beyond material expression. At the same time, people tend to seek something tangible as an object or expression of their devotion. Some people regard a sign of the divine as the divine itself while others reduce the significance of a sacred object to a ritual symbol devoid of its own spirituality. The nature of a religious object, in this way, is often at the center of theological debate and confusion in many religions.
Is the Gohonzon a Symbol or the Embodiment?
In the case of Nichiren Daishonin's Buddhism, its object of devotion works as both symbol and embodiment. When people look at the Gohonzon5 for the first time, what do they see? What do they make of it' It is a scroll with unfamiliar inscriptions, but is it a religious icon or sacred formula? Whatever their reaction, it is difficult not to notice oriental calligraphic characters arranged in a specific pattern— though most have no idea what those characters mean or why they are arranged that way. As our first impressions of things often reveal some important insights into their nature, what most of us first notice about the appearance of the Gohonzon, that is, its written characters and their graphic arrangement, provides us with some clues to Nichiren Daishonin's intent in creating this object of devotion.
In one sense, the Gohonzon represents the Daishonin's enlightenment and, thereby, our innate Buddha nature. The Gohonzon is a symbol of all people's potential Buddhahood; it signifies something other than itself. This is why the Daishonin explains to his elderly disciple Abutsu-bo the meaning of his offerings to the Gohonzon—which is referred to as “the treasure tower”—as follows: “You may think you offered gifts to the treasure tower of the Thus Come One Many Treasures,6 but that is not so. You offered them to yourself. You, yourself, are a Thus Come One who is originally enlightened and endowed with the three bodies.7 You should chant Nam-myoho-renge-kyo with this conviction” (The Writings of Nichiren Daishonin, pp. 299-300). Here the Daishonin explains that when we pray to the Gohonzon, the Gohonzon is pointing our attention to our own innate Buddha nature. The Gohonzon reflects our reverence back to our supreme inner potential. In this sense, the Gohonzon functions as a pointer to our Buddhahood; it is a symbolic representation. In the above passage, therefore, the Daishonin cautions us not to mistake the sign for the signified, which would externalize and objectify the Buddhahood that actually resides within us.
From another perspective, however, the Gohonzon functions as an embodiment of the Daishonin's enlightenment. The Gohonzon is not intrinsically a self-conscious, living entity embodying the Daishonin's enlightenment, but it functions in our practice as if it were. The Daishonin explains: “I, Nichiren, have inscribed my life in sumi ink, so believe in the Gohonzon with your whole heart. The Buddha's will is the Lotus Sutra, but the soul of Nichiren is nothing other than Nam-myoho-renge-kyo” (WND, 412). When we put our faith in the Gohonzon and pray to it in the spirit of this passage, the Gohonzon transforms itself from mere paper and ink into a concrete manifestation of the Daishonin's enlightenment in the reality of our consciousness. The Gohonzon thus works as an external stimulus that calls forth our inner potential of Buddhahood. On one hand, we know that the Gohonzon is a symbolic representation of our Buddha nature. In our practice, on the other hand, we pray to it as if it were the actual embodiment of the Daishonin's enlightened life so that we may gain confidence that the selfsame nature exists within our lives as well. Viewing the Gohonzon as the embodiment of the Daishonin's enlightenment is not simplistic make-believe, although the Gohonzon physically remains as paper and ink; it is the affirmation of our faith in the Daishonin's enlightenment and in our own enlightened potential. The Gohonzon, in a sense, serves on behalf of the absent Daishonin as a concrete example of attaining enlightenment.
The Gohonzon, in this way, helps our practice as both symbol and embodiment of Buddhahood. It must be noted, however, that the Gohonzon as an embodiment of enlightenment should not be taken to mean the mysterious presence of the divine in the inanimate object. The Gohonzon becomes an embodiment of Buddhahood through our faith and practice. In other words, the importance of the Gohonzon as the embodiment of the Daishonin's enlightenment is meaningful and real only to the extent that practitioners pray to it with faith and view it as an example to follow, not as an external saving force. The meaning of the Gohonzon as intended by the Daishonin, in this sense, is created through a dynamic interaction between the object of devotion and its devotee. The significance of the Gohonzon, therefore, would be incomplete without the practitioner's faith and practice.
The Treasure Tower: the Imagery of the Gohonzon
The design of the Gohonzon dates back to the origin of Mahayana Buddhism, which took shape around the turn of the first century in India. In reaction to monastic Buddhism, which emphasized personal salvation through austerities, Mahayana Buddhists stressed the importance of altruism and the role of lay practitioners (i.e., bodhisattvas) to spread the teachings. The Mahayanists called their doctrine “Mahayana” or “the greater vehicle” to carry the masses to the shore of enlightenment while referring to monastic Buddhism as “Hinayana” or “the lesser vehicle.” The popular Mahayana movement developed around the worship of stupas—mounds or towers originally built to enshrine Shakyamuni's relics. After Shakyamuni's death, which is dated by many scholars around the fourth or fifth century before the Common Era, his lay followers started to build these stupas, especially during the reign of King Ashoka (268-232 BCE), who was the third ruler of the Maurya dynasty and the first king to unify India. Many lay followers gathered around the stupas and paid homage to the Buddha, who was now absent.
The popularity of stupa worship is evident in the central role of the jeweled tower in the Lotus Sutra, one of the early Mahayana sutras, which is thought to have been compiled around the first century.8 The Daishonin used the stupa or “treasure tower” from the Lotus Sutra as a chief graphic motif for inscribing the Gohonzon. Down the center of the Gohonzon is written “Nam-myoho-renge-kyo Nichiren,” which signifies his awakening to the universal law of Nam-myoho-renge-kyo or Buddhahood. As he explains, “The treasure tower is Nam-myoho-renge-kyo” (WND, 299), the Daishonin views the treasure tower depicted in the Lotus Sutra as symbolic of the Buddha nature inherent within the lives of all people. Thus he addresses one of his disciples as follows: “Abutsu-bo is therefore the treasure tower itself, and the treasure tower is Abutsu-bo himself” (WND, 299).
The inscriptions on both sides of “Nam-myoho-renge-kyo Nichiren” on the Gohonzon depict the assembly of various living beings who gather around the treasure tower to listen to Shakyamuni's preaching as described in the Lotus Sutra. Some of them are not even humans, such as the dragon king's daughter who demonstrates her enlightenment. The diversity of this so-called Assembly in the Air in the Lotus Sutra reflects the nature of the early stupa worship, which was not limited to the elite priestly class but was open to people from all walks of life. These inscriptions on the Gohonzon represent the ten states of existence (i.e., the Ten Worlds): intense suffering and despair (Hell); insatiable desires (Hunger); selfish foolishness (Animality); arrogance and belligerence (Anger); transient calmness (Humanity); intense yet temporary rapture (Heaven); self-improvement (Learning); self-awakening to the partial truths of nature and humanity (Realization); altruism (Bodhisattva); and the indestructible state of happiness rooted in compassion and wisdom (Buddhahood). The Gohonzon graphically shows that each of these ten states of existence—when firmly grounded in the law of Nam-myoho-renge-kyo—exhibits its most positive functions to nurture one's life and happiness. For example, although we may find ourselves in the state of Hell, through our prayer to the Gohonzon, we can transform our intense suffering and despair into a source of strength and hope to overcome our difficulties. Incidentally, some ritual aspects involving our practice to the Gohonzon may be reminiscent of the stupa worship of the early Mahayana Buddhists. For example, the sounding of the bell may derive from the offerings of music often performed in front of a stupa. Other offerings to the Gohonzon may also be traced backed to early stupa worship, such as the offerings of flowers and incense as depicted in the Lotus Sutra.
