Spreading the wonders and joy of Nichiren Buddhism through articles, experiences, art, music, film, comedy and pop culture plus my own thoughts
Showing posts with label Nichiren Daishonin. Show all posts
Showing posts with label Nichiren Daishonin. Show all posts
Aug 18, 2014
Jul 27, 2014
What is Compassion?
There is a part of us that thinks first of ourselves, and only then of others. It's innate and not necessarily bad. But when self-interest becomes a dominant force, we become insensitive to others and even cause them harm. While people sometimes may have to act out self -interest to protect themselves. Most human problems require cooperation and care from or for others to solve. Buddhism identifies compassion as key to solving most human suffering.
The Chinese Buddhist term for compassion, pronounced jihi in Japanese, comprises two characters. The first ji, comes from the Sanskrit word maitri, meaning "to give happiness," and the second, hi, from Sanskrit karuna, meaning "to remove suffering," Together they mean to relieve people of suffering and give them happiness.
This Buddhist compassion is an expression of the Buddha or Bodhisattva nature innate in all people. Nichiren Daishonin writes: "Even a heartless villain loves his wife and children. He too has the portion of the Bodhisattva world within him. " (The Writings of Nichiren Daishonin, vol. 1, p. 358). Everyone has the potential of a Bodhisattva-to act with compassion toward another. Naturally, kindness that does not empower people may have little lasting value. But in the Buddhist view, compassion means to lead people to root out the cause of misery in their lives and to create happiness for themselves.
A natural example of compassion is seen in the actions of a mother toward her child. A mother will do anything toward her child. A mother will do anyyhting she can to protect her child, even if it means braving flames or flood.
Nichiren wrote, "I, Nichiren, am sovereign, teacher and father and mother to all people of Japan" (WND-I, 287). He made this statement to convey his state of life as the original Buddha of the Latter Day of the Law, capable of embracing all people with the compassion of a parent.
Yet, how do those of us who sometimes lose patience even with our own children develop such compassion? The first step is to expose our lives to the state of compassion manifested by the Buddha. When we chant Nam Myoho Renge Kyo with faith in the Gohonzon, which embodies the compassionate life-state of Buddhahood, we can stimulate and bring forth the source of boundless compassion within us.
Also, any successful parent or teacher knows the importance of seeing things from the child's perspective. Such people transcend divisions of self and other to view the sufferings and joys of their own children or students as their own. Constant is their concern for the children. The Nobel Prize winning French author Andre Gide puts it clearly: "True kindness presupposes the faculty of imaging as one's own suffering and joys of others."
Compassion therefore includes the willingness to know the sufferings and concerns of others. Also, while we try to recognize their strengths, we can come to appreciate and feel closer to them, and our concern for their well-being naturally increases.
Buddhism involves practice for self and for others. Our thoughts for others' well-being expressed in our daily prayer allows us transcend self centered impulses, and illuminate the fundamental darkness that is the source of suffering with the light of our innate Buddhahood.
-April 2000/Living Buddhism
Jul 9, 2014
The Truest Happiness

little Lotus girls by hyamei

Some people tend to think happiness hinges on whether they have enough money, a certain level of education, a successful career, healthy relationships, good looks, good physical health or other external circumstances. They may think, If I just has this one thing, then I'd be happy. But even experiencing one favorable circumstance after another doesn't guarantee happiness. Life includes good and bad times, favorable and challenging circumstances.
The purpose of our Buddhist practice is to help us appreciate every moment of our lives and live bravely, boldly and happily in a world filled with joys, sufferings and everything in between.
This was Nichiren Daishonin's message in this letter to his disciple Shijo Kingo. Kingo had been discouraged by the downpour of hardships and pressures he faced following his unsuccessful efforts to convert his lord, Ema, to Nichiren's teachings. Lord Ema was a supporter of Ryokan, a powerful priest who held great enmity toward Nichiren.
Nichiren explained to Kingo that sufferings are a part of life. But he also assured Kingo that, through his efforts to uphold and spread the Mystic Law, he would experience the "boundless joy of the Law."
In this letter, Nichiren cites a passage from the "Life Span" chapter of the Lotus Sutra: "........where living beings enjoy themselves at ease." This phrase is part of the daily sutra recitation conducted by SGI members, written in the liturgy as shujo sho yu-raku (see Liturgy of Nichiren Buddhism, p. 12). It describes the indestructible life-condition of deep joy and fulfillment we refer to as Buddhahood.
Second Soka Gakkai president Josei Toda explained Buddhahood as the state of "absolute happiness." In strictly encouraging a young woman discouraged by the bleak outlook of her future, President Toda said: "What you think faith is? Are you anxious to live in comfort? Do you want to be flattered by others? Did you convert simply to achieve an outward appearance of happiness? The ultimate objective of Nichiren Daishonin' s Buddhism lies in awakening to your eternal life. This is something you yourself must acquire through your own experience. This attainment is called absolute happiness, because it is indestructible and endures for all eternity. To achieve it, we must continue our faith" (The Human Revolution, p. 323).
He stressed that each person must strive to establish this grand life- state within. In other words, happiness is not dependent on external circumstances or other people. It is solely dependent on our own efforts and awakening. The relative or temporary joy that comes from fulfilling a particular desire is not comparable to the profound state of life achieved through taking actions based on the Mystic Law. Such momentary joy fades with the dimming of the desire and may be called "relative happiness." The "boundless joy of the law" lasts for an eternity and equates to "absolute happiness."
SGI President Ikeda says: "True happiness is not feeling happiness one moment and then misery the next. Rather, overcoming the tendency to blame our sufferings on others or on the environment enables us to greatly expand our state of life." (Learning from the Gosho: The Eternal Teachings of Nichiren Daishonin, p. 237).
When we chant Nam Myoho Renge Kyo, we fuse our lives with the Mystic Law. At the same time, we are battling the inner darkness that prevents this fusion from taking place. When we overpower this darkness of delusion of ignorance and fuse our lives with the Mystic Law, we can experience its unlimited power in our lives. Chanting is the greatest cause to reveal Buddhahood in our lives. Therefore, Nichiren says, "There is no true happiness for human beings other than chanting Nam Myoho Renge Kyo."
President Toda described the expansive state of life we gain through Buddhist practice as follows: "It is like lying sprawled on your back in a wide-open space looking up at the sky. All that you wish for immediately appears. No matter how much you may give away, there is always more. It is never exhausted" (Lectures on "Attaining Buddhahood in this Lifetime," p. 35).
Through persisting in our SGI activities to practice and spread Nichiren Buddhism, we can bring forth the wisdom, courage, hope and joy to conquer even the most severe problems. We can feel at "at ease" and find the peace of mind regardless of our circumstances. Buddhism teaches us that experiencing difficulties allows us to treasure happiness. And both suffering and joy are necessary to truly understand the deeper significance of our existence. As long as we continue to chant Nam Myoho Renge Kyo, working for our own happiness and that of others, we establish at fundamental core of our lives the greatest causes for attaining Buddhahood in this lifetime.
World Tribune- Feb 2009
Aug 29, 2013
The Art of Listening with the Eyes of the Buddha
I think the ability to hear ourselves, and the ability to see everything
from the viewpoint of Nichiren Daishonin's Buddhism, means to be able
to view all of life from the standpoint of the law of causality.
THE GOHONZON IS NOT OUTSIDE US
I find that so many people still chant to the Gohonzon as if it were some God or some force outside of themselves. The attitude with which we chant, and the attitude with which we view the Gohonzon is most important, because if we have a distorted view, we will have a distorted practice, and it is that distorted practice and view, that we will teach to others.
We know from study that the characters on the Gohonzon represent the two sides of life and all of the positive/negative attributes that exist within life, including that fundamental darkness that coexists within every human life. Nichiren Daishonin says that there is no life that has one without the other. The characters representing both aspects of life are written on the Gohonzon. For me what is exciting is to know, that even without my being able to read it, Nichiren Daishonin wrote all of these characters on the Gohonzon, which represent every aspect of life, in such a way that every character is looking at the centre just like you and me. Every character is looking at Nam-Myoho-Renge-Kyo. Think about the Ceremony in the Air. Nam-Myoho-Renge-Kyo is the axis of the universe and we're forming a circle around that axis.
All of us are looking at Nam-Myoho-Renge-Kyo. It is the centre that every character is looking at. Why? It is because Nichiren Daishonin is giving us a continual message every time we look at the Gohonzon. The message is that we must base our life on the Law and never on the person. It is the mystic law that has enabled every Buddha throughout eternity to be able to manifest their fullest potential, and that it is the key, which is the centre, for everything. We have to make Nam-Myoho-Renge-Kyo the center of our life and we have to base our life on Nam-Myoho-Renge-Kyo. It means being able to see and to hear ourselves. It means that whenever we are facing a problem, we don't just try to use our brain to figure it out, or strategise how to fix it. Many members still do this, and after they have racked their brain as to what to do in order to get from Point A to Point B or to fix the problem, they then chant the solution to the Gohonzon to make it work! (laughter). I think that this is practicing incorrectly. Let me tell you why.
THE GOHONZON IS NOT OUTSIDE US
I find that so many people still chant to the Gohonzon as if it were some God or some force outside of themselves. The attitude with which we chant, and the attitude with which we view the Gohonzon is most important, because if we have a distorted view, we will have a distorted practice, and it is that distorted practice and view, that we will teach to others.
We know from study that the characters on the Gohonzon represent the two sides of life and all of the positive/negative attributes that exist within life, including that fundamental darkness that coexists within every human life. Nichiren Daishonin says that there is no life that has one without the other. The characters representing both aspects of life are written on the Gohonzon. For me what is exciting is to know, that even without my being able to read it, Nichiren Daishonin wrote all of these characters on the Gohonzon, which represent every aspect of life, in such a way that every character is looking at the centre just like you and me. Every character is looking at Nam-Myoho-Renge-Kyo. Think about the Ceremony in the Air. Nam-Myoho-Renge-Kyo is the axis of the universe and we're forming a circle around that axis.