Words and Imagery: Subjective Universality
The mode of expression that the Daishonin chose for the imagery of the treasure tower is unique. He depicted the treasure tower and the surrounding assembly of various beings in written characters. While there are examples of pictorial depictions of the treasure tower or calligraphic religious objects that predate the Gohonzon,9 the Daishonin's imagery of the treasure tower depicted solely in written characters was rare if not unprecedented. His use of graphic characters follows the emphasis placed on scriptures in the Buddhist tradition .After Shakyamuni's death, stupas containing Shakyamuni's relics became objects of veneration among lay practitioners. Soon the pictorial and sculptural images of Shakyamuni and other imagined Buddhas, as well as bodhisattvas and Buddhist deities, were produced as religious icons. Furthermore, especially within the Mahayana tradition, greater emphasis was placed on scriptures, even to the point where people literally worshiped the scrolls of Buddhist texts. For example, in medieval India, the Wisdom (Skt Prajnaparamita) sutras became the objects of devotion among many Mahayana Buddhists.10 Regarding the religious importance of scriptures within the Mahayana tradition, Jacob N. Kinnard comments: “Relics and stupas are certainly worthy of veneration…but the book is more valuable and more valued, because the book is the source of the Tathagata's wisdom, and consequently the source of his attainment of enlightenment, and thus the source of the value of the relics.”11
The Daishonin also often stresses the important role of written materials, particularly the Lotus Sutra. For example, he states: “The Lotus Sutra is both the teaching of the Buddha and the embodiment of the Buddha wisdom. If one puts sincere faith in each character and brushstroke in it, then one will become a Buddha in one's present form” (WND, 969). In refuting medieval Zen Buddhism, which rejected the role of Buddhist scriptures, the Daishonin states: “If one disregards written characters, what else could one regard as the Buddha's work?” (Gosho Zenshu, p. 153). He also writes: “Characters are the forms that manifest the minds of all living beings” (GZ, 380).
The Daishonin's use of written characters as a medium for the Gohonzon reflects his strong belief in the role of written materials in communicating not only the material reality of things, but also the spiritual reality of humanity. The Daishonin's use of the treasure tower's imagery as a graphic motif for the Gohonzon and his use of written characters as a medium of expression show his profound insight into the nature of religious worship. He seems to have understood how an image and a written text speak differently to our minds. In inscribing the Gohonzon as an image expressed in characters, the Daishonin unifies the specificity of a graphic image with the universality of written characters to convey the reality of the Buddha nature that is unique to each person and simultaneously universal to all people. The subjective yet universal aspect of the Buddha nature is at the core of the Daishonin's teaching, which promotes our awareness of the supreme potential not only in our lives but in the lives of others as well.
The Gohonzon is concrete in the sense that it depicts a specific image. But it is not a pictorial image of the treasure tower, Shakyamuni or Nichiren Daishonin himself. If the Gohonzon took such a form, it would be easy to view the Gohonzon as a depiction of someone else's life or an event far removed from our lives. If the Gohonzon were rendered as the Daishonin's image, for example, we might respect it, but we would not identify with it. For we simply don't look like a thirteenth-century Japanese monk! The Daishonin instead created the Gohonzon in characters to depict the specific imagery of the treasure tower from the Lotus Sutra, which symbolizes our innate Buddhahood. Written characters are suited to express universal concepts. But they are often abstract and lack a sense of immediacy. Images, on the other hand, are better suited to elicit personal responses from their viewers because they are more immediate to our senses. The Gohonzon, in terms of its graphic motif and calligraphic medium, is a hybrid of written and visual communication. Judging from the way the Daishonin chose to inscribe the Gohonzon, he probably intended it to communicate both conceptually and sensuously to our minds the universality of the Buddha nature and its immediacy to our lives.
Jean Paul Friedrich Richter, a German literary critic, explains the subjective yet universal nature of poetry as follows: “Poetry should become like the moon, which by night follows one wanderer in the woods from peak to peak and at the same time another from wave to wave and thus attends each, while it simply describes its great arc across heaven and yet ultimately draws it around the earth and around the wanderers also.”12
Richter's analogy of the moon is fit to describe the functions of the Gohonzon. The Gohonzon illuminates the existence of Buddhahood for each practitioner. At the same time, the Gohonzon traces the orbit of enlightenment for all people to see. The Gohonzon—like the moon individually following all travelers on earth—sheds light on the innate Buddhahood in each of us.
The Daishonin's intent to make the Gohonzon's meaning universal to all people is also evident in the linguistic and cultural aspects of the Gohonzon. He used the words and personages of India, China and Japan to depict the Gohonzon.13
Two Buddhist deities are inscribed in a medieval Sanskrit orthography; Great Bodhisattva Hachiman comes from Japanese mythology, and there is the Great Teacher T'ien-t'ai, who established the Lotus Sutra's supremacy in medieval China. In medieval Japan, those three countries were viewed as the entirety of the civilized world. In other words, the Daishonin probably wished to make the Gohonzon universal in its language and content as well.
Some of the physical features of the Gohonzon suggest the Daishonin's minute considerations to make the object of devotion suited to the message that it carries to each and all practitioners: the personal yet universal reality of the Buddha nature. Of course, what is most important in our practice is the act of chanting Nam-myoho-renge-kyo to the Gohonzon. The seemingly minor details of the Gohonzon, however, sometimes reveal much about the Daishonin's wisdom and compassion. The goal of this article is that knowing those details may help us become more aware of the Daishonin's intent behind his inscription of the Gohonzon and thereby pray more strongly and confidently.
1. The Oxford Dictionary of the Christian Church. 3rd edition. Oxford: Oxford University Press, 1997. “Iconoclastic Controversy,” pp. 815-16.
2. Ibid. “Eucharist,” p. 567; “Transubstantiation,” p. 1637.
3. Ibid. “Consubstantiation,” p. 408.
4. Ibid. “Eucharist,” p. 567.
5. The object of devotion in Nichiren Daishonin's Buddhism is called the Gohonzon. “Go” is an honorific prefix, and “honzon” means an object of fundamental respect.
6. Many Treasures is a Buddha who appeared, seated within the treasure tower at the Ceremony in the Air, in order to lend credence to Shakyamuni's teachings in the Lotus Sutra.
7. Three kinds of body that a Buddha possesses, namely: (1) the Dharma body, which indicates the fundamental truth or Law to which a Buddha is enlightened; (2) the reward body, which indicates the wisdom; and (3) the manifested body, or the merciful actions of a Buddha to save people and the physical form that he assumes for that purpose. The three bodies are generally considered to be three different types of Buddhas, but in the Lotus Sutra they are shown to be the three aspects of a single Buddha (“Glossary, ”WND, 1275).
8.Nakamura, Hajime. Indian Buddhism: A Survey with Bibliographical Notes. Delhi: Motilal Banarsidass Publishers, 1989. p. 186.
9. Stone, Jacqueline I. Original Enlightenment and the Transformation of Medieval Japanese Buddhism. Honolulu: University of Hawaii Press, 1999. pp. 272-88.
10. Kinnard, Jacob N. Imaging Wisdom: Seeing and Knowing in the Art of Indian Buddhism. Surrey: Curzon Press, 1999. pp. 114-47.
11. Ibid. p. 119.
12. Richter, Jean Paul Friedrich. “School for Aesthetics.” German Romantic Criticism. The German Library: Vol. 21. Ed. A. Leslie Willson. New York: Continuum, 1982. p. 45.
13. For the meaning of each inscription on the Gohonzon, see the “Diagram of the Gohonzon Transcribed by High Priest Nichikan” and “Further Explanation” in Living Buddhism, November 1997, pp. 16-17, pp. 19-24.
The following essay was presented at the SGI-USA Study Department conference held at the Florida Nature and Culture Center on April 21-23, 2000.
One of the most debated issues regarding any religious object is whether it is sacred or represents the sacred. Put another way, is it an actual embodiment or symbol of what is to be revered in worship? Those questions about the nature of religious objects have played no small part in the history of religion.
The Iconoclastic Controversy in which Christians debated the merits of religious icons is considered the last step toward the great schism between the Roman Catholic Church and the Greek Orthodox Church in 1054.1 The interpretation of the Eucharist—the consecrated bread and wine used in Holy Communion—has been another source of doctrinal disputes in the Christian Church since the earlier Middle Ages, especially during the Reformation period. At the thirteenth session of the Council of Trent held in 1551, the Roman Catholic Church reaffirmed its doctrine of transubstantiation, asserting the conversion of the whole substance of the bread and wine into the whole substance of the Body and Blood of Christ, only the appearances of the bread and wine remaining after the consecration.2
The Protestants opposed this view. For example, Martin Luther claimed that after the consecration, the substances both of the Body and Blood of Christ and of the bread and wine coexist in union with each other.3 Ulrich Zwingli, on the other hand, affirmed that the Lord's Supper was primarily a memorial rite, and that there was no change in the elements whatever.4
As evident in the history of Christianity, religious objects often trigger tension and anxiety for those who think that the divine is beyond material expression. At the same time, people tend to seek something tangible as an object or expression of their devotion. Some people regard a sign of the divine as the divine itself while others reduce the significance of a sacred object to a ritual symbol devoid of its own spirituality. The nature of a religious object, in this way, is often at the center of theological debate and confusion in many religions.
Is the Gohonzon a Symbol or the Embodiment?
In the case of Nichiren Daishonin's Buddhism, its object of devotion works as both symbol and embodiment. When people look at the Gohonzon5 for the first time, what do they see? What do they make of it' It is a scroll with unfamiliar inscriptions, but is it a religious icon or sacred formula? Whatever their reaction, it is difficult not to notice oriental calligraphic characters arranged in a specific pattern— though most have no idea what those characters mean or why they are arranged that way. As our first impressions of things often reveal some important insights into their nature, what most of us first notice about the appearance of the Gohonzon, that is, its written characters and their graphic arrangement, provides us with some clues to Nichiren Daishonin's intent in creating this object of devotion.
In one sense, the Gohonzon represents the Daishonin's enlightenment and, thereby, our innate Buddha nature. The Gohonzon is a symbol of all people's potential Buddhahood; it signifies something other than itself. This is why the Daishonin explains to his elderly disciple Abutsu-bo the meaning of his offerings to the Gohonzon—which is referred to as “the treasure tower”—as follows: “You may think you offered gifts to the treasure tower of the Thus Come One Many Treasures,6 but that is not so. You offered them to yourself. You, yourself, are a Thus Come One who is originally enlightened and endowed with the three bodies.7 You should chant Nam-myoho-renge-kyo with this conviction” (The Writings of Nichiren Daishonin, pp. 299-300). Here the Daishonin explains that when we pray to the Gohonzon, the Gohonzon is pointing our attention to our own innate Buddha nature. The Gohonzon reflects our reverence back to our supreme inner potential. In this sense, the Gohonzon functions as a pointer to our Buddhahood; it is a symbolic representation. In the above passage, therefore, the Daishonin cautions us not to mistake the sign for the signified, which would externalize and objectify the Buddhahood that actually resides within us.
From another perspective, however, the Gohonzon functions as an embodiment of the Daishonin's enlightenment. The Gohonzon is not intrinsically a self-conscious, living entity embodying the Daishonin's enlightenment, but it functions in our practice as if it were. The Daishonin explains: “I, Nichiren, have inscribed my life in sumi ink, so believe in the Gohonzon with your whole heart. The Buddha's will is the Lotus Sutra, but the soul of Nichiren is nothing other than Nam-myoho-renge-kyo” (WND, 412). When we put our faith in the Gohonzon and pray to it in the spirit of this passage, the Gohonzon transforms itself from mere paper and ink into a concrete manifestation of the Daishonin's enlightenment in the reality of our consciousness. The Gohonzon thus works as an external stimulus that calls forth our inner potential of Buddhahood. On one hand, we know that the Gohonzon is a symbolic representation of our Buddha nature. In our practice, on the other hand, we pray to it as if it were the actual embodiment of the Daishonin's enlightened life so that we may gain confidence that the selfsame nature exists within our lives as well. Viewing the Gohonzon as the embodiment of the Daishonin's enlightenment is not simplistic make-believe, although the Gohonzon physically remains as paper and ink; it is the affirmation of our faith in the Daishonin's enlightenment and in our own enlightened potential. The Gohonzon, in a sense, serves on behalf of the absent Daishonin as a concrete example of attaining enlightenment.
The Gohonzon, in this way, helps our practice as both symbol and embodiment of Buddhahood. It must be noted, however, that the Gohonzon as an embodiment of enlightenment should not be taken to mean the mysterious presence of the divine in the inanimate object. The Gohonzon becomes an embodiment of Buddhahood through our faith and practice. In other words, the importance of the Gohonzon as the embodiment of the Daishonin's enlightenment is meaningful and real only to the extent that practitioners pray to it with faith and view it as an example to follow, not as an external saving force. The meaning of the Gohonzon as intended by the Daishonin, in this sense, is created through a dynamic interaction between the object of devotion and its devotee. The significance of the Gohonzon, therefore, would be incomplete without the practitioner's faith and practice.
The Treasure Tower: the Imagery of the Gohonzon
The design of the Gohonzon dates back to the origin of Mahayana Buddhism, which took shape around the turn of the first century in India. In reaction to monastic Buddhism, which emphasized personal salvation through austerities, Mahayana Buddhists stressed the importance of altruism and the role of lay practitioners (i.e., bodhisattvas) to spread the teachings. The Mahayanists called their doctrine “Mahayana” or “the greater vehicle” to carry the masses to the shore of enlightenment while referring to monastic Buddhism as “Hinayana” or “the lesser vehicle.” The popular Mahayana movement developed around the worship of stupas—mounds or towers originally built to enshrine Shakyamuni's relics. After Shakyamuni's death, which is dated by many scholars around the fourth or fifth century before the Common Era, his lay followers started to build these stupas, especially during the reign of King Ashoka (268-232 BCE), who was the third ruler of the Maurya dynasty and the first king to unify India. Many lay followers gathered around the stupas and paid homage to the Buddha, who was now absent.
The popularity of stupa worship is evident in the central role of the jeweled tower in the Lotus Sutra, one of the early Mahayana sutras, which is thought to have been compiled around the first century.8 The Daishonin used the stupa or “treasure tower” from the Lotus Sutra as a chief graphic motif for inscribing the Gohonzon. Down the center of the Gohonzon is written “Nam-myoho-renge-kyo Nichiren,” which signifies his awakening to the universal law of Nam-myoho-renge-kyo or Buddhahood. As he explains, “The treasure tower is Nam-myoho-renge-kyo” (WND, 299), the Daishonin views the treasure tower depicted in the Lotus Sutra as symbolic of the Buddha nature inherent within the lives of all people. Thus he addresses one of his disciples as follows: “Abutsu-bo is therefore the treasure tower itself, and the treasure tower is Abutsu-bo himself” (WND, 299).
The inscriptions on both sides of “Nam-myoho-renge-kyo Nichiren” on the Gohonzon depict the assembly of various living beings who gather around the treasure tower to listen to Shakyamuni's preaching as described in the Lotus Sutra. Some of them are not even humans, such as the dragon king's daughter who demonstrates her enlightenment. The diversity of this so-called Assembly in the Air in the Lotus Sutra reflects the nature of the early stupa worship, which was not limited to the elite priestly class but was open to people from all walks of life. These inscriptions on the Gohonzon represent the ten states of existence (i.e., the Ten Worlds): intense suffering and despair (Hell); insatiable desires (Hunger); selfish foolishness (Animality); arrogance and belligerence (Anger); transient calmness (Humanity); intense yet temporary rapture (Heaven); self-improvement (Learning); self-awakening to the partial truths of nature and humanity (Realization); altruism (Bodhisattva); and the indestructible state of happiness rooted in compassion and wisdom (Buddhahood). The Gohonzon graphically shows that each of these ten states of existence—when firmly grounded in the law of Nam-myoho-renge-kyo—exhibits its most positive functions to nurture one's life and happiness. For example, although we may find ourselves in the state of Hell, through our prayer to the Gohonzon, we can transform our intense suffering and despair into a source of strength and hope to overcome our difficulties. Incidentally, some ritual aspects involving our practice to the Gohonzon may be reminiscent of the stupa worship of the early Mahayana Buddhists. For example, the sounding of the bell may derive from the offerings of music often performed in front of a stupa. Other offerings to the Gohonzon may also be traced backed to early stupa worship, such as the offerings of flowers and incense as depicted in the Lotus Sutra.