All of us are looking at Nam-Myoho-Renge-Kyo. It is the centre that every character is looking at. Why? It is because Nichiren Daishonin is giving us a continual message every time we look at the Gohonzon. The message is that we must base our life on the Law and never on the person. It is the mystic law that has enabled every Buddha throughout eternity to be able to manifest their fullest potential, and that it is the key, which is the centre, for everything. We have to make Nam-Myoho-Renge-Kyo the center of our life and we have to base our life on Nam-Myoho-Renge-Kyo. It means being able to see and to hear ourselves. It means that whenever we are facing a problem, we don't just try to use our brain to figure it out, or strategise how to fix it. Many members still do this, and after they have racked their brain as to what to do in order to get from Point A to Point B or to fix the problem, they then chant the solution to the Gohonzon to make it work! (laughter). I think that this is practicing incorrectly. Let me tell you why.
When we talk about the nine levels of consciousness, the first five are our senses. Sight, Hearing, Smell, Taste and Touch. The sixth level is the conscious mind. The seventh is the unconscious mind. The eighth level is what we call the karma storage area, which is that area in our life that has accumulated every cause we have ever made throughout all existences. Below that is the ninth level of consciousness, which Buddhism says, is the one pure, unchanging reality of our life.
Every single one of us has fortune and lack of fortune in our life. In the areas in which we have fortune, we can do the same things we see other people do and we can achieve our goals but in the areas of your life where you lack fortune, you can do the identical thing you see your neighbour doing, but the object of your desire seems to move further and further away (laughter), right?
EXCHANGING MISFORTUNE FOR FORTUNE
When we are dealing with problems in our lives, they have a causal connection to us. Many times they come from that place in our life where we lack fortune. And so, if we use our brain to strategize how to fix things, our brain can only go to the eighth level of consciousness, which is the karma storage. That is the area which stores up and accumulates all of the causes we have ever made, and it's seems to be the place in which; WE DO NOT SEEM TO HAVE FORTUNE (laughter). Our brain then devises a solution based on lack of fortune. By following this "mental" solution, we will keep reinforcing the same pattern of karmic tendencies over and over in our lives.
But what Nichiren teaches is that by chanting Nam-Myoho-Renge-Kyo you can pierce through the eighth level of karma storage. Pierce through it, be unaffected by it, and you can reach the pure unchanging reality and infinite wisdom of your life that is unaffected by karma storage. That answer is the correct answer for your life. It's not affected by your karma in the area in which you lack fortune. And this is why I believe Nichiren Daishonin says we must become the master of our mind rather than allowing our mind to master us.
My point is this; when we pray, we need to start from a determination such as: "I will accomplish X," (whatever X is). We also have to understand from Buddhism that we create our life every moment through our thoughts, our words, and our behavior.
Prayer in Nichiren Daishonin's Buddhism is profoundly different from prayer in other religions. We are not praying to something outside of ourselves to bestow something on us. Instead, our prayer here is the determination that; "I will create the object or thing that I am praying for through my causes of thought, words, and actions. I am the creator of my life and I will take the responsibility to create the thing that I am praying for, and that after I have chanted this kind of determined daimoku, I will accomplish X." I then must come to a realization... "How in the world am I going to do this? That answer only exists inside of my life. I can tap my wisdom for the answer when I have the belief and conviction, that the answer exists inside of me." And I start chanting with the determination to pull that wisdom up from within my life to clearly see what it is that I need to do in order to create the thing that I'm praying for. That is why
President Ikeda says:
"Benefit comes from you. Nobody gives you benefit."
Source: THE ART OF LISTENING WITH THE EYES OF THE BUDDHA - By Linda Johnson, SGI-USA WD Leader, Nov 2003 (Abridged), Edited by Adrian Mollica April 6th 2004
Jul 1, 2013
Mistaking Arrogance for Confidence Part One
Nichiren Daishonin was often condemned by his contemporaries as “an extremely arrogant priest”.
Nichiren Daishonin was often condemned by his
contemporaries as “an extremely arrogant priest” for his confidence as a
votary of the Lotus Sutra to “fulfill the Buddha’s predictions and
reveal the truth of his words” (The Writings of Nichiren Daishonin, pp.
400–01). Just as the Daishonin’s confidence was misconstrued as
arrogance, we may be inclined to mistake our arrogance for confidence
and others’ confidence for arrogance. One of the five delusive
inclinations, arrogance is considered in the Buddhist tradition both as a
hindrance to enlightenment and as a cause for suffering. For this
reason, mistaking arrogance for confidence is likely to set off the
downward spiral of delusion and suffering. The fine line between
arrogance and confidence, therefore, must be redrawn more clearly to
distinguish happiness from delusion.
Arrogance is to judge one’s self-worth by comparison with others
The first of the seven types of arrogance, which are enumerated in some Buddhist scriptures, points to the essential quality of arrogance—“to think that one is superior to those inferior to oneself and that one is equal to one’s equals” (The Soka Gakkai Dictionary of Buddhism, p. 579). Why is this arrogance? Isn’t it just telling it like it is? What is implied here is that arrogance is essentially our inclination to judge our self-worth by comparing ourselves with others.
Certain comparisons between oneself and others may be objectively true—such as income, IQ or physical appearance. But if we constantly judge our self-worth through comparison with others in whatever standards chosen, we are becoming arrogant. Of course, this is not to deny some merits that comparison and competition bring to our lives—such as motivation for improvement and an opportunity for self-reflection.
Moreover, the correct assessment of our circumstances through comparison is essential to improving our lives. In fact, those living in isolation or unwilling to learn from others are arrogant. Comparison with others becomes a cause for our concern when it becomes a sole measure for judging our existence. Put simply, if we start thinking of our lives as happy or unhappy, meaningful or meaningless, solely based on comparison with others, we may as well consider ourselves as arrogant.
Arrogant people feel good about themselves only through affirming their superiority to others. Our sense of superiority is always relative to whom we are compared with and never constant because of our own changing circumstances. False confidence based on superiority, therefore, easily turns into a feeling of inferiority and self-disparagement, like a millionaire feeling poor among billionaires, a Ph.D. feeling foolish among Nobel laureates or a healthy person feeling overweight among supermodels. This is why false humility or self-disparagement is considered as arrogance in Buddhism. (See the nine types of arrogance in The Soka Gakkai Dictionary of Buddhism, p. 457.) Put another way, arrogance and self-disparagement are two sides of the same coin; we cannot have one without the potential for the other.
Genuinely confident people, on the other hand, feel great about themselves without comparing themselves with others. Such people are aware of some intrinsic personal strength or merit worthy of praise and respect. Confident people can put into perspective their ups and downs of life in this society driven by comparison and competition. Their missed promotion or lost love does not spell out their failure as a human being. Their financial success or academic achievement does not make them superior to their peers. So long as they continue to be aware of their innate positive quality and strive to cultivate it, people will remain confident regardless of their external circumstances. And Buddhism teaches that the most reliable source of confidence is our innate Buddha nature.
Arrogance is egotism; confidence is altruism
What clearly distinguishes the arrogant from the confident is whether or not they desire and act for others’ happiness greater than their own. Arrogant people are keenly aware that their self-esteem depends upon their superiority to others. So they often take delight in pitying the less fortunate since they can reaffirm their superior status by doing so.
The “kindness” of the arrogant, however, extends only so far as it supports their self-importance; it continues as long as the less fortunate remain less fortunate. Precisely for this reason, the arrogant cannot will and act for the supreme happiness of others because they fear it would only diminish their own happiness. This explains why it is often easier to feel ambiguous pity for our underpaid coworkers than to share their joy over their sudden promotion. One’s loss must be another’s gain—this is the basic assumption of life held by the arrogant who cannot stop comparing their fortune with that of others.
Confidence, on the other hand, makes genuine altruism possible. Since confident people’s self-worth does not depend upon others, they are free to care for others and fight for their happiness with the hope that it exceeds even their own. In fact, the confident see their contribution to others’ happiness as proof of their expanding humanity and as a source of great joy.
Confidence is to appreciate oneself even in the worst possible state.
In the late winter of 1272, Nichiren Daishonin wrote with his numbing hand: “I, Nichiren, am the richest man in all of present-day Japan. I have dedicated my life to the Lotus Sutra, and my name will be handed down in ages to come” (WND, 268). A reformer who had challenged the corrupt religious authority of his day, the Daishonin was exiled, after the failed execution, to a remote northern island of Japan, expected to die naturally or to be murdered. Destitute, he was living in a hut in a field scattered with abandoned corpses, and everything pointed to his approaching death into oblivion.
These words, however, clearly express the Daishonin’s confidence that he gave his life to the spread of the essential teaching of Buddhism, that is, the universality of Buddhahood. His life meant something for him, although it seemed to have come to nothing. When he lost everything, he gained one thing that mattered most—indomitable confidence that all people, no matter how miserable they may appear, have the supreme potential of Buddhahood.
Through his own example, Nichiren Daishonin demonstrated that confidence need not depend on possession or circumstances. Genuine confidence is to love and praise ourselves even in the worst possible state, not for how we appear to others, but for what we are in the innermost of life.
(Originally published in the World Tribune, March 7, 2003)
Mistaking Arrogance for Confidence Part Two
Arrogance is insecurity; confidence is peace of mind
The difference between arrogance and confidence also
shows in our emotional state. Arrogance makes us insecure whereas
confidence gives us peace of mind. The more arrogant we become, the more
keenly we feel the dependence of our happiness upon the misfortune and
weakness of others. This ironic dependence makes the seeming confidence
of the arrogant increasingly insecure. The more they bolster this false
self-confidence on the outside, the less secure they become inside; so
the ‘happiness’ of the arrogant is self-consuming.