Words and Imagery: Subjective Universality
The mode of expression that the Daishonin chose for the imagery of the treasure tower is unique. He depicted the treasure tower and the surrounding assembly of various beings in written characters. While there are examples of pictorial depictions of the treasure tower or calligraphic religious objects that predate the Gohonzon,9 the Daishonin's imagery of the treasure tower depicted solely in written characters was rare if not unprecedented. His use of graphic characters follows the emphasis placed on scriptures in the Buddhist tradition .After Shakyamuni's death, stupas containing Shakyamuni's relics became objects of veneration among lay practitioners. Soon the pictorial and sculptural images of Shakyamuni and other imagined Buddhas, as well as bodhisattvas and Buddhist deities, were produced as religious icons. Furthermore, especially within the Mahayana tradition, greater emphasis was placed on scriptures, even to the point where people literally worshiped the scrolls of Buddhist texts. For example, in medieval India, the Wisdom (Skt Prajnaparamita) sutras became the objects of devotion among many Mahayana Buddhists.10 Regarding the religious importance of scriptures within the Mahayana tradition, Jacob N. Kinnard comments: “Relics and stupas are certainly worthy of veneration…but the book is more valuable and more valued, because the book is the source of the Tathagata's wisdom, and consequently the source of his attainment of enlightenment, and thus the source of the value of the relics.”11
The Daishonin also often stresses the important role of written materials, particularly the Lotus Sutra. For example, he states: “The Lotus Sutra is both the teaching of the Buddha and the embodiment of the Buddha wisdom. If one puts sincere faith in each character and brushstroke in it, then one will become a Buddha in one's present form” (WND, 969). In refuting medieval Zen Buddhism, which rejected the role of Buddhist scriptures, the Daishonin states: “If one disregards written characters, what else could one regard as the Buddha's work?” (Gosho Zenshu, p. 153). He also writes: “Characters are the forms that manifest the minds of all living beings” (GZ, 380).
The Daishonin's use of written characters as a medium for the Gohonzon reflects his strong belief in the role of written materials in communicating not only the material reality of things, but also the spiritual reality of humanity. The Daishonin's use of the treasure tower's imagery as a graphic motif for the Gohonzon and his use of written characters as a medium of expression show his profound insight into the nature of religious worship. He seems to have understood how an image and a written text speak differently to our minds. In inscribing the Gohonzon as an image expressed in characters, the Daishonin unifies the specificity of a graphic image with the universality of written characters to convey the reality of the Buddha nature that is unique to each person and simultaneously universal to all people. The subjective yet universal aspect of the Buddha nature is at the core of the Daishonin's teaching, which promotes our awareness of the supreme potential not only in our lives but in the lives of others as well.
The Gohonzon is concrete in the sense that it depicts a specific image. But it is not a pictorial image of the treasure tower, Shakyamuni or Nichiren Daishonin himself. If the Gohonzon took such a form, it would be easy to view the Gohonzon as a depiction of someone else's life or an event far removed from our lives. If the Gohonzon were rendered as the Daishonin's image, for example, we might respect it, but we would not identify with it. For we simply don't look like a thirteenth-century Japanese monk! The Daishonin instead created the Gohonzon in characters to depict the specific imagery of the treasure tower from the Lotus Sutra, which symbolizes our innate Buddhahood. Written characters are suited to express universal concepts. But they are often abstract and lack a sense of immediacy. Images, on the other hand, are better suited to elicit personal responses from their viewers because they are more immediate to our senses. The Gohonzon, in terms of its graphic motif and calligraphic medium, is a hybrid of written and visual communication. Judging from the way the Daishonin chose to inscribe the Gohonzon, he probably intended it to communicate both conceptually and sensuously to our minds the universality of the Buddha nature and its immediacy to our lives.
Jean Paul Friedrich Richter, a German literary critic, explains the subjective yet universal nature of poetry as follows: “Poetry should become like the moon, which by night follows one wanderer in the woods from peak to peak and at the same time another from wave to wave and thus attends each, while it simply describes its great arc across heaven and yet ultimately draws it around the earth and around the wanderers also.”12
Richter's analogy of the moon is fit to describe the functions of the Gohonzon. The Gohonzon illuminates the existence of Buddhahood for each practitioner. At the same time, the Gohonzon traces the orbit of enlightenment for all people to see. The Gohonzon—like the moon individually following all travelers on earth—sheds light on the innate Buddhahood in each of us.
The Daishonin's intent to make the Gohonzon's meaning universal to all people is also evident in the linguistic and cultural aspects of the Gohonzon. He used the words and personages of India, China and Japan to depict the Gohonzon.13
Two Buddhist deities are inscribed in a medieval Sanskrit orthography; Great Bodhisattva Hachiman comes from Japanese mythology, and there is the Great Teacher T'ien-t'ai, who established the Lotus Sutra's supremacy in medieval China. In medieval Japan, those three countries were viewed as the entirety of the civilized world. In other words, the Daishonin probably wished to make the Gohonzon universal in its language and content as well.
Some of the physical features of the Gohonzon suggest the Daishonin's minute considerations to make the object of devotion suited to the message that it carries to each and all practitioners: the personal yet universal reality of the Buddha nature. Of course, what is most important in our practice is the act of chanting Nam-myoho-renge-kyo to the Gohonzon. The seemingly minor details of the Gohonzon, however, sometimes reveal much about the Daishonin's wisdom and compassion. The goal of this article is that knowing those details may help us become more aware of the Daishonin's intent behind his inscription of the Gohonzon and thereby pray more strongly and confidently.
1. The Oxford Dictionary of the Christian Church. 3rd edition. Oxford: Oxford University Press, 1997. “Iconoclastic Controversy,” pp. 815-16.
2. Ibid. “Eucharist,” p. 567; “Transubstantiation,” p. 1637.
3. Ibid. “Consubstantiation,” p. 408.
4. Ibid. “Eucharist,” p. 567.
5. The object of devotion in Nichiren Daishonin's Buddhism is called the Gohonzon. “Go” is an honorific prefix, and “honzon” means an object of fundamental respect.
6. Many Treasures is a Buddha who appeared, seated within the treasure tower at the Ceremony in the Air, in order to lend credence to Shakyamuni's teachings in the Lotus Sutra.
7. Three kinds of body that a Buddha possesses, namely: (1) the Dharma body, which indicates the fundamental truth or Law to which a Buddha is enlightened; (2) the reward body, which indicates the wisdom; and (3) the manifested body, or the merciful actions of a Buddha to save people and the physical form that he assumes for that purpose. The three bodies are generally considered to be three different types of Buddhas, but in the Lotus Sutra they are shown to be the three aspects of a single Buddha (“Glossary, ”WND, 1275).
8.Nakamura, Hajime. Indian Buddhism: A Survey with Bibliographical Notes. Delhi: Motilal Banarsidass Publishers, 1989. p. 186.
9. Stone, Jacqueline I. Original Enlightenment and the Transformation of Medieval Japanese Buddhism. Honolulu: University of Hawaii Press, 1999. pp. 272-88.
10. Kinnard, Jacob N. Imaging Wisdom: Seeing and Knowing in the Art of Indian Buddhism. Surrey: Curzon Press, 1999. pp. 114-47.
11. Ibid. p. 119.
12. Richter, Jean Paul Friedrich. “School for Aesthetics.” German Romantic Criticism. The German Library: Vol. 21. Ed. A. Leslie Willson. New York: Continuum, 1982. p. 45.
13. For the meaning of each inscription on the Gohonzon, see the “Diagram of the Gohonzon Transcribed by High Priest Nichikan” and “Further Explanation” in Living Buddhism, November 1997, pp. 16-17, pp. 19-24.
Apr 11, 2013
Learning Gongyo
A karaoke-style guide for beginners to learn the pronunciation and
rhythm of gongyo (recitation of excerpts from the Lotus Sutra) as
practiced by members of the SGI.
Mar 8, 2013
The Birds of the Snow Mountains
by Daisaku Ikeda
"If Winter comes, can Spring be far behind?" When I hear these words, my heart warms. Winter indeed never fails to turn into spring. But the word "winter" may remind many people, including me, of the snow-covered mountains of the Alps or the white mountain ranges of the Himalayas.
There is a commentary on the Lotus Sutra called Hokekyo jurin shuyosho, which includes the legendary story of Kankucho (literally, birds tormented by cold). This commentary is a well-known Chinese work on the Lotus Sutra, the highest Buddhist scripture expounded by Shakyamuni Buddha in India.
The story is as follows:
This story may bring to mind "The Ant and the Grasshopper," which appears in Aesop's Fables:
"Why should we work assiduously when we never know what tomorrow may
bring?" This ostensibly wise attitude makes the birds all the more
pitiful.
I believe this story offers a penetrating insight into the darker side of human nature. There are more cases than we imagine where people habitually make great efforts at pretense but betray their true nature at a crucial moment. No matter how serene another's life may appear to be, that person invariably has some suffering or trouble which others are not aware of. Even though human beings may not suffer as often as the Kankucho birds who were tormented every night, we are destined to face great difficulties at least several times or several dozen times in the course of life, with hardly more than a staff to lean on. If we wait till the last moment, however, no matter how frantically we prepare either to retreat or to advance, as time is irreversible, it will be too late. Then all we can do is cry out in agony just as the birds cried in distress from the bitter cold of the Snow Mountains.
What I mean by a staff is some steadfast belief, or a firm mind which remains unperturbed even in the face of the greatest difficulty. I tend to believe that the nest the Kankucho birds kept vowing to build implies more than a warm dwelling place. It implies a foundation on which an unwavering mind and a spirit that will neither be carried away by pleasure nor defeated by suffering can be established. The foolishness of the Kankucho birds represents nothing other than the vulnerability of the human mind to change and fluctuation. It also indicates the human tendency to take the line of least resistance, avoiding immediate tasks that require prompt action.
You can live like rootless grass adrift at the mercy of the waves, or you can live up to your convictions. I firmly believe that this choice will determine whether or not you can make your life worth living. If you choose the latter, I think you will need a deep solid core in your life. In order for you to develop that core, you must make constant efforts to train yourself spiritually.
"If Winter comes, can Spring be far behind?" When I hear these words, my heart warms. Winter indeed never fails to turn into spring. But the word "winter" may remind many people, including me, of the snow-covered mountains of the Alps or the white mountain ranges of the Himalayas.
There is a commentary on the Lotus Sutra called Hokekyo jurin shuyosho, which includes the legendary story of Kankucho (literally, birds tormented by cold). This commentary is a well-known Chinese work on the Lotus Sutra, the highest Buddhist scripture expounded by Shakyamuni Buddha in India.
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by ~henripostant |
The story is as follows:
In ancient times, there were mountains in India called
the Snow Mountains. These mountains were so high that the cold there
penetrated to the marrow, and, as their name indicates, snow lay deep on
the ground throughout the year. In these mountains lived two homeless
birds called Kankucho. When evening fell and darkness gathered, the
female bird, unable to bear the cold, would cry, "I'm perishing from the
cold!" To which the male bird would reply, "Let's build a nest when the
day dawns." But as soon as the sun rose and the birds were bathed in
the warm sunshine, they forgot all about the cold which tormented them
during the night. They reasoned: "We might be destined to die today or
tomorrow; nothing is changeless in this world and we are strangers to
eternal peace and tranquility." Thus they spent their entire lives in
vain without ever building a nest.
I believe this story offers a penetrating insight into the darker side of human nature. There are more cases than we imagine where people habitually make great efforts at pretense but betray their true nature at a crucial moment. No matter how serene another's life may appear to be, that person invariably has some suffering or trouble which others are not aware of. Even though human beings may not suffer as often as the Kankucho birds who were tormented every night, we are destined to face great difficulties at least several times or several dozen times in the course of life, with hardly more than a staff to lean on. If we wait till the last moment, however, no matter how frantically we prepare either to retreat or to advance, as time is irreversible, it will be too late. Then all we can do is cry out in agony just as the birds cried in distress from the bitter cold of the Snow Mountains.
What I mean by a staff is some steadfast belief, or a firm mind which remains unperturbed even in the face of the greatest difficulty. I tend to believe that the nest the Kankucho birds kept vowing to build implies more than a warm dwelling place. It implies a foundation on which an unwavering mind and a spirit that will neither be carried away by pleasure nor defeated by suffering can be established. The foolishness of the Kankucho birds represents nothing other than the vulnerability of the human mind to change and fluctuation. It also indicates the human tendency to take the line of least resistance, avoiding immediate tasks that require prompt action.
You can live like rootless grass adrift at the mercy of the waves, or you can live up to your convictions. I firmly believe that this choice will determine whether or not you can make your life worth living. If you choose the latter, I think you will need a deep solid core in your life. In order for you to develop that core, you must make constant efforts to train yourself spiritually.
Mar 29, 2011
Challenging our Weakness
Challenging our weakness
is the key to believing in ourselves
By Linda C. Johnson, SGI-USA Vice General Director, Los Angeles (from Living Buddhism, January 2003)
It was as a result of my fervent prayer that I realized I would never be able to write anything as long as I permitted myself to hold on to the doubt in my ability to write an article that would encourage others. I turned to “Reply to Kyo’o,” one of my favorite writings by Nichiren Daishonin. In it, the Daishonin tells us: “Believe in this mandala with all your heart. Nam-myohorenge-kyo is like the roar of a lion. What sickness can therefore be an obstacle?” (The Writings of Nichiren Daishonin, p. 412).
President Ikeda explains: “The strength of our mind of faith changes suffering into joy, into a tailwind to propel our further advance. This is what the ‘Devadatta’ chapter teaches. Nichiren Daishonin says: ‘Devadatta was the foremost good friend to the Thus Come One Shakyamuni. In this age as well, it is not one’s allies but one’s powerful enemies who assist one’s progress’ (WND, 770).
This state of happiness is also greatly enhanced through our efforts to help others. I continually find that whenever I do my best to encourage another person in faith, no matter how I am feeling, my life-condition is positively transformed. Giving to others expands our own lives in wonderful, sometimes unimaginable ways.
In this regard, I must mention that I have recently met many members who are stuck in what I call a maintenance practice. They are comfortable, even if it means being comfortable with being uncomfortable. They have lost their seeking spirit, the will to seek out challenges. They have no personal goals. This is a dangerous condition because, from my own experience, it robs us of our passion and enthusiasm for life. We are not even aware of what is happening at first. By the time we are conscious that our lives are missing something, our apathy has become highly developed, and it seems almost impossible to change.
Success is triumphing over challenges. We must challenge ourselves to
do everything
we think we cannot do. Only then will we truly come to know that we
have nothing
to fear because, with the Mystic Law as our foundation, we can
transform any
weakness into strength. That being so, I think you and I are perfect
just the
way we are.
By Linda C. Johnson, SGI-USA Vice General Director, Los Angeles (from Living Buddhism, January 2003)
“I had to ask myself whether I truly believed in the power of my
prayer
to break through my own fears and insecurities.”
I want to unconditionally love myself. I want to embrace every part
of me.
I want to believe, without reservation, that my life is
Nam-myohorenge-kyo itself.
My challenge is to believe these things amidst the realities of my
daily life.
It is a struggle, I believe, all of us face every day.
As I prepared to write this article, my deepest insecurities and
fears emerged.