Arrogance is needy; confidence is free
As mentioned earlier, confident people are deeply aware that they derive their confidence from strengthening their innate qualities and need not depend on others. So the more confident people are, the more peaceful they will be with both themselves and others. Even in disagreement or when pointing out the errors of others, confident people can remain calm and open-minded. Since they need not defend their self-worth by ‘winning’ in the argument, confident people can stay focused on the merits of different views and opinions without becoming hurtful toward others.
Nichiren Daishonin, for example, wrote from exile, “Whatever obstacles I might encounter, so long as persons of wisdom do not prove my teachings to be false, I will never yield!” (The Writings of Nichiren Daishonin, p. 280). His vow to be steadfast in his belief comes with the condition—“so long as persons of wisdom do not prove my teachings to be false.” This was an expression of the unruffled openness of the confident, not of the blind obstinacy of the arrogant.
Think about how people behave at work. Unlike an arrogant manager who takes any suggestion as a personal criticism and everyone in the office as a potential threat, a confident manager takes even personal criticism as an opportunity for self-reflection and further improvement. The inner state of an arrogant person is constantly agitated, waiting for any opportunity to assert a sense of superiority. But the inner state of a confident person absorbs even an untoward event like a pebble tossed into a bathtub, as opposed to a wineglass.
As it is clear now, arrogance is not “too much” confidence. The essential difference between arrogance and confidence is not one of quantity or degree, but of quality and origin. Arrogance is needy and dependent on others, derived from comparison with the external. Confidence is free and independent of others, found and cultivated in the self.
‘Absolute superiority’ is a dangerous illusion
Mistaking arrogance for confidence distorts our view of humanity—the way we relate to others and ourselves. Such misconception spells out only tragic suffering for individuals and society. Long before his rise to power, Adolf Hitler wrote: “Self-confidence must be inculcated in the young national comrade from childhood on. His whole education and training must be so ordered as to give him the conviction that he is absolutely superior to others” (Mein Kampf, trans. Ralph Manheim, p. 411).
The epitome of arrogance, Hitler mistook the illusion of “absolute superiority” as supreme confidence. He debased education, turning it from a vehicle of equality and happiness into a cogwheel in the evil machinery of discrimination and destruction. Education must teach confidence, not arrogance. Likewise, Buddhist learning is to strengthen our faith in the inherent Buddha nature of others and ourselves, not to promote elitism among believers.
Nichiren Daishonin was well aware of the danger of judging one’s self-worth through comparison with others. The Daishonin, therefore, admonished his disciples: “When you look at those of superior capacity, do not disparage yourself. The Buddha’s true intention was that no one, even those of inferior capacity, be denied enlightenment. Conversely, when you compare yourself with persons of inferior capacity, do not be arrogant and overproud. Even persons of superior capacity may be excluded from enlightenment if they do not devote themselves wholeheartedly” (WND, 62).
Here the Daishonin explains that one’s potential for enlightenment is in no way diminished by one’s capacity to understand Buddhism since all people are equally endowed with supreme Buddhahood. What is most important for our happiness is to believe in this intrinsic potential shared by all people. Our tendency to compare our capacity with that of others will only lead us astray from genuine happiness.
Nichiren Daishonin, therefore, urges us to win over our arrogance in order to enjoy authentic happiness: “Now, if you wish to attain Buddhahood, you have only to lower the banner of your arrogance, cast aside the staff of your anger, and devote yourself exclusively to the one vehicle of the Lotus Sutra” (WND, 58–59). Here the Daishonin indicates the close relationship between arrogance and anger. T’ien-t’ai, a 6th-century Chinese Buddhist scholar, described those in the state of anger as “always desiring to be superior to others” (Gosho Zenshu, p. 430). Anger is akin to arrogance; it may be described as frustrated arrogance.
As the Daishonin suggests here, we can overcome our deep-seated arrogance and anger through our devotion to the “one vehicle of the Lotus Sutra”—that is, the teaching of the universality of Buddhahood and its essential practice as chanting Nam-myoho-renge-kyo. As we deepen our confidence in our own Buddhahood and this selfsame potential of others, the need to compare ourselves with others will diminish, and we will be free to appreciate and enjoy lives of our own making.
(Originally published in the World Tribune, March 14, 2003)
Arrogance is needy; confidence is free
As mentioned earlier, confident people are deeply aware that they derive their confidence from strengthening their innate qualities and need not depend on others. So the more confident people are, the more peaceful they will be with both themselves and others. Even in disagreement or when pointing out the errors of others, confident people can remain calm and open-minded. Since they need not defend their self-worth by ‘winning’ in the argument, confident people can stay focused on the merits of different views and opinions without becoming hurtful toward others.
Nichiren Daishonin, for example, wrote from exile, “Whatever obstacles I might encounter, so long as persons of wisdom do not prove my teachings to be false, I will never yield!” (The Writings of Nichiren Daishonin, p. 280). His vow to be steadfast in his belief comes with the condition—“so long as persons of wisdom do not prove my teachings to be false.” This was an expression of the unruffled openness of the confident, not of the blind obstinacy of the arrogant.
Think about how people behave at work. Unlike an arrogant manager who takes any suggestion as a personal criticism and everyone in the office as a potential threat, a confident manager takes even personal criticism as an opportunity for self-reflection and further improvement. The inner state of an arrogant person is constantly agitated, waiting for any opportunity to assert a sense of superiority. But the inner state of a confident person absorbs even an untoward event like a pebble tossed into a bathtub, as opposed to a wineglass.
As it is clear now, arrogance is not “too much” confidence. The essential difference between arrogance and confidence is not one of quantity or degree, but of quality and origin. Arrogance is needy and dependent on others, derived from comparison with the external. Confidence is free and independent of others, found and cultivated in the self.
‘Absolute superiority’ is a dangerous illusion
Mistaking arrogance for confidence distorts our view of humanity—the way we relate to others and ourselves. Such misconception spells out only tragic suffering for individuals and society. Long before his rise to power, Adolf Hitler wrote: “Self-confidence must be inculcated in the young national comrade from childhood on. His whole education and training must be so ordered as to give him the conviction that he is absolutely superior to others” (Mein Kampf, trans. Ralph Manheim, p. 411).
The epitome of arrogance, Hitler mistook the illusion of “absolute superiority” as supreme confidence. He debased education, turning it from a vehicle of equality and happiness into a cogwheel in the evil machinery of discrimination and destruction. Education must teach confidence, not arrogance. Likewise, Buddhist learning is to strengthen our faith in the inherent Buddha nature of others and ourselves, not to promote elitism among believers.
Nichiren Daishonin was well aware of the danger of judging one’s self-worth through comparison with others. The Daishonin, therefore, admonished his disciples: “When you look at those of superior capacity, do not disparage yourself. The Buddha’s true intention was that no one, even those of inferior capacity, be denied enlightenment. Conversely, when you compare yourself with persons of inferior capacity, do not be arrogant and overproud. Even persons of superior capacity may be excluded from enlightenment if they do not devote themselves wholeheartedly” (WND, 62).
Here the Daishonin explains that one’s potential for enlightenment is in no way diminished by one’s capacity to understand Buddhism since all people are equally endowed with supreme Buddhahood. What is most important for our happiness is to believe in this intrinsic potential shared by all people. Our tendency to compare our capacity with that of others will only lead us astray from genuine happiness.
Nichiren Daishonin, therefore, urges us to win over our arrogance in order to enjoy authentic happiness: “Now, if you wish to attain Buddhahood, you have only to lower the banner of your arrogance, cast aside the staff of your anger, and devote yourself exclusively to the one vehicle of the Lotus Sutra” (WND, 58–59). Here the Daishonin indicates the close relationship between arrogance and anger. T’ien-t’ai, a 6th-century Chinese Buddhist scholar, described those in the state of anger as “always desiring to be superior to others” (Gosho Zenshu, p. 430). Anger is akin to arrogance; it may be described as frustrated arrogance.
As the Daishonin suggests here, we can overcome our deep-seated arrogance and anger through our devotion to the “one vehicle of the Lotus Sutra”—that is, the teaching of the universality of Buddhahood and its essential practice as chanting Nam-myoho-renge-kyo. As we deepen our confidence in our own Buddhahood and this selfsame potential of others, the need to compare ourselves with others will diminish, and we will be free to appreciate and enjoy lives of our own making.
(Originally published in the World Tribune, March 14, 2003)
Jun 20, 2013
Freeing the Caged Bird Within
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by indraajeet |
The Buddha nature refers to the potential for attaining
Buddhahood, a state of awakening filled with compassion and wisdom.
Shin Yatomi SGI-USA Study Department LeaderKey Points
1) The Lotus Sutra stresses the universality of Buddhahood by recognizing its potential in those denied enlightenment in other Buddhist teachings. The tradition of the Buddha nature concept teaches that we must challenge our delusions to reveal our Buddha nature.
2) Nichiren Daishonin teaches that when we chant Nam-myoho-renge-kyo, we are praising the Buddha nature of all living beings and, at the same time, bringing forth this supreme potential of life from within our own lives. The key to manifesting our Buddha nature lies in our confidence in its existence.
Food for Thoughts
- Do you sometimes feel like "I can never attain enlightenment" or "I'm already a Buddha, so I don't have to do anything"?
- What is wrong with these two attitudes?
- How does each attitude distort the teaching of the Buddha nature?
The Buddha nature refers to the potential for attaining Buddhahood, a state of awakening filled with compassion and wisdom. Although the Buddha nature and Buddhahood are sometimes used interchangeably, strictly speaking, the Buddha nature is one's potential for becoming a Buddha, and Buddhahood is the manifest state of that potential. Through the development of the Buddha nature concept, Buddhahood became the universal principle of authentic happiness rather than the isolated awakening of one gifted person.