I wondered: “What could I say that will inspire someone?” I bathed
in those feelings; they enveloped me. As a consequence, I could not
write a
single word. I turned to prayer, chanting to be able to write an
article that
would encourage others and help them break through the deadlocks in
their lives.
But my doubts lingered. I fought them continuously, during the day
whenever
they arose, as well as when I sat chanting in front of the Gohonzon.
In spite
of how I was feeling, I poured my entire life into encouraging others
during
meetings and guidance sessions. I told them that, with faith, they had
the power
to do anything. In the meantime, I remained stuck.
It was as a result of my fervent prayer that I realized I would never be able to write anything as long as I permitted myself to hold on to the doubt in my ability to write an article that would encourage others. I turned to “Reply to Kyo’o,” one of my favorite writings by Nichiren Daishonin. In it, the Daishonin tells us: “Believe in this mandala with all your heart. Nam-myohorenge-kyo is like the roar of a lion. What sickness can therefore be an obstacle?” (The Writings of Nichiren Daishonin, p. 412).
I had to ask myself whether I truly believed in the power of my
prayer to break
through my own fears and insecurities. I prayed sincerely to trust
what Nichiren
Daishonin was telling me. I also prayed to have unshakeable confidence
that,
with prayer as my foundation, I could overcome my doubts and write an
inspiring
article. My doubt, however, did not disappear instantly. There were
times while
I was chanting that it felt as if every cell in my body wanted to run
away.
The television was calling me. The telephone was ringing. I had chores
to do.
I returned to “Reply to Kyo’o”: “A sword is useless
in the hands of a coward. The mighty sword of the Lotus Sutra must be
wielded
by one courageous in faith. Then one will be as strong as a demon
armed with
an iron staff. I, Nichiren, have inscribed my life in sumi ink, so
believe in
the Gohonzon with your whole heart” (WND, 412).
This was my answer. I had to muster the courage to confront my fear.
No matter
how painful my current situation, I could not back down. For days, I
continued
to challenge my insecurity with prayer while immersing myself in
activities
to help others overcome their problems. Then, the day before I was
scheduled
to submit my article, I had my breakthrough. I had finally understood
why I
had been going through so much agony. The issue wasn’t the article. I
needed to confront my own doubt, my own lack of belief in my inherent
power
to challenge and win over my fears and insecurities.
Whether we are writing an article, facing illness, being terminated
from a
job or looking for our soul mate, the process is the same. We must
transform
our weaknesses into strengths. We must face our suffering and triumph
over it.
This experience became the catalyst for me to explain how one uses
faith to
transform challenging daily life situations into an uncompromising
opportunity
for growth. This, I believe, is the essence of the concept of the
oneness of
good and evil.
Nichiren Buddhism makes it clear that everything and everyone in life
has both
a good and an evil side. I know that some people have an immediate
negative
response to the word evil. Evil also is synonymous with the words
selfishness
and self-centeredness. Life at every moment is a battle between these
two opposing
forces of good and evil. In other words, when we manifest our
Buddhahood, it
does not mean that our self-centeredness goes away. Instead, our
ability to
continue to uncover more of our potential is directly related to our
ability
to create value using the self-centered side, rather than allowing it
to affect
us negatively. In other words, the impact that our own
self-centeredness or
that of others will have on us is based on our response to it.
In Webster’s New World Dictionary, one of the definitions of respond
is “to have a positive or favorable reaction.” This definition accords
with Nichiren Buddhism, the Buddhism of true cause. We cannot change
the past.
In this moment, however, with our thoughts, words, and actions, we are
creating
our future. In this moment, through our actions, we have the
opportunity to
change anything and everything. Isn’t that the meaning of true cause?
We affect change by how we respond to our circumstances. For example,
rather
than an automatic negative response to difficult circumstances, we
must, like
the definition, “have a positive or favorable reaction” in order
to create the outcome we are seeking.
Many of us think that if we don’t do anything the problem will just
go
away on its own. This is not the case. Even if it seemingly goes away
temporarily,
it comes back bigger and stronger.
President Ikeda explains: “The strength of our mind of faith changes suffering into joy, into a tailwind to propel our further advance. This is what the ‘Devadatta’ chapter teaches. Nichiren Daishonin says: ‘Devadatta was the foremost good friend to the Thus Come One Shakyamuni. In this age as well, it is not one’s allies but one’s powerful enemies who assist one’s progress’ (WND, 770).
To attain Buddhahood, we have to thoroughly conquer our own inner
evil. The
concrete means for doing so is struggling against and defeating
external evil.
Struggling to defeat evil enables us to polish and purify our lives
and attain
Buddhahood. Because we strive against the ultimate evil, we attain the
ultimate
good” (The Wisdom of the Lotus Sutra, vol. III, p. 84).
In other words, the oneness of good and evil means that where evil
exists,
there is the potential for good, and where good exists, there is the
potential
for evil. Whether evil is transformed into something good is totally
dependent
upon our reaction to evil. Do we use our circumstances as
a justification for
our failure, or do we use our circumstances as an opportunity to
develop our
strength? When we challenge evil with the spirit that we will create
something
of value out of it, then evil functions to propel us forward. It
becomes the
catalyst for our growth. “If evil functions to reveal good, then evil
in its entirety becomes good. This is truly the oneness of good and
evil. But
if evil is simply allowed to run its course, then it does not become
good. Only
when evil is thoroughly challenged and conquered does it become an
entity of
the oneness of good and evil” (The Wisdom of the Lotus Sutra, vol.
III,
p. 83).
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| Art by Seleus |
In addition to our individual lives, this principle also applies to
the situation
we are facing with Nichiren Shoshu. We live during a historic time, a
time when
we have the opportunity to prove the correctness of Nichiren Buddhism
by the
way we respond. Nikken is changing Nichiren’s teachings by
proclaiming,
for example, that people can only attain enlightenment by going
through him.
Are we going to permit Nikken to change the teachings, or are we,
through our
efforts, going to ensure that everyone has the opportunity to practice
Buddhism
correctly as taught by Nichiren? Are we going to prove that Nikken is
wrong
by showing the undeniable growth of the lives of SGI members
throughout the
world?
Happiness, from the perspective of Nichiren Buddhism, is not a state
of life
in which there are no problems. Instead, happiness is to be found in
challenging
and winning over our problems. I believe that the happiness we seek is
the feeling
that occurs whenever we cross that finish line, in spite of the fact
that our
heart is pounding, our feet hurt, and our lungs feel as if they are
about to
explode. That feeling of triumph against all odds is a state of pure
joy that
no one can give us, no matter how much they might love us. It is a
state that
we can achieve only through our own efforts.
This state of happiness is also greatly enhanced through our efforts to help others. I continually find that whenever I do my best to encourage another person in faith, no matter how I am feeling, my life-condition is positively transformed. Giving to others expands our own lives in wonderful, sometimes unimaginable ways.
We must, therefore, perfect our practice for ourselves and for
others. Both
aspects are essential parts of our practice. Not only must we
challenge our
own weaknesses, we must use our lives to help others win. For example,
do we
take the responsibility to help our friends in faith have a victory?
Do we pray
to make this happen? Maximum growth requires that we perfect both
parts of our
practice.
In this regard, I must mention that I have recently met many members who are stuck in what I call a maintenance practice. They are comfortable, even if it means being comfortable with being uncomfortable. They have lost their seeking spirit, the will to seek out challenges. They have no personal goals. This is a dangerous condition because, from my own experience, it robs us of our passion and enthusiasm for life. We are not even aware of what is happening at first. By the time we are conscious that our lives are missing something, our apathy has become highly developed, and it seems almost impossible to change.
There is no neutral gear in life. We are either going forward or
backward at
every moment. We need goals. They make us alive and deepen our
understanding
of this Buddhism. After all, how can we see change if there is no
standard by
which to measure growth? Challenging and achieving goals are the means
we use
to prove to ourselves as well as to others the power of the Mystic
Law.
I believe that the challenge facing every human being is the ability
to truly
love and believe in oneself. What I have learned as a result of facing
my insecurities
and fears during the process of writing this article is that I do not
need to rid myself of weakness. Instead, I must train myself to learn how to use it as my motivation to create positive change in my life. The power to make this possible is sincere prayer based on a powerful determination. Prayer makes what we normally would consider impossible into something possible.
need to rid myself of weakness. Instead, I must train myself to learn how to use it as my motivation to create positive change in my life. The power to make this possible is sincere prayer based on a powerful determination. Prayer makes what we normally would consider impossible into something possible.
I’m sure you are all familiar with the song “Wind Beneath My Wings.”
Negativity self-centered-ness and obstacles can be the wind beneath
our wings
that propels us to soar even higher. Viewing challenges this way may
require
rethinking the way we live our lives. I am convinced, however, that
living this
way is the key to experiencing a joyflul, fulfilled existence; one in
which we
will come to know and believe that Nam myoho-renge-kyo is life itself.
Dec 15, 2010
The Buddha and the Law of Everything
by
Richard Moorman
The purpose of science is to
seek the truth and to understand the workings of everything. Scientists
want to
know not only what goes on at subatomic level but also how the universe
itself
operates. They observe the phenomena around them and develop theories to
explain them. Theories are nothing more than possible explanations of
things
until such time as they can be tested and proved by rigorous experiment.
The purpose of religion is to
seek the truth and to understand the workings of everything. Religions
have
developed in response to mankind’s yearning to know the answers to big
questions such as “Why is the universe there? – How does it work? – What
is the
meaning of life? – How do I fit in? – What am I?” Added to these
philosophical
questions are those expressing deeply felt concerns such as, “Why is
there so
much suffering in the world? – How can I be happy? – What happens when I
die? Theories and philosophies have
been developed to answer these big questions. Often it is accepted that
we can
never fully understand everything and that faith is required in order to
accept
these theories and therefore be happy. Faith might, for example, be in
the
existence of the supernatural, or of a being or beings living in a realm
that
is inaccessible to ordinary humans and who have created things the way
they
are. By their very definition, the existence of such beings cannot be
proved by
experiment.
These two approaches have
traditionally been quite separate and even totally incompatible.
Scientific
proof is fundamentally different from “blind” religious faith. Modern
civilisation, especially in the West, has become increasingly based on
Science,
which has contributed enormous benefits to mankind, and religion has
therefore
been in decline.
The burning desire to
understand everything is still the driving force of Science. When Isaac
Newton
observed an apple falling to the ground, he asked himself why this
should
happen. He did not rest until he had discovered the force of gravity.
His great
discovery, together with his deep understanding of other phenomena, such
as
expressed in his Laws of Motion, are still the basis of the intricate
calculations that enable astronomers to predict the orbits of planets
and their
satellites and military scientists to work out the ballistics of their
weapons.
The scientific world
was revolutionised when Albert Einstein showed how matter and energy are
related and how the effect of gravity is dependent on time, now seen as a
fourth
dimension. He explained that gravity can be considered as “curved space”
a
concept that has enabled astronomers to understand such things as how
the earth
actually manages to stay in orbit around the sun. Everyone knows of his
famous
equation e = mc², where e is energy, m is mass and c is the speed of
light.
Knowledge of this relationship is not the same as really understanding
it and
only physicists can form a concept of it in their minds.
Other scientists
studying matter at subatomic level have developed theories that seem to
explain
what is happening there. At this level matter does not really seem to
exist at
all. Everything seems to boil down to minute particles constantly in
motion and
related to each other in ways that depend on energy and time and on the
probability of certain events occurring. These laws, described in
quantum
physics, do not seem to tally with Einstein’s theories. And so there is a
search for a set of scientific principles that really do explain
everything - a “Law of Everything”. The best
modern
contender is the “string theory” which postulates that everything in the
entire
universe is made up of minute “strings” of energy, constantly in motion
and
relating to each other in different ways to produce different kinds of
matter
and everything else.
About 2500 years ago, a
man named Siddhartha Gautama sat under a tree in Northern India and
started
meditating. He had decided not to rise until he had answered those same
big
questions that have always bothered mankind.
He wanted to understand everything as it really was and not as it
appeared to
be. After a prolonged period he came to a perfect understanding of what
reality
was. This great event is known as his “enlightenment” and he was
thereafter
known to all as the “Buddha”, meaning “the enlightened one”.
The Buddha developed theories
to explain his understanding. He typically looked at reality from
various
viewpoints. In examining the nature of existence he said that there is
in fact
no inherent existence in anything at all. Nothing in the entire universe
has
existence in its own right. Everything depends upon something else for
its own
existence which can therefore only ever be “relative” existence. Another
of his
findings was that even this relative existence is not permanent in any
way. It
is constantly changing and the prime reason for change is the law of cause and effect (Karma). The basic
“content” of everything is therefore “nothingness” (Shunyata) and only
manifests as “something” when a temporary set of conditions, or
“energies”, are
present. So everything in the universe is the result of a cosmic
interplay
between the unseen (energy) and the seen (matter). None of these results
is
constant because the causes themselves are always changing.
With regard to human happiness
the Buddha taught that we must learn not to cling onto “things” such as
possessions or relationships as sources of happiness because there is no
permanent substance or reality to these things. He taught us to regard
ourselves as an integral part of everything and everyone in the entire
universe. Because we are essentially “one” with everything and everyone
we can
only be truly happy when we realise that we cannot be so on our own. To
be
truly happy we have to strive to make everyone happy and we must work on
our
own minds so that we can see things clearly. The great Buddhist
qualities of
loving-kindness and compassion are a
natural result of this kind of thinking.
“Oneness” with everything is
easy to say but difficult to grasp. It is useful to resort to analogies
to help
us understand. Analogies can form part of our contemplation of life,
part of
our meditation. The following is an example of how we may contemplate
our
oneness with everything.
Imagine that you are a
wave, a
single wave on the surface of the vast ocean. The ocean represents the
universe. You have a separate identity in that you have movement and
form and
an apparent life of your own. You may be a small ripple or you may be a
giant
tidal wave with terrible power at your disposal. There are many other
waves
each having its own characteristics - these represent all the other
living
beings in the universe. You are not the ocean and yet you only exist
because of
it. You are made of it and you cannot really distinguish the difference
between
the water making you up and the water forming the vast ocean itself. You
cannot
exist without the ocean and the ocean cannot exist without you because
it is
impossible to distinguish where you end and the ocean begins.
The Buddha instructed
his disciples not to accept anything as true simply because they heard
it from
a respected person or simply because it
was written in holy scripture. He said that they should test every
theory in
the laboratory of life and in the light of reason and logic. A teaching
should
only be accepted it can be proved in this way. This thinking should be
applied
to the whole of the Buddha’s teaching, collectively referred to as the
“Buddha
Dharma”. He went on to say that we should base our very lives on the
Dharma and
not on him as a person.
The Buddha left behind
a huge volume of teachings, recorded in the Buddhist Sutras, and
Buddhists of
various schools have developed many approaches to “living the Buddha
Dharma”.
Some of these approaches became so complex over time that only a
monastic
existence provided any hope of success in following them. Other schools
over-simplified the teachings and even brought in an element of “blind
faith”
to make things simpler for ordinary people.
In thirteenth century
Japan, a reforming monk named Nichiren really wanted to find the
Buddhist
equivalent of what our present day Scientist’s are seeking – the “Law of
Everything”. He wanted to find a way in which ordinary people could
follow the
Dharma in the midst of their everyday life and achieve the absolute kind
of
happiness that the Buddha himself had achieved. After
many years of study and contemplation, Nichiren concluded
that the culmination of the Buddha’s teachings was to be found in the Lotus
Sutra. The Lotus Sutra teaches that everyone has the
potential to be
a Buddha, irrespective of education, social class or gender. All one has
to do
is to practice the sutra or teachings. The Sutra does not however go on
to tell
us how this should be done. Nichiren’s enormous contribution to Buddhism
was to
give the world a method of following the Buddha’s instructions to the
letter.