Of all the early Mahayana scriptures, the Lotus Sutra stands out in terms of representing the view of salvation from within. The Lotus Sutra-part of which possibly dates from the first century bce-repeatedly emphasizes the universality of Buddhahood. For example, it states, "If there are those who hear the Law, / then not a one will fail to attain Buddhahood" (ls, 41). It also states, "The original vow of the Buddhas / was that the Buddha way, which they themselves practice, / should be shared universally among living beings / so that they too may attain this same way" (ls, 41).
The Lotus Sutra stresses the universality of Buddhahood by recognizing its potential in those denied enlightenment in other Buddhist teachings. For example, many Mahayana sutras asserted that monastics and solitary mendicants were incapable of attaining Buddhahood. Incapable as well, in some Buddhist traditions, were women and evil men. The Lotus Sutra, however, recognizes the potential for Buddhahood in all categories of people denied enlightenment elsewhere.
Another important feature of the Lotus Sutra is that all people are acknowledged as the children of the Buddha. The Buddha's disciples proclaim: "So we did not know that we were in truth the sons of the Buddha. But now at last we know it" (ls, 86). The sutra also explains, "And if in future existences / one can read and uphold this sutra, / he will be a true son of the Buddha" (ls, 181). All people, the sutra teaches, are related to Shakyamuni-that is, they share the Buddha's spiritual makeup and therefore will eventually develop into Buddhas, just as a child inevitably grows into an adult.
Nichiren writes: "Myoho-renge-kyo is the Buddha nature of all living beings.... The Buddha nature that all these beings possess is called by the name Myoho-rengekyo" (wnd, 131). Regarding how to manifest one's innate Buddha nature, Nichiren explains: "When we revere Myoho-renge-kyo inherent in our own life as the object of devotion, the Buddha nature within us is summoned forth and manifested by our chanting of Nam-myoho-renge-kyo. This is what is meant by 'Buddha.' To illustrate, when a caged bird sings, birds who are flying in the sky are thereby summoned and gather around, and when the birds flying in the sky gather around, the bird in the cage strives to get out. When with our mouths we chant the Mystic Law, our Buddha nature, being summoned, will invariably emerge" (wnd, 887).
In Nichiren's metaphor, our innate Buddha nature, whose name is Nam-myoho-renge-kyo, is a bird trapped in the cage of ignorance. In other words, our deluded minds create this cage that imprisons our Buddha nature. But when we chant Nam-myoho-renge-kyo to the Gohonzon, which expresses Nichiren's enlightened life and the potential of all people, our dormant Buddha nature becomes activated.
The singing of the caged bird is our chanting, and the birds flying in the sky are the Buddha nature in our environment, particularly as it is expressed in the Gohonzon. Through our chanting, the Buddha nature within our lives and the Buddha nature inherent in the universe begin their dynamic interaction.
For Nichiren's metaphor to work, however, it is necessary for the caged bird to recognize the birds in the sky as being its own kind. In other words, when we pray to the Gohonzon, rather than thinking of it as an external power or deity, we must think of it as the mirror image of our own Buddha nature. If the caged bird thinks of itself as an elephant, it is unlikely to give the slightest thought to flying.
Nichiren Buddhism clarifies that the teaching of the Buddha nature is a teaching of faith and practice. All people have it, but not many can believe in it. Furthermore, some of those who believe in their Buddha nature may not practice to manifest it, erroneously thinking-I'm already a Buddha, so I don't have to do anything. One's faith in the Buddha nature must be expressed in one's actions to manifest it.
Those who see the universal Buddha nature of oneself and others and work to awaken it in all people are already Buddhas, for such actions belong to none other than a Buddha. As we cultivate our inherent Buddha nature through our conviction and actions to manifest it no matter our circumstances, we begin to see it and experience it. In our everyday lives, seeing may be believing. But in the world of Buddhism, believing in the Buddha nature is the first step toward seeing it.
Jun 11, 2013
The Object of Devotion
By Shin Yatomi SGI-USA Vice Study Department Leader
The following essay was presented at the SGI-USA Study Department conference held at the Florida Nature and Culture Center on April 21-23, 2000.
One of the most debated issues regarding any religious object is whether it is sacred or represents the sacred. Put another way, is it an actual embodiment or symbol of what is to be revered in worship? Those questions about the nature of religious objects have played no small part in the history of religion.
The Iconoclastic Controversy in which Christians debated the merits of religious icons is considered the last step toward the great schism between the Roman Catholic Church and the Greek Orthodox Church in 1054.1 The interpretation of the Eucharist—the consecrated bread and wine used in Holy Communion—has been another source of doctrinal disputes in the Christian Church since the earlier Middle Ages, especially during the Reformation period. At the thirteenth session of the Council of Trent held in 1551, the Roman Catholic Church reaffirmed its doctrine of transubstantiation, asserting the conversion of the whole substance of the bread and wine into the whole substance of the Body and Blood of Christ, only the appearances of the bread and wine remaining after the consecration.2
The Protestants opposed this view. For example, Martin Luther claimed that after the consecration, the substances both of the Body and Blood of Christ and of the bread and wine coexist in union with each other.3 Ulrich Zwingli, on the other hand, affirmed that the Lord's Supper was primarily a memorial rite, and that there was no change in the elements whatever.4
As evident in the history of Christianity, religious objects often trigger tension and anxiety for those who think that the divine is beyond material expression. At the same time, people tend to seek something tangible as an object or expression of their devotion. Some people regard a sign of the divine as the divine itself while others reduce the significance of a sacred object to a ritual symbol devoid of its own spirituality. The nature of a religious object, in this way, is often at the center of theological debate and confusion in many religions.
Is the Gohonzon a Symbol or the Embodiment?
In the case of Nichiren Daishonin's Buddhism, its object of devotion works as both symbol and embodiment. When people look at the Gohonzon5 for the first time, what do they see? What do they make of it' It is a scroll with unfamiliar inscriptions, but is it a religious icon or sacred formula? Whatever their reaction, it is difficult not to notice oriental calligraphic characters arranged in a specific pattern— though most have no idea what those characters mean or why they are arranged that way. As our first impressions of things often reveal some important insights into their nature, what most of us first notice about the appearance of the Gohonzon, that is, its written characters and their graphic arrangement, provides us with some clues to Nichiren Daishonin's intent in creating this object of devotion.
In one sense, the Gohonzon represents the Daishonin's enlightenment and, thereby, our innate Buddha nature. The Gohonzon is a symbol of all people's potential Buddhahood; it signifies something other than itself. This is why the Daishonin explains to his elderly disciple Abutsu-bo the meaning of his offerings to the Gohonzon—which is referred to as “the treasure tower”—as follows: “You may think you offered gifts to the treasure tower of the Thus Come One Many Treasures,6 but that is not so. You offered them to yourself. You, yourself, are a Thus Come One who is originally enlightened and endowed with the three bodies.7 You should chant Nam-myoho-renge-kyo with this conviction” (The Writings of Nichiren Daishonin, pp. 299-300). Here the Daishonin explains that when we pray to the Gohonzon, the Gohonzon is pointing our attention to our own innate Buddha nature. The Gohonzon reflects our reverence back to our supreme inner potential. In this sense, the Gohonzon functions as a pointer to our Buddhahood; it is a symbolic representation. In the above passage, therefore, the Daishonin cautions us not to mistake the sign for the signified, which would externalize and objectify the Buddhahood that actually resides within us.
From another perspective, however, the Gohonzon functions as an embodiment of the Daishonin's enlightenment. The Gohonzon is not intrinsically a self-conscious, living entity embodying the Daishonin's enlightenment, but it functions in our practice as if it were. The Daishonin explains: “I, Nichiren, have inscribed my life in sumi ink, so believe in the Gohonzon with your whole heart. The Buddha's will is the Lotus Sutra, but the soul of Nichiren is nothing other than Nam-myoho-renge-kyo” (WND, 412). When we put our faith in the Gohonzon and pray to it in the spirit of this passage, the Gohonzon transforms itself from mere paper and ink into a concrete manifestation of the Daishonin's enlightenment in the reality of our consciousness. The Gohonzon thus works as an external stimulus that calls forth our inner potential of Buddhahood. On one hand, we know that the Gohonzon is a symbolic representation of our Buddha nature. In our practice, on the other hand, we pray to it as if it were the actual embodiment of the Daishonin's enlightened life so that we may gain confidence that the selfsame nature exists within our lives as well. Viewing the Gohonzon as the embodiment of the Daishonin's enlightenment is not simplistic make-believe, although the Gohonzon physically remains as paper and ink; it is the affirmation of our faith in the Daishonin's enlightenment and in our own enlightened potential. The Gohonzon, in a sense, serves on behalf of the absent Daishonin as a concrete example of attaining enlightenment.
The Gohonzon, in this way, helps our practice as both symbol and embodiment of Buddhahood. It must be noted, however, that the Gohonzon as an embodiment of enlightenment should not be taken to mean the mysterious presence of the divine in the inanimate object. The Gohonzon becomes an embodiment of Buddhahood through our faith and practice. In other words, the importance of the Gohonzon as the embodiment of the Daishonin's enlightenment is meaningful and real only to the extent that practitioners pray to it with faith and view it as an example to follow, not as an external saving force. The meaning of the Gohonzon as intended by the Daishonin, in this sense, is created through a dynamic interaction between the object of devotion and its devotee. The significance of the Gohonzon, therefore, would be incomplete without the practitioner's faith and practice.
The Treasure Tower: the Imagery of the Gohonzon
The design of the Gohonzon dates back to the origin of Mahayana Buddhism, which took shape around the turn of the first century in India. In reaction to monastic Buddhism, which emphasized personal salvation through austerities, Mahayana Buddhists stressed the importance of altruism and the role of lay practitioners (i.e., bodhisattvas) to spread the teachings. The Mahayanists called their doctrine “Mahayana” or “the greater vehicle” to carry the masses to the shore of enlightenment while referring to monastic Buddhism as “Hinayana” or “the lesser vehicle.” The popular Mahayana movement developed around the worship of stupas—mounds or towers originally built to enshrine Shakyamuni's relics. After Shakyamuni's death, which is dated by many scholars around the fourth or fifth century before the Common Era, his lay followers started to build these stupas, especially during the reign of King Ashoka (268-232 BCE), who was the third ruler of the Maurya dynasty and the first king to unify India. Many lay followers gathered around the stupas and paid homage to the Buddha, who was now absent.
The popularity of stupa worship is evident in the central role of the jeweled tower in the Lotus Sutra, one of the early Mahayana sutras, which is thought to have been compiled around the first century.8 The Daishonin used the stupa or “treasure tower” from the Lotus Sutra as a chief graphic motif for inscribing the Gohonzon. Down the center of the Gohonzon is written “Nam-myoho-renge-kyo Nichiren,” which signifies his awakening to the universal law of Nam-myoho-renge-kyo or Buddhahood. As he explains, “The treasure tower is Nam-myoho-renge-kyo” (WND, 299), the Daishonin views the treasure tower depicted in the Lotus Sutra as symbolic of the Buddha nature inherent within the lives of all people. Thus he addresses one of his disciples as follows: “Abutsu-bo is therefore the treasure tower itself, and the treasure tower is Abutsu-bo himself” (WND, 299).
The inscriptions on both sides of “Nam-myoho-renge-kyo Nichiren” on the Gohonzon depict the assembly of various living beings who gather around the treasure tower to listen to Shakyamuni's preaching as described in the Lotus Sutra. Some of them are not even humans, such as the dragon king's daughter who demonstrates her enlightenment. The diversity of this so-called Assembly in the Air in the Lotus Sutra reflects the nature of the early stupa worship, which was not limited to the elite priestly class but was open to people from all walks of life. These inscriptions on the Gohonzon represent the ten states of existence (i.e., the Ten Worlds): intense suffering and despair (Hell); insatiable desires (Hunger); selfish foolishness (Animality); arrogance and belligerence (Anger); transient calmness (Humanity); intense yet temporary rapture (Heaven); self-improvement (Learning); self-awakening to the partial truths of nature and humanity (Realization); altruism (Bodhisattva); and the indestructible state of happiness rooted in compassion and wisdom (Buddhahood). The Gohonzon graphically shows that each of these ten states of existence—when firmly grounded in the law of Nam-myoho-renge-kyo—exhibits its most positive functions to nurture one's life and happiness. For example, although we may find ourselves in the state of Hell, through our prayer to the Gohonzon, we can transform our intense suffering and despair into a source of strength and hope to overcome our difficulties. Incidentally, some ritual aspects involving our practice to the Gohonzon may be reminiscent of the stupa worship of the early Mahayana Buddhists. For example, the sounding of the bell may derive from the offerings of music often performed in front of a stupa. Other offerings to the Gohonzon may also be traced backed to early stupa worship, such as the offerings of flowers and incense as depicted in the Lotus Sutra.
Words and Imagery: Subjective Universality
The mode of expression that the Daishonin chose for the imagery of the treasure tower is unique. He depicted the treasure tower and the surrounding assembly of various beings in written characters. While there are examples of pictorial depictions of the treasure tower or calligraphic religious objects that predate the Gohonzon,9 the Daishonin's imagery of the treasure tower depicted solely in written characters was rare if not unprecedented. His use of graphic characters follows the emphasis placed on scriptures in the Buddhist tradition .After Shakyamuni's death, stupas containing Shakyamuni's relics became objects of veneration among lay practitioners. Soon the pictorial and sculptural images of Shakyamuni and other imagined Buddhas, as well as bodhisattvas and Buddhist deities, were produced as religious icons. Furthermore, especially within the Mahayana tradition, greater emphasis was placed on scriptures, even to the point where people literally worshiped the scrolls of Buddhist texts. For example, in medieval India, the Wisdom (Skt Prajnaparamita) sutras became the objects of devotion among many Mahayana Buddhists.10 Regarding the religious importance of scriptures within the Mahayana tradition, Jacob N. Kinnard comments: “Relics and stupas are certainly worthy of veneration…but the book is more valuable and more valued, because the book is the source of the Tathagata's wisdom, and consequently the source of his attainment of enlightenment, and thus the source of the value of the relics.”11
The Daishonin also often stresses the important role of written materials, particularly the Lotus Sutra. For example, he states: “The Lotus Sutra is both the teaching of the Buddha and the embodiment of the Buddha wisdom. If one puts sincere faith in each character and brushstroke in it, then one will become a Buddha in one's present form” (WND, 969). In refuting medieval Zen Buddhism, which rejected the role of Buddhist scriptures, the Daishonin states: “If one disregards written characters, what else could one regard as the Buddha's work?” (Gosho Zenshu, p. 153). He also writes: “Characters are the forms that manifest the minds of all living beings” (GZ, 380).
The Daishonin's use of written characters as a medium for the Gohonzon reflects his strong belief in the role of written materials in communicating not only the material reality of things, but also the spiritual reality of humanity. The Daishonin's use of the treasure tower's imagery as a graphic motif for the Gohonzon and his use of written characters as a medium of expression show his profound insight into the nature of religious worship. He seems to have understood how an image and a written text speak differently to our minds. In inscribing the Gohonzon as an image expressed in characters, the Daishonin unifies the specificity of a graphic image with the universality of written characters to convey the reality of the Buddha nature that is unique to each person and simultaneously universal to all people. The subjective yet universal aspect of the Buddha nature is at the core of the Daishonin's teaching, which promotes our awareness of the supreme potential not only in our lives but in the lives of others as well.
The Gohonzon is concrete in the sense that it depicts a specific image. But it is not a pictorial image of the treasure tower, Shakyamuni or Nichiren Daishonin himself. If the Gohonzon took such a form, it would be easy to view the Gohonzon as a depiction of someone else's life or an event far removed from our lives. If the Gohonzon were rendered as the Daishonin's image, for example, we might respect it, but we would not identify with it. For we simply don't look like a thirteenth-century Japanese monk! The Daishonin instead created the Gohonzon in characters to depict the specific imagery of the treasure tower from the Lotus Sutra, which symbolizes our innate Buddhahood. Written characters are suited to express universal concepts. But they are often abstract and lack a sense of immediacy. Images, on the other hand, are better suited to elicit personal responses from their viewers because they are more immediate to our senses. The Gohonzon, in terms of its graphic motif and calligraphic medium, is a hybrid of written and visual communication. Judging from the way the Daishonin chose to inscribe the Gohonzon, he probably intended it to communicate both conceptually and sensuously to our minds the universality of the Buddha nature and its immediacy to our lives.
Jean Paul Friedrich Richter, a German literary critic, explains the subjective yet universal nature of poetry as follows: “Poetry should become like the moon, which by night follows one wanderer in the woods from peak to peak and at the same time another from wave to wave and thus attends each, while it simply describes its great arc across heaven and yet ultimately draws it around the earth and around the wanderers also.”12
Richter's analogy of the moon is fit to describe the functions of the Gohonzon. The Gohonzon illuminates the existence of Buddhahood for each practitioner. At the same time, the Gohonzon traces the orbit of enlightenment for all people to see. The Gohonzon—like the moon individually following all travelers on earth—sheds light on the innate Buddhahood in each of us.
The Daishonin's intent to make the Gohonzon's meaning universal to all people is also evident in the linguistic and cultural aspects of the Gohonzon. He used the words and personages of India, China and Japan to depict the Gohonzon.13
Two Buddhist deities are inscribed in a medieval Sanskrit orthography; Great Bodhisattva Hachiman comes from Japanese mythology, and there is the Great Teacher T'ien-t'ai, who established the Lotus Sutra's supremacy in medieval China. In medieval Japan, those three countries were viewed as the entirety of the civilized world. In other words, the Daishonin probably wished to make the Gohonzon universal in its language and content as well.
Some of the physical features of the Gohonzon suggest the Daishonin's minute considerations to make the object of devotion suited to the message that it carries to each and all practitioners: the personal yet universal reality of the Buddha nature. Of course, what is most important in our practice is the act of chanting Nam-myoho-renge-kyo to the Gohonzon. The seemingly minor details of the Gohonzon, however, sometimes reveal much about the Daishonin's wisdom and compassion. The goal of this article is that knowing those details may help us become more aware of the Daishonin's intent behind his inscription of the Gohonzon and thereby pray more strongly and confidently.
1. The Oxford Dictionary of the Christian Church. 3rd edition. Oxford: Oxford University Press, 1997. “Iconoclastic Controversy,” pp. 815-16.
2. Ibid. “Eucharist,” p. 567; “Transubstantiation,” p. 1637.
3. Ibid. “Consubstantiation,” p. 408.
4. Ibid. “Eucharist,” p. 567.
5. The object of devotion in Nichiren Daishonin's Buddhism is called the Gohonzon. “Go” is an honorific prefix, and “honzon” means an object of fundamental respect.
6. Many Treasures is a Buddha who appeared, seated within the treasure tower at the Ceremony in the Air, in order to lend credence to Shakyamuni's teachings in the Lotus Sutra.
7. Three kinds of body that a Buddha possesses, namely: (1) the Dharma body, which indicates the fundamental truth or Law to which a Buddha is enlightened; (2) the reward body, which indicates the wisdom; and (3) the manifested body, or the merciful actions of a Buddha to save people and the physical form that he assumes for that purpose. The three bodies are generally considered to be three different types of Buddhas, but in the Lotus Sutra they are shown to be the three aspects of a single Buddha (“Glossary, ”WND, 1275).