He defined his “Law of Everything” as “Nam-Myoho-Renge-Kyo”.
“Nam-Myoho-Renge-Kyo”
can be translated as “I take refuge in the wonderful Dharma of the Lotus
Sutra”. Nichiren taught his followers to recite or chant this phrase
over and
over again, like a mantra, as a way of concentrating the mind whilst
contemplating a special scroll, or “mandala”, upon which is a
calligraphic
representation of enlightened human life . This practice can be thought
of as a
“holistic” form of meditation in which attention is paid to sound,
sight,
breath and posture. Nichiren taught that this practice must be backed up
by
study of Buddhist philosophy and by right living or self-transformation.
A new
school of Buddhism evolved from his teachings and is becoming known in
the West
largely through the efforts of the lay Buddhist society known as the
“Soka
Gakkai International”, which is striving for world peace based on the
propagation of Nichiren’s teachings.
Nichiren Buddhism,
along with other schools like Zen Buddhism and Tibetan Buddhism, is part
of an
amazing growth in the number of people practising Buddhism today. One
reason
for this upsurge in interest is that the mind-training techniques of
Buddhism
provide a perfect antidote to the stresses of modern living. Everyone
wants
peace of mind. Other techniques and therapies can provide this of
course, but
people are still seeking answers to the big questions and Buddhism’s
basic
“scientific” approach strikes a chord with people who are no longer
prepared to
take a “leap of faith” in order to make sense of life. There
is no conflict between Buddhism and
Science. Both are seeking the truth. Indeed many Buddhists consider
Scientific
truth as a part of the Dharma.
At an audience with the
Dalai Lama, the respected leader of Tibetan Buddhism, a western student
asked
him how he would react if science could prove without doubt that a
teaching
based on Buddhist scripture was untrue. The Dalai Lama thought quietly
for a
moment and then replied that if this were to be proved then Buddhism
would
simply have to accept it.
The following words of
Einstein, the father of modern physics, will provide a fitting final
thought:
"Buddhism
has the characteristics of what would be expected in a cosmic religion
for the
future: it transcends a personal god, avoids dogmas and theology; it
covers
both the natural and spiritual, and it is based on a religious sense
aspiring
from the experience of all things, natural and spiritual, as a
meaningful
unity."
Nov 13, 2010
Buddhism Is The Clear Mirror That Reflects Our Lives
![]() | ||||||||||
| Pablo Picasso, Girl before a Mirror (1932) |
by D. Ikeda
A Japanese proverb has it that the mirror is a women's soul. It is said that, just as warriors will never part with their swords, women will never part with their mirrors. The oldest metallic mirrors to be unearthed were found in China and Egypt. Older still are mirrors made of polished stone surfaces. Suffice it to say that the history of mirrors is as old as that of the human race.
"A bronze mirror may reflect the body, but not the mind. The
Lotus Sutra reflects not only our physical form, but out inner
being
as well. Furthermore, the sutra mirrors, with complete
clarity, one's
past Karma and it's future effect." [Gosho Zenshu, p.1521]
Even though people may make up their faces, they tend to
neglect to
polish their lives. Though cosmetics can be applied to the
face, one
cannot gloss over the face of his soul. The law of cause and
effect
functioning in the depths of life is strict and impartial.
Buddhism
teaches that unseen virtue brings about visible reward. In the
world
of Buddhism, one never fails to receive an effect for his
actions-whether
for good or bad; therefore, it is meaningless to be twofaced,
or to
try to put on airs.
"A mind which presently is clouded by illusions originating
from
the innate darkness of life is like a tarnished mirror, but
once it
is polished it will become clear, reflecting the enlightenment
of immutable
truth."[On Attaining Buddhahood]. In this well-known passage,
the
Daishonin draws parallels between the tradition of mirror
polishing
and the process of attaining enlightenment.
Observing one's life means to perceive that one's life
contains the
Ten Worlds and, in particular, the world of Buddhahood. The
Gohonzon
is a clear mirror. If you practice faith while doubting its
effects,
you will get results that are at best, unsatisfactory. This is
the reflection
of your own weak faith on the mirror of the cosmos. On the
other hand,
when you stand up with strong confidence, you will accrue
limitless
blessings. Understanding the subtle workings of one's mind is
the key
to faith and to attaining Buddhahood in this lifetime.
There is a Russian proverb that says, "It is no use to blame
the
looking glass if your face is awry." Likewise, your happiness
or
unhappiness is entirely the reflection of the balance of good
and bad
causes accumulated in your life.
People Who Do Not Know About Mirrors
Many people become angry or grieve over phenomena that are actually nothing but a reflection of their own lives-their state of mind and the causes that they have created. Because they are ignorant of Buddhism's mirror of life, such people cannot see themselves as they truly are. This being the case, they cannot guide others along the correct path of life, nor can they discern the true nature of occurrences in society.
With the thought that we are addressing a person's Buddha Nature, we should politely and calmly carry out a dialogue-sometimes, depending on the situation, mercifully correcting him with fatherly strictness. In the course of such human interaction, the Buddha nature in his or her life functions to protect us. On the other hand, if we belittle or regard that person with contempt, as though gazing into our own image reflected in a mirror, we will be disparaged in return.
Many people become angry or grieve over phenomena that are actually nothing but a reflection of their own lives-their state of mind and the causes that they have created. Because they are ignorant of Buddhism's mirror of life, such people cannot see themselves as they truly are. This being the case, they cannot guide others along the correct path of life, nor can they discern the true nature of occurrences in society.
With the thought that we are addressing a person's Buddha Nature, we should politely and calmly carry out a dialogue-sometimes, depending on the situation, mercifully correcting him with fatherly strictness. In the course of such human interaction, the Buddha nature in his or her life functions to protect us. On the other hand, if we belittle or regard that person with contempt, as though gazing into our own image reflected in a mirror, we will be disparaged in return.
In General, the people around us reflect our state of life.
Our personal
preferences, for example, are mirrored in their attitudes. To
the extent
that you praise, respect, protect and care for SGI members,
who are
all children of the Buddha, you will in turn be protected by
the Buddhas,
and Bodhisattvas of the ten directions and by all heavenly
deities.
If, on the other hand, you are arrogant or condescending
toward members,
you will be scolded by the Buddhas in like measures. Leaders,
in particular,
should be clear on this point and take it deeply to heart.
We are a gathering of the Buddha's children. Therefore if we
respect
one another, our good fortune will multiply infinitely, like
an image
reflected back and forth among mirrors. A person who practices
alone
cannot experience this tremendous multiplication of benefit.
In short,
the environment that you find yourself in, whether favorable
or not,
is the product of your own life. Most people, however, fail to
understand
this and tend to blame others for their trouble. To a greater
or lesser
extent, all people tend to see their own reflection in others.
Say What Must Be Said
We must gain decisive victory over the harsh realities of society and lead a correct and vibrant life. This is the purpose of our faith. We have to become wise and strong. Also, in the organization for Kosen-Rufu, we have to clearly say what must be said. The purpose of Buddhism is not to produce dupes who blindly follow their leaders. Rather, it is to produce people of wisdom who can judge right from wrong on their own in the clear mirror of Buddhism.
We must gain decisive victory over the harsh realities of society and lead a correct and vibrant life. This is the purpose of our faith. We have to become wise and strong. Also, in the organization for Kosen-Rufu, we have to clearly say what must be said. The purpose of Buddhism is not to produce dupes who blindly follow their leaders. Rather, it is to produce people of wisdom who can judge right from wrong on their own in the clear mirror of Buddhism.
The purpose of Buddhism is to attain Buddhahood. In modern
terms, this
could be explained as realizing absolute happiness - a state
of happiness
that can never be destroyed or defeated.
"There is no greater happiness for human beings than chanting
Nam-Myoho-renge-kyo"
[The Major Writings of Nichiren Daishonin, Vol. 1, p. 161]
[The Major Writings of Nichiren Daishonin, Vol. 1, p. 161]
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