8.Nakamura, Hajime. Indian Buddhism: A Survey with Bibliographical Notes. Delhi: Motilal Banarsidass Publishers, 1989. p. 186.
9. Stone, Jacqueline I. Original Enlightenment and the Transformation of Medieval Japanese Buddhism. Honolulu: University of Hawaii Press, 1999. pp. 272-88.
10. Kinnard, Jacob N. Imaging Wisdom: Seeing and Knowing in the Art of Indian Buddhism. Surrey: Curzon Press, 1999. pp. 114-47.
11. Ibid. p. 119.
12. Richter, Jean Paul Friedrich. “School for Aesthetics.” German Romantic Criticism. The German Library: Vol. 21. Ed. A. Leslie Willson. New York: Continuum, 1982. p. 45.
13. For the meaning of each inscription on the Gohonzon, see the “Diagram of the Gohonzon Transcribed by High Priest Nichikan” and “Further Explanation” in Living Buddhism, November 1997, pp. 16-17, pp. 19-24.
The following essay was presented at the SGI-USA Study Department conference held at the Florida Nature and Culture Center on April 21-23, 2000.
One of the most debated issues regarding any religious object is whether it is sacred or represents the sacred. Put another way, is it an actual embodiment or symbol of what is to be revered in worship? Those questions about the nature of religious objects have played no small part in the history of religion.
The Iconoclastic Controversy in which Christians debated the merits of religious icons is considered the last step toward the great schism between the Roman Catholic Church and the Greek Orthodox Church in 1054.1 The interpretation of the Eucharist—the consecrated bread and wine used in Holy Communion—has been another source of doctrinal disputes in the Christian Church since the earlier Middle Ages, especially during the Reformation period. At the thirteenth session of the Council of Trent held in 1551, the Roman Catholic Church reaffirmed its doctrine of transubstantiation, asserting the conversion of the whole substance of the bread and wine into the whole substance of the Body and Blood of Christ, only the appearances of the bread and wine remaining after the consecration.2
The Protestants opposed this view. For example, Martin Luther claimed that after the consecration, the substances both of the Body and Blood of Christ and of the bread and wine coexist in union with each other.3 Ulrich Zwingli, on the other hand, affirmed that the Lord's Supper was primarily a memorial rite, and that there was no change in the elements whatever.4
As evident in the history of Christianity, religious objects often trigger tension and anxiety for those who think that the divine is beyond material expression. At the same time, people tend to seek something tangible as an object or expression of their devotion. Some people regard a sign of the divine as the divine itself while others reduce the significance of a sacred object to a ritual symbol devoid of its own spirituality. The nature of a religious object, in this way, is often at the center of theological debate and confusion in many religions.
Is the Gohonzon a Symbol or the Embodiment?
In the case of Nichiren Daishonin's Buddhism, its object of devotion works as both symbol and embodiment. When people look at the Gohonzon5 for the first time, what do they see? What do they make of it' It is a scroll with unfamiliar inscriptions, but is it a religious icon or sacred formula? Whatever their reaction, it is difficult not to notice oriental calligraphic characters arranged in a specific pattern— though most have no idea what those characters mean or why they are arranged that way. As our first impressions of things often reveal some important insights into their nature, what most of us first notice about the appearance of the Gohonzon, that is, its written characters and their graphic arrangement, provides us with some clues to Nichiren Daishonin's intent in creating this object of devotion.
In one sense, the Gohonzon represents the Daishonin's enlightenment and, thereby, our innate Buddha nature. The Gohonzon is a symbol of all people's potential Buddhahood; it signifies something other than itself. This is why the Daishonin explains to his elderly disciple Abutsu-bo the meaning of his offerings to the Gohonzon—which is referred to as “the treasure tower”—as follows: “You may think you offered gifts to the treasure tower of the Thus Come One Many Treasures,6 but that is not so. You offered them to yourself. You, yourself, are a Thus Come One who is originally enlightened and endowed with the three bodies.7 You should chant Nam-myoho-renge-kyo with this conviction” (The Writings of Nichiren Daishonin, pp. 299-300). Here the Daishonin explains that when we pray to the Gohonzon, the Gohonzon is pointing our attention to our own innate Buddha nature. The Gohonzon reflects our reverence back to our supreme inner potential. In this sense, the Gohonzon functions as a pointer to our Buddhahood; it is a symbolic representation. In the above passage, therefore, the Daishonin cautions us not to mistake the sign for the signified, which would externalize and objectify the Buddhahood that actually resides within us.
From another perspective, however, the Gohonzon functions as an embodiment of the Daishonin's enlightenment. The Gohonzon is not intrinsically a self-conscious, living entity embodying the Daishonin's enlightenment, but it functions in our practice as if it were. The Daishonin explains: “I, Nichiren, have inscribed my life in sumi ink, so believe in the Gohonzon with your whole heart. The Buddha's will is the Lotus Sutra, but the soul of Nichiren is nothing other than Nam-myoho-renge-kyo” (WND, 412). When we put our faith in the Gohonzon and pray to it in the spirit of this passage, the Gohonzon transforms itself from mere paper and ink into a concrete manifestation of the Daishonin's enlightenment in the reality of our consciousness. The Gohonzon thus works as an external stimulus that calls forth our inner potential of Buddhahood. On one hand, we know that the Gohonzon is a symbolic representation of our Buddha nature. In our practice, on the other hand, we pray to it as if it were the actual embodiment of the Daishonin's enlightened life so that we may gain confidence that the selfsame nature exists within our lives as well. Viewing the Gohonzon as the embodiment of the Daishonin's enlightenment is not simplistic make-believe, although the Gohonzon physically remains as paper and ink; it is the affirmation of our faith in the Daishonin's enlightenment and in our own enlightened potential. The Gohonzon, in a sense, serves on behalf of the absent Daishonin as a concrete example of attaining enlightenment.
The Gohonzon, in this way, helps our practice as both symbol and embodiment of Buddhahood. It must be noted, however, that the Gohonzon as an embodiment of enlightenment should not be taken to mean the mysterious presence of the divine in the inanimate object. The Gohonzon becomes an embodiment of Buddhahood through our faith and practice. In other words, the importance of the Gohonzon as the embodiment of the Daishonin's enlightenment is meaningful and real only to the extent that practitioners pray to it with faith and view it as an example to follow, not as an external saving force. The meaning of the Gohonzon as intended by the Daishonin, in this sense, is created through a dynamic interaction between the object of devotion and its devotee. The significance of the Gohonzon, therefore, would be incomplete without the practitioner's faith and practice.
The Treasure Tower: the Imagery of the Gohonzon
The design of the Gohonzon dates back to the origin of Mahayana Buddhism, which took shape around the turn of the first century in India. In reaction to monastic Buddhism, which emphasized personal salvation through austerities, Mahayana Buddhists stressed the importance of altruism and the role of lay practitioners (i.e., bodhisattvas) to spread the teachings. The Mahayanists called their doctrine “Mahayana” or “the greater vehicle” to carry the masses to the shore of enlightenment while referring to monastic Buddhism as “Hinayana” or “the lesser vehicle.” The popular Mahayana movement developed around the worship of stupas—mounds or towers originally built to enshrine Shakyamuni's relics. After Shakyamuni's death, which is dated by many scholars around the fourth or fifth century before the Common Era, his lay followers started to build these stupas, especially during the reign of King Ashoka (268-232 BCE), who was the third ruler of the Maurya dynasty and the first king to unify India. Many lay followers gathered around the stupas and paid homage to the Buddha, who was now absent.
The popularity of stupa worship is evident in the central role of the jeweled tower in the Lotus Sutra, one of the early Mahayana sutras, which is thought to have been compiled around the first century.8 The Daishonin used the stupa or “treasure tower” from the Lotus Sutra as a chief graphic motif for inscribing the Gohonzon. Down the center of the Gohonzon is written “Nam-myoho-renge-kyo Nichiren,” which signifies his awakening to the universal law of Nam-myoho-renge-kyo or Buddhahood. As he explains, “The treasure tower is Nam-myoho-renge-kyo” (WND, 299), the Daishonin views the treasure tower depicted in the Lotus Sutra as symbolic of the Buddha nature inherent within the lives of all people. Thus he addresses one of his disciples as follows: “Abutsu-bo is therefore the treasure tower itself, and the treasure tower is Abutsu-bo himself” (WND, 299).
The inscriptions on both sides of “Nam-myoho-renge-kyo Nichiren” on the Gohonzon depict the assembly of various living beings who gather around the treasure tower to listen to Shakyamuni's preaching as described in the Lotus Sutra. Some of them are not even humans, such as the dragon king's daughter who demonstrates her enlightenment. The diversity of this so-called Assembly in the Air in the Lotus Sutra reflects the nature of the early stupa worship, which was not limited to the elite priestly class but was open to people from all walks of life. These inscriptions on the Gohonzon represent the ten states of existence (i.e., the Ten Worlds): intense suffering and despair (Hell); insatiable desires (Hunger); selfish foolishness (Animality); arrogance and belligerence (Anger); transient calmness (Humanity); intense yet temporary rapture (Heaven); self-improvement (Learning); self-awakening to the partial truths of nature and humanity (Realization); altruism (Bodhisattva); and the indestructible state of happiness rooted in compassion and wisdom (Buddhahood). The Gohonzon graphically shows that each of these ten states of existence—when firmly grounded in the law of Nam-myoho-renge-kyo—exhibits its most positive functions to nurture one's life and happiness. For example, although we may find ourselves in the state of Hell, through our prayer to the Gohonzon, we can transform our intense suffering and despair into a source of strength and hope to overcome our difficulties. Incidentally, some ritual aspects involving our practice to the Gohonzon may be reminiscent of the stupa worship of the early Mahayana Buddhists. For example, the sounding of the bell may derive from the offerings of music often performed in front of a stupa. Other offerings to the Gohonzon may also be traced backed to early stupa worship, such as the offerings of flowers and incense as depicted in the Lotus Sutra.
Words and Imagery: Subjective Universality
The mode of expression that the Daishonin chose for the imagery of the treasure tower is unique. He depicted the treasure tower and the surrounding assembly of various beings in written characters. While there are examples of pictorial depictions of the treasure tower or calligraphic religious objects that predate the Gohonzon,9 the Daishonin's imagery of the treasure tower depicted solely in written characters was rare if not unprecedented. His use of graphic characters follows the emphasis placed on scriptures in the Buddhist tradition .After Shakyamuni's death, stupas containing Shakyamuni's relics became objects of veneration among lay practitioners. Soon the pictorial and sculptural images of Shakyamuni and other imagined Buddhas, as well as bodhisattvas and Buddhist deities, were produced as religious icons. Furthermore, especially within the Mahayana tradition, greater emphasis was placed on scriptures, even to the point where people literally worshiped the scrolls of Buddhist texts. For example, in medieval India, the Wisdom (Skt Prajnaparamita) sutras became the objects of devotion among many Mahayana Buddhists.10 Regarding the religious importance of scriptures within the Mahayana tradition, Jacob N. Kinnard comments: “Relics and stupas are certainly worthy of veneration…but the book is more valuable and more valued, because the book is the source of the Tathagata's wisdom, and consequently the source of his attainment of enlightenment, and thus the source of the value of the relics.”11
The Daishonin also often stresses the important role of written materials, particularly the Lotus Sutra. For example, he states: “The Lotus Sutra is both the teaching of the Buddha and the embodiment of the Buddha wisdom. If one puts sincere faith in each character and brushstroke in it, then one will become a Buddha in one's present form” (WND, 969). In refuting medieval Zen Buddhism, which rejected the role of Buddhist scriptures, the Daishonin states: “If one disregards written characters, what else could one regard as the Buddha's work?” (Gosho Zenshu, p. 153). He also writes: “Characters are the forms that manifest the minds of all living beings” (GZ, 380).
The Daishonin's use of written characters as a medium for the Gohonzon reflects his strong belief in the role of written materials in communicating not only the material reality of things, but also the spiritual reality of humanity. The Daishonin's use of the treasure tower's imagery as a graphic motif for the Gohonzon and his use of written characters as a medium of expression show his profound insight into the nature of religious worship. He seems to have understood how an image and a written text speak differently to our minds. In inscribing the Gohonzon as an image expressed in characters, the Daishonin unifies the specificity of a graphic image with the universality of written characters to convey the reality of the Buddha nature that is unique to each person and simultaneously universal to all people. The subjective yet universal aspect of the Buddha nature is at the core of the Daishonin's teaching, which promotes our awareness of the supreme potential not only in our lives but in the lives of others as well.
The Gohonzon is concrete in the sense that it depicts a specific image. But it is not a pictorial image of the treasure tower, Shakyamuni or Nichiren Daishonin himself. If the Gohonzon took such a form, it would be easy to view the Gohonzon as a depiction of someone else's life or an event far removed from our lives. If the Gohonzon were rendered as the Daishonin's image, for example, we might respect it, but we would not identify with it. For we simply don't look like a thirteenth-century Japanese monk! The Daishonin instead created the Gohonzon in characters to depict the specific imagery of the treasure tower from the Lotus Sutra, which symbolizes our innate Buddhahood. Written characters are suited to express universal concepts. But they are often abstract and lack a sense of immediacy. Images, on the other hand, are better suited to elicit personal responses from their viewers because they are more immediate to our senses. The Gohonzon, in terms of its graphic motif and calligraphic medium, is a hybrid of written and visual communication. Judging from the way the Daishonin chose to inscribe the Gohonzon, he probably intended it to communicate both conceptually and sensuously to our minds the universality of the Buddha nature and its immediacy to our lives.
Jean Paul Friedrich Richter, a German literary critic, explains the subjective yet universal nature of poetry as follows: “Poetry should become like the moon, which by night follows one wanderer in the woods from peak to peak and at the same time another from wave to wave and thus attends each, while it simply describes its great arc across heaven and yet ultimately draws it around the earth and around the wanderers also.”12
Richter's analogy of the moon is fit to describe the functions of the Gohonzon. The Gohonzon illuminates the existence of Buddhahood for each practitioner. At the same time, the Gohonzon traces the orbit of enlightenment for all people to see. The Gohonzon—like the moon individually following all travelers on earth—sheds light on the innate Buddhahood in each of us.
The Daishonin's intent to make the Gohonzon's meaning universal to all people is also evident in the linguistic and cultural aspects of the Gohonzon. He used the words and personages of India, China and Japan to depict the Gohonzon.13
Two Buddhist deities are inscribed in a medieval Sanskrit orthography; Great Bodhisattva Hachiman comes from Japanese mythology, and there is the Great Teacher T'ien-t'ai, who established the Lotus Sutra's supremacy in medieval China. In medieval Japan, those three countries were viewed as the entirety of the civilized world. In other words, the Daishonin probably wished to make the Gohonzon universal in its language and content as well.
Some of the physical features of the Gohonzon suggest the Daishonin's minute considerations to make the object of devotion suited to the message that it carries to each and all practitioners: the personal yet universal reality of the Buddha nature. Of course, what is most important in our practice is the act of chanting Nam-myoho-renge-kyo to the Gohonzon. The seemingly minor details of the Gohonzon, however, sometimes reveal much about the Daishonin's wisdom and compassion. The goal of this article is that knowing those details may help us become more aware of the Daishonin's intent behind his inscription of the Gohonzon and thereby pray more strongly and confidently.
1. The Oxford Dictionary of the Christian Church. 3rd edition. Oxford: Oxford University Press, 1997. “Iconoclastic Controversy,” pp. 815-16.
2. Ibid. “Eucharist,” p. 567; “Transubstantiation,” p. 1637.
3. Ibid. “Consubstantiation,” p. 408.
4. Ibid. “Eucharist,” p. 567.
5. The object of devotion in Nichiren Daishonin's Buddhism is called the Gohonzon. “Go” is an honorific prefix, and “honzon” means an object of fundamental respect.
6. Many Treasures is a Buddha who appeared, seated within the treasure tower at the Ceremony in the Air, in order to lend credence to Shakyamuni's teachings in the Lotus Sutra.
7. Three kinds of body that a Buddha possesses, namely: (1) the Dharma body, which indicates the fundamental truth or Law to which a Buddha is enlightened; (2) the reward body, which indicates the wisdom; and (3) the manifested body, or the merciful actions of a Buddha to save people and the physical form that he assumes for that purpose. The three bodies are generally considered to be three different types of Buddhas, but in the Lotus Sutra they are shown to be the three aspects of a single Buddha (“Glossary, ”WND, 1275).
8.Nakamura, Hajime. Indian Buddhism: A Survey with Bibliographical Notes. Delhi: Motilal Banarsidass Publishers, 1989. p. 186.
9. Stone, Jacqueline I. Original Enlightenment and the Transformation of Medieval Japanese Buddhism. Honolulu: University of Hawaii Press, 1999. pp. 272-88.
10. Kinnard, Jacob N. Imaging Wisdom: Seeing and Knowing in the Art of Indian Buddhism. Surrey: Curzon Press, 1999. pp. 114-47.
11. Ibid. p. 119.
12. Richter, Jean Paul Friedrich. “School for Aesthetics.” German Romantic Criticism. The German Library: Vol. 21. Ed. A. Leslie Willson. New York: Continuum, 1982. p. 45.
13. For the meaning of each inscription on the Gohonzon, see the “Diagram of the Gohonzon Transcribed by High Priest Nichikan” and “Further Explanation” in Living Buddhism, November 1997, pp. 16-17, pp. 19-24.
May 14, 2013
Building Blocks of Happiness
May 4, 2013
The Way We See Ourselves
Enlightenment or human revolution is to change the way we see ourselves.
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by ~Basistka |
An important aspect of what we call enlightenment or
human revolution is to change the way we see ourselves to see the
unconditional value of life within us, which neither requires comparison
with others nor depends upon our transient appearance. It is a simple
idea yet requires a difficult change of perspective since we have been
trained for most of our lives to judge ourselves by how well we fulfill
our socially prescribed roles in comparison with others. Those roles are
often related to status or gender but rarely to our individual
uniqueness.
As early as our social life begins, we start learning to judge ourselves in terms of others: I'm not as smart as other kids or I'm not as slim as other girls. Later in life, we still judge our worth in the same way: I'm a loser because I don't make as much money as most successful men do or I'm miserable because I'm not married as all happy women should be. With subtle yet repeated reinforcement and censure from society and media, we learn to live our lives through the eyes of others, to think of our happiness in terms of the ideas borrowed from or imposed upon us by others. In America, people are free to express their thoughts, but not many seem to have thoughts or even feelings of their own.
Nichiren Daishonin explains our innate Buddhahood as an absolute value of goodness, often describing it with expressions such as unmade (Jpn musa), originally endowed (Jpn hon'nu) or eternally dwelling (Jpn joju). Buddhahood, in other words, is good in and of itself, not because of exter- nal conditions or circumstances. To awaken to this treasure within us is happiness while our ignorance of it spells suffering. As the Daishonin states, When deluded, one is called an ordinary being, but when enlightened, one is called a Buddha (The Writings of Nichiren Daishonin, p. 4).
The sad irony of modern men and women who have lost touch with their own lives is echoed in the Daishonin's following words: If you seek enlightenment outside yourself, then your performing...even ten thousand good deeds will be in vain. It is like the case of a poor man who spends night and day counting his neighbor's wealth but gains not even half a coin (WND, 3). All the hard work we do for our success and happiness would be wasted if those ideas were simply imposed on us from the outside and naively accepted without critical thinking and reflection.
Deriving self-worth by comparing ourselves with others is one of our most destructive habits. It may be even described as a form of self-inflicted violence since it weakens us by de-centering our existence in the sense that it shifts the center of power to decide the meaning of our lives to the outside. We let others decide what our happiness is, instead of deciding for ourselves. With the power of self-determination lost to external authority, we are no longer free nor independent. Since we live in a competitive society where this sort of comparison is encouraged and often unavoidable, it is a difficult habit to break, but to do so is crucial to our genuine happiness and freedom.
It is ironic that the original meaning of the word compete derives from the Latin com- together and petere seek or strive. Competition did not originally connote comparison; it meant strive together after shared goals. Just as the Daishonin characterizes the state of Anger with contention and strife (WND, 100), competition in society often gives rise to anger, overt or suppressed.
To judge self-worth by comparing oneself with others is essentially an authoritarian way of life in which one seeks comfort and security in the approval of an external power. To unlearn such an authoritarian orientation and build a society in which people may live true to their unique identities is certainly an aspiration of our multifaceted Soka Spirit movement, which aims for the liberation of individuals from all forms of authoritarianism, both within and without.
One way to overcome our tendency to compare ourselves with others is through learning how to praise ourselves for our unique, intrinsic value. A common concern about self-praise is that it may cause arrogance, probably due to our Judeo-Christian tradition in which self-humiliation is often regarded as a necessary virtue to praise God, while self-praise is deemed as a sign of pride, which is one of the seven deadly sins. It should be noted, however, that arrogance is a defensive posture caused by a tendency to assume a sense of superiority or inferiority by comparing oneself with others.
Therefore, so long as we praise ourselves solely for who we are and for our innate Buddhahood, we will never become arrogant, though we may at times seem arrogant to arrogant people. Indeed, the greatest way to praise ourselves is prayer that sincerely affirms our supreme potential as the Daishonin states, When you chant myoho and recite renge, you must summon up deep faith that Myoho-renge-kyo is your life itself (WND, 3). As we praise ourselves in this way, we will grow confident yet humble because we start to recognize the same quality of Buddhahood in others as well. Appreciation for oneself leads to appreciation for others, which further strengthens self-esteem. The way we see ourselves is not only the way we live our lives, but also the way we relate to others.
(Originally published in the World Tribune, Nov. 9, 2001)
Apr 18, 2013
Mind of Faith
By Daisaku Ikeda
No matter how healthy, intelligent or affluent we may be, if our minds are weak, then our happiness will also be frail and brittle. Our minds of faith, moreover, enable us to bring out the full positive potential in all things and situations, so it is crucial that we strive to forge our minds of faith. (2/2/93)
Mahatma Gandhi (1869—1948) once said that people become the people they expect themselves to be. Your mind, your ichinen, determines your future, your life. (3/9/93)
Faith is the secret to happiness for all people. When you truly forge your mind of faith, you will become an eternal victor throughout the three existences of past, present and future. Strong faith enables you to display appropriate wisdom, so that you can take advantage of change and move forward in the direction of hope and victory. (1/31/93)
It may seem perfectly all right to put ourselves and our wishes first, to simply follow the dictates of our emotions and cravings, but the truth is that there is nothing more unreliable than our own minds. Life doesn't always go like clockwork and things will not necessarily turn out as we had hoped or planned. Consequently, Nichiren Daishonin frequently stressed that you should become the master of your mind, not let your mind master you. We mustn't allow ourselves to be ruled by a self-centered mind. Rather, we have to discipline our mind and gain mastery over it. This is the Daishonin's strict admonition. (8/27/97)
As long as our mind of faith is connected to the Gohonzon, our benefits will never disappear. That's why it is vital to per-severe in our Buddhist practice throughout our lives, no matter what, even if on some days our physical condition or other circumstances prevent us from doing gongyo and chanting daimoku to our full satisfaction. Those who continue to challenge themselves to the end savor ultimate victory.(1/31/
93)
The mind of faith is invisible. Those who advance together with this organization dedicated to kosen-rufu will evolve the correct mind of faith that matches the time. With this mind of faith, you can fill the canvas of your lives with portraits of happiness in which all your wishes are fulfilled.(1/ 31/93)
No matter how healthy, intelligent or affluent we may be, if our minds are weak, then our happiness will also be frail and brittle. Our minds of faith, moreover, enable us to bring out the full positive potential in all things and situations, so it is crucial that we strive to forge our minds of faith. (2/2/93)
Mahatma Gandhi (1869—1948) once said that people become the people they expect themselves to be. Your mind, your ichinen, determines your future, your life. (3/9/93)
Faith is the secret to happiness for all people. When you truly forge your mind of faith, you will become an eternal victor throughout the three existences of past, present and future. Strong faith enables you to display appropriate wisdom, so that you can take advantage of change and move forward in the direction of hope and victory. (1/31/93)
It may seem perfectly all right to put ourselves and our wishes first, to simply follow the dictates of our emotions and cravings, but the truth is that there is nothing more unreliable than our own minds. Life doesn't always go like clockwork and things will not necessarily turn out as we had hoped or planned. Consequently, Nichiren Daishonin frequently stressed that you should become the master of your mind, not let your mind master you. We mustn't allow ourselves to be ruled by a self-centered mind. Rather, we have to discipline our mind and gain mastery over it. This is the Daishonin's strict admonition. (8/27/97)
As long as our mind of faith is connected to the Gohonzon, our benefits will never disappear. That's why it is vital to per-severe in our Buddhist practice throughout our lives, no matter what, even if on some days our physical condition or other circumstances prevent us from doing gongyo and chanting daimoku to our full satisfaction. Those who continue to challenge themselves to the end savor ultimate victory.(1/31/
The mind of faith is invisible. Those who advance together with this organization dedicated to kosen-rufu will evolve the correct mind of faith that matches the time. With this mind of faith, you can fill the canvas of your lives with portraits of happiness in which all your wishes are fulfilled.(1/
Apr 8, 2013
Sympathy for the Devil
“Please
allow me to introduce myself,” says The Devil in the Rolling Stones’
classic tune “Sympathy for the Devil.”
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by *mimulux |
Unfortunately, devils are not
usually so obvious. By nature, they are devious and hard to identify. In
addition, our powers to discern good and evil are diminished by two
things: our own ignorance or delusion and the cunning of “the devil
himself.”
In Nichiren Buddhism “devils” symbolize a function of life. No one actually is a devil, but everyone has the potential to think and behave in a devilish fashion. Terms like devil and evil
define modes of human behavior—our own or others’—that can hinder our
ability to respect the Buddha nature in ourselves or in others.
Nichiren
Daishonin writes of how difficult it is to discern good from evil while
in an unenlightened state. He refers to this as a “dream realm,” in
which our minds are “invariably engaged with phantoms, and so it gives
rise to phantom capacities, phantom receptiveness, phantom responses…” (The Writings of Nichiren Daishonin, vol. 2, p. 836). Or, he writes, that people have “become drunk on the bad liquor of inner darkness” (WND-1, 478).
To awaken from our dream state, to sober from our drunkenness of
ignorance, we practice Buddhism as members of the SGI, dedicated to
awakening and encouraging one another.
Sneakiness and cunning are the devil’s calling cards;
according to Nichiren, obstacles and devilish functions arise in
“confusing form” (WND-1, 281) to hinder one’s Buddhist practice, or to
create division and mistrust among fellow Buddhists. For one who is
taken in by these, he says, “The devil will watch over him like a
parent” (WND-1, 770).
Devilish functions or the people who embody them often take on an attractive and sympathetic appearance like the “man of wealth and taste” in the Stones’ song. But to sympathize with those who behave in a devilish manner, who hinder the advancement of kosen-rufu,
serves neither them nor ourselves. Their error is critical and driven
by the worst in human nature—to diminish the value of others, to use
others for their own gain, with the effect of estranging people from the
community of believers who propagate the most powerful Law, which can
relieve suffering.
Shakyamuni
Buddha thoroughly reproached his follower Devadatta, who, out of
jealousy, tried to destroy the Buddhist Order. The Buddha harshly
criticized him in public to alert everyone, including the transgressor,
to the seriousness of the offense. SGI President Ikeda explains: “It is
by denouncing evil that we can cause such people to open their eyes.
That is because hearing voices resounding with the justice of the Mystic
Law has the effect of activating the Buddha nature that lies dormant in
an evil person’s heart” (June 2003 Living Buddhism, pp. 37–38). When we do this, Nichiren says, we are acting as the offender’s “parent.”
Buddhism
does not view good and evil as a duality, as existing independent of
one another. Even a Buddha possesses the potential for evil. If this
were not so, the principles of “mutual possession of the ten worlds” or
“three thousand realms in a single moment of life” would not be true.
The potential inherent in any condition of life are all the other
possible conditions. The Buddhist principle called the “oneness of good
and evil” means that where there is evil, good is an ever-present
potential, where there is good, evil is always a possibility. As
Nichiren writes, “Good and evil have been inherent in life since time
without beginning” (WND-1, 1113). Since both good and evil are always
present in all life, it becomes each person’s continual challenge to
encourage and nurture good and to suppress evil.
Also,
the good and evil we may see in others reflects the good and evil in
our own lives. They are universal potentials. “I can see me in you” and
“I can see you in me” is a viewpoint basic to Buddhism.
As
Buddhists, we do not presume that anyone is exclusively evil, with no
potential for good. Nor do we assume ourselves to be exclusively good
and incapable of error. Such attitudes are non-Buddhist. To identify
evil and discuss it with the conviction that this will lead to the
growth and benefit of all involved is the purpose of Buddhist dialogue.
In doing so, our aim should always be to inspire and empower others and
to unite people rather than divide them.
—Dave Baldschun
